Jun 25
"We know it looks like a butt plug, just drink the water, it's hot outside"
Seriously though he's right, stay hydrated
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"We know it looks like a butt plug, just drink the water, it's hot outside"
Seriously though he's right, stay hydrated
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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big fan of when a character metaphorically sweeps something under the rug, but you can feel them flinch every time they walk over it and feel the crumbs beneath their feet
I just watched a video about students getting their papers falsely flagged for using AI, even when they didn’t, and the advice was things like, “Leave in incorrect grammar,” “If you’re quoting something, don’t copy and paste it, type it out manually because it leaves a metadata trail that you used the copy/paste function and that's a flag,” “Write in the cloud so there’s a version history,” and the one that really got me, “if you find you write in a manner that can sounds too robotic or professional and it gets flagged, go to the writing center so a writing tutor can help you sound more humanly flawed,” and like what the actual fuck.
Like I get that is practical advice, but people should not have to fucking do that. They should not have to train themselves around not sounding like AI, when AI only sounds like that BECAUSE it was trained on them.
I spent so much of my life learning how to write, I shouldn't have to unlearn that because some computer algorithm learned from me.
Ryland Grace and his popularity as a character feels like such an important step in repairing the cultural tsunami left by the long running trope of every genius character needing to be an insufferable asshole to everyone in a ten mile radios about it.
Could you imagine making your own movie, making like 20 million dollars, and then going “awesome, now to install a DVD duplicating machine in my house and personally burn copies by hand like a medieval monk preserving sacred texts”
Like I need people to understand the mental image here of a multimillionaire internet creator personally overseeing DVD production in his own house like he’s running an underground bootleg operation out of a basement in 2007.
It’s weirdly charming because there’s something very “old internet” about it, this energy of “I made a thing, and now I will physically hand it to people myself like an artisan at a craft fair.”
The man really said: “The future of cinema is me standing next to a humming disc burner at 2am”
And like... I can't help but believe he's onto something
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
"it's not that deep" with the power of this shovel anything is possible
With the whole "Markiplier making his own DVD copies of Iron Lung to sell" thing, it's been fascinating and slightly concerning how many people seem to genuinely believe that if a physical release isn't coming from a giant corporation, it must automatically be a bootleg.
Look at me.
Look me directly in the eyes while I say this.
You can just make things.
You can simply create something and put it into the world.
That's allowed.
People have been doing it for centuries.
They sell blank VHS tapes. They sell blank DVDs. Blank CDs. You can buy flash drives by the bucketful if you really want to. If you create a movie, an album, a game, a documentary, or a four-hour video essay about the mating habits of fictional space goblins, you are entirely permitted to put that thing on physical media and sell it.
That is not piracy.
Piracy is taking something that belongs to someone else and reproducing or distributing it without permission.
If I buy a DVD of a movie, I own that copy of the movie. I do not own the movie itself. I didn't acquire the rights to duplicate it, press a thousand copies, and start selling them out of my garage like I've become the regional distributor for Warner Bros.
The copyright, distribution rights, and intellectual property still belong to whoever created it or whoever legally acquired those rights.
If I start burning copies of Iron Lung and selling them myself without Markiplier's permission, that's piracy.
If Markiplier, who made and owns the rights to Iron Lung, burns copies and sells them himself, that's just distribution.
He's the rights holder.
He's distributing his own work.
If you made it, if it came from your own mind, your own work, your own time, your own resources, then congratulations. You own the thing. You don't need a corporation to bless it with legitimacy.
The corporation is not what makes it real.
The fact that it exists is what makes it real.
I think we've accidentally spent so many years living inside a world dominated by mass-produced media that some people have developed the strange assumption that all media emerges from a factory somewhere. As if films naturally occur in shrink-wrapped plastic cases and descend from the heavens aboard a pallet truck.
But independent artists have been burning discs, dubbing tapes, printing books, pressing records, and mailing things directly to people for longer than many of us have been alive.
That's not a bootleg.
That's just a product.
It's not "bootleg."
It's just... leg.
The normal kind.
The original, free-range, locally sourced leg.
Being able to draw older people as attractive without reducing or erasing the visual signs of aging, and in fact showing that they're attractive because of those signs, is an artistic skill that should be valued so much more. Honestly, it should earn you an immediate fortune because holy fuck is it a rare commodity. There are so many artists who seem to think attractiveness and aging exist in opposition to each other, so they smooth every wrinkle, erase every crease, and de-age the character until they're basically thirty with silver hair. But when an artist can look at crow's feet, smile lines, weathered skin, deep-set wrinkles, and all the little traces of a life well lived and say, "No, that's what makes them beautiful," that's a level of artistic observation and care I wish we celebrated more often.