You're a royal attendant slowly realising that you've lost track of which of the young princess' numerous anti-assassination body doubles is the real one. The royal portraits are so idealised that they look nothing like her, so you can't figure it out that way, and the Queen is a shitty absentee mom who doesn't remember what her own daughter looks like and routinely gets them mixed up, so she'd be no help even if you dared to ask. None of them will break character. You're beginning to suspect they're doing this on purpose.
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I'm so in love with Tessa Sheehan's new SWAN LAKE picture book and I had to do some fanart of her designs for the characters. I bought my own copy, which she kindly sent over, and being such a big fan of her work, I'm so delighted to finally have something of hers in my book collection. Please check out her art and give her some love - you can find her work on @acuriousquirrel via Instagram and Twitter. And she is also on Tumblr as @a-curious-squirrel!
above: illustrations by Tessa Sheehan (@acuriousquirrel) for her SWAN LAKE picture book!
Check out more of my work on other platforms or buy prints!
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Leon comes home late, covered in blood that isn’t his, and thinks you won’t notice.
You hear the front door click shut, the sound muffled and cautious like someone trying to hide the action.
Leon slinks through the entry room with no light on like a black cat through a back alleyway. He doesn't turn on the lights.
There's the faint drag of boots across the floor. A pause in the entryway like he’s deciding whether to commit to being seen.
When he finally steps into the kitchen light, it’s obvious. Leon Kennedy is covered in blood.
He's not injured, not limping, not even breathing hard. Just stained, like Carrie at the prom.
Dark splatters along his jacket, his sleeves, dried streaks at his collar like he tried to wipe it away and gave up halfway through.
He gives you that perfectly crafted ‘nothing's wrong, sweetheart’ smile and acts like everything's fine, like he didn’t just walk through your front door looking like a biohazard.
“Long night,” he says casually, already reaching for the sink.
You don’t move.
He rinses his hands like that’s going to fix anything, water turning faintly pink before disappearing down the drain. He avoids your eyes the whole time.
That’s the part that gives him away.
“You’re going to act like I don’t see that?” you ask quietly.
His shoulders tighten just slightly and then he forces his body into an exaggerated calm, sinking into himself.
“I didn’t want you to worry.”
You let out a slow breath through your nose. “You came home looking like that and thought I wouldn’t?”
For the first time, he looks at you. Really looks, like he’s checking whether you’re angry or just scared.
“…It’s not mine,” he says, softer now.
You step closer anyway, close enough to see the smear at his jaw he missed. Close enough to notice the exhaustion underneath the calm mask.
“I figured that much out,” you say. “What I’m not figuring out is why you thought that would make it better.”
His jaw tightens, then loosens. He exhales like he’s been holding it since he opened the door.
“Because if I tell you what it was,” he says, voice lower, “you’ll never sleep again.”
That lands heavier than the blood ever did.
You reach past him, turn off the faucet, and finally make him still.
“I already wasn’t sleeping,” you say. “Come sit down and tell me all about it.”
This is the cover of a small 20-page children's book I illustrated earlier this year. After drawing over a sketch I do not always save it, so this project was also an unusually clear look at my process. It's not much different from most artists, but it feels very satisfactory to look back at
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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