Ran Baas (The Abode of Queens),
Qila Mubarak, Patiala, Punjab, India
Image courtesy: Ran Baas, The Palace
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seen from United States
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seen from United States

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Ran Baas (The Abode of Queens),
Qila Mubarak, Patiala, Punjab, India
Image courtesy: Ran Baas, The Palace

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Badshahi Mosque, Lahore, Pakistan, 1978.
November 2025 - A good video explaining how Modi's right-wing pro-business policies are threatening Indian farmers' incomes and Indian food security, and why farmers are protesting against India's far-right RSS government. [video]
Punjab, Pakistan
me and who

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The Thar desert found in India. Most of it is found in the state of Rajasthan (Kings Land - Land of Kings), with parts stretching into Pakistan, the Indian state of Gujurat, Punjab, and Haryana. There is a unique tradition there in the city of Bikaner - the camel festival.
Some architecture from the area:
This is an utterly beautiful place in the world and just one of so many gems India has to offer. Bikaner has a nifty history of being an oasis trade path through central Asia and Gujurat.
i just watched satluj and i honestly don’t even know how to put my feelings into words.
first of all, i have so much respect and appreciation for shaheed jaswant singh. this film had me crying from start to finish. it’s so raw, so emotional, and it forces you to sit with the pain instead of looking away from it.
what i genuinely don’t understand is why this film was banned over claims that it promotes terrorism. to me, it didn’t feel like that at all. it felt like a film trying to tell a story about grief, injustice, and the experiences of people whose voices are often overlooked. whether people agree with its perspective or not, i don’t think difficult history should automatically be dismissed or silenced.
what’s even more frustrating is the double standard. there are so many mainstream films inspired by real-life conflicts or national security issues that are released without facing the same level of scrutiny. meanwhile, a film centered around the suffering and trauma of countless punjabi families ends up being labeled as something it’s not.
and then you have films that sensationalize conflict or turn it into entertainment. somehow those are considered acceptable, but a film that asks uncomfortable questions is treated differently. that contrast honestly says a lot.
one detail that really stayed with me was kuljeet singh’s courtroom scenes. the first time, you can see how terrified he is. the fear is written all over him and he is lying ALSO USNE USME DASTAR NAHI BANNI
later, when he appears yk to testify again when he says he is afraid of rabb this time usne dastar banni hai, it felt symbolic to me. it was as if he had chosen to stand by what he believed was the truth despite the fear and the consequences. whether or not everyone interprets that scene the same way, i thought it was incredibly powerful.
also very devastating how in reality kuljeet was killed before he could testify in court.
the film also left me thinking about how many people throughout history never got the chance to tell their stories, or were unable to do so. that’s heartbreaking in itself.
you don’t have to agree with every film you watch, but i think stories like these deserve to be discussed rather than shut down. history is complicated, and listening to different perspectives shouldn’t be something we’re afraid of.