#postpainterlyabstraction

Free Wheeling, 1971, Helen Frankenthaler

Artist Gene Davis putting finishing touches on his 414-ft-long painting Franklin’s Footpath, painted on street in front of Philadelphia Museum of Art (Henry Groskinsky, 1972) #genedavis #philadelphia #henrygroskinsky #franklinfootpath #painter #multicolor #painting #washingtoncolorschool #colorfieldpainting #postpainterlyabstraction #couleur #peinture #philadelphiamuseumofart #1972 https://www.instagram.com/p/Bzf4ec1oahg/?igshid=1m4g703szvszd

In the catalogue for his first solo exhibition held at Bennington College in 1962, he stated that he saw his canvases as invitations “for the viewer to participate in events, in the activity of color and the relativity of space.” For Stadler, “space . . . and the freedom of the eye to roam” were essential. He enhanced this experience in his art through “deliberate variations.” [Albert Stadler “Untitled” 1965 acrylic on canvas 62 1/2 x 63 1/4 inches] #albertstadler #stadler #colorpainting #colorfield #bennington #paulfeeley #1960s #nycartist #universityofflorida #gainesville #postpainterlyabstraction #abstraction #abstractart #acrylicpainting #colorandfield #modernart #estaterepresentation #berrycampbell (at Berry Campbell) https://www.instagram.com/p/ByWl7pxlR6l/?igshid=uo1gu5itrz35

Free Wheeling, 1971, Helen Frankenthaler

Free Wheeling, 1971, Helen Frankenthaler

Medium: etching

Free Wheeling, 1971, Helen Frankenthaler

New York III, 1972, Helen Frankenthaler