Sep 12, 2025
The Tomb of Virgil at Posillipo, Naples by Hubert Robert
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The Tomb of Virgil at Posillipo, Naples by Hubert Robert
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Di mare ,silenzio,e intimità.
Entrance to the Grotto of Posillipo
Artist: Charles Rémond (French, 1795–1875)
Date: ca. 1822–1842
Medium: Oil on paper, laid down on canvas
Collection: Metropolitan Museum of Art, New York City, NY, United States
Description
The Grotto of Posillipo (or Crypta Neapolitana) is an ancient Roman tunnel carved through volcanic rock in Naples, Italy, linking the city to Pozzuoli, famous for its association with Virgil's Tomb and as a major stop on the 18th-century Grand Tour for artists like Turner, Thomas Jones, and Hubert Robert, depicted in numerous famous paintings. This nearly half-mile-long, tall, dark passageway was a marvel of engineering, used as a roadway and later a bomb shelter, and is now a restored archaeological site.
Posillipo
Palazzo Donn’Anna
Antonie Sminck Pitloo (Dutch, 1790-1837) - La Grotta di Posillipo, Naples (1826)
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Virgil's Tomb
Artist: Joseph Wright of Derby (English, 1734–1797)
Date: 1779
Medium: Oil on canvas
Collection: Yale Center for British Art, New Haven, CT, United States
Description
Wright painted many versions of this composition, one of his most popular subjects. It represents Silius Italicus, a Roman consul under the Emperor Nero who devoted his later life to the study of literature. His passionate admiration for Vergil led him to buy the poet's estate and tomb at Posillipo, near Naples. Each year he recited Vergil’s poetry inside the tomb on the anniversary of the poet’s death. Wright shows him inside the tomb by candlelight, declaiming Vergil's verses aloud as though trying to raise his spirit.
Buongiorno, Briganti della Cultura.
Il toponimo Pausilypon («tregua dal dolore»), attribuito a Publio Vedio Pollione nel I secolo a.C., è stato interpretato non soltanto come designazione geografica, ma come costruzione culturale che articola valori simbolici e pratiche di occupazione territoriale (Céspedes, 1998: 45). Posillipo si configura come un palinsesto geologico e storico: gli strati vulcanici, i resti archeologici della villa Pausilypon e della Grotta di Seiano, così come le sedimentazioni medievali e moderne, costituiscono un continuum in cui natura e intervento umano risultano inseparabili (De Caro, 2003: 112).
Ancora una volta, verrebbe da dire “altro che chiodo!” Sembra che l’allarme, che sarebbe dovuto scattare per la mancata alimentazione del no
la cosa buffa è che i coglioni che hanno votato Salvini... abbandonano Salvini per approdare a Meloni... c'è solo una differenza di fuso orario sulle balle.
Quelle di Salvini sono ancora regolate sull'orario di Mosca, quelle di Meloni arrivano con quello di Washington.