#public square

Learning from 19th-Century Evangelicals

What does it take to be a faithful Christian in the public square? In the first half of the 19th century, God used William Wilberforce and the Clapham Sect, along with other Evangelicals, to help bring about profound cultural and social change in Britain—including the abolition of slavery. What lessons can we learn from these leaders about how we engage in public life?

The town square was unusually crowded that afternoon. The autumn air carried a nervous chill, and the murmurs of onlookers echoed between the stone walls of the old city hall. At the center of it all stood Elias, his head bowed in shame, hands locked in the wooden stocks that had been set up as part of a local “Restorative Justice Day.”

He never thought it would come to this.

Just two weeks ago, he’d been darting between bus stops, living by his wits. He was fast, clever, and desperate — the kind of boy who could slip a wallet from a pocket without anyone noticing. His first theft had been out of hunger. The next few were out of habit. By the time he’d been caught, Elias had convinced himself he’d never be.

Until he met Officer Maren.

She’d been riding the 47B bus, dressed like an ordinary passenger, a small paperback in hand. Elias had seen her purse hanging loose by her side — an easy mark, he’d thought. But the moment his fingers brushed the leather, her hand clamped over his wrist like iron.

Now, as punishment, he wasn’t in a jail cell — but here, before the townspeople he’d stolen from. The town had revived an old practice: public accountability, not humiliation. For one hour, he’d stand there, facing the people he’d wronged, hearing their stories. No stones, no jeers — just words.

“Do you understand why you’re here, Elias?” asked Officer Maren, her tone calm but firm.

He swallowed. “Because I stole.”

“And?”

He looked up slightly, eyes flickering over the gathered faces. “Because they trusted me not to.”

Ariadne

Artist: Giorgio de Chirico (Italian (born Greece), 1888–1978)

Date: 1913

Medium: Oil and graphite on canvas

Collection: Metropolitan Museum of Art, New York City, NY, United States

Description

posted by The Humanist Report, May 2, 2025

Summary: An app called Public Square allows MAGA businesses to register for their services, and provides users with a map of these businesses to allow their fellow conservatives to support them.

Public Square seems to have increased in popularity after antifascists discovered it and have begun using it to choose which businesses to boycott. Now, some businesses on the app are claiming innocence and pretending they have no idea how they ended up on it... in reality, it looks like the application process is pretty involved and the app creators vets the businesses on it to ensure they align with their conservative values.

They also have a website.