She didn’t quit the job. She just slowly stopped showing up in her own body.
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She didn’t quit the job. She just slowly stopped showing up in her own body.

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#SIMBA👁️🤎👁️POISED due to the fact:
🐾😸🐾 A CAT IS A PERSON 🐾😸🐾
@samirafee
Stop giving away your power by letting what others think of you, define you. People’s perceptions of you hold no value unless you allow it. If you don’t agree with how others see you, create you own narrative and start defining yourself.
Shift your mindset from needing validation, to knowing who you are. Don’t walk into the room thinking “I wonder what they think of me.” Walk into the room thinking “I don’t mind what they think of me. I know who I am. I am the best.”
And sure, this mindset may seem like arrogance but it is far better than craving approval or trying to explain yourself to others.
You can either give your power away by depending on the approval of others or you can free yourself, become the main character and perceive yourself the way you desire.
Prim. Proper. Poised.
secrets of the forest

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I love the pose
Elegance, Distortion, and Poise
Cecelia is a Successful Secretary is a textured and arresting work by contemporary artist Dana Robinson. The piece presents a complex deliberation on identity, representation, and the power embedded in visual memory. Robinson’s approach transforms a familiar archetype into something more intricate. Something that feels both nostalgic and newly sharpened. The artist constructs Cecelia through a blend of sophistication, distortion, and abstraction. Her figure is complex and intentionally unsettled, contrasted by a background that maintains a crisp clarity. This contrast becomes part of the work’s language.
Robinson relies on a vibrant palette. One that evokes energy, growth, vitality, innovation, and cheerfulness. The surface of the wood panel reveals her command of texture and material, demonstrating both precision and spontaneity. Created in 2023, the piece is acrylic on wood panel, yet it moves with a similar rhythm of collage and printmaking. Born in Brooklyn, raised in St. Petersburg, FL, and now based again in Brooklyn, Robinson builds a practice rooted in themes of youth, femme identity, ownership, and nostalgia. She works across painting, collage, printmaking, and fabric. A defining element of her practice is her use of vintage Black media, which she reframes through reproduction and alteration. Subsequently, blurring boundaries between past and present, personal memory and cultural archive.
Cecelia reminds me of figures I encountered constantly in media during my youth; women polished, poised, and always composed. They weren’t necessarily women I knew in my own life, yet they shaped my sense of what refinement was supposed to look like. The elegance and regality in Robinson’s depiction stir that old longing: the desire to have witnessed such poise more acutely as a child.
I experience this work as someone who believes deeply in individual agency and the paths we choose. Robinson’s Cecelia becomes a reminder that every path demands its own etiquette, its own posture, and its own kind of decorum. The painting offers not just representation but instruction, overtly insisting on the dignity embedded in self-direction.