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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
we need to talk about how Here Comes Your Man by Pixies works as a response to Im Waiting For My Man by The Velvet Underground okay.
“Cannonball” had what one critic called “the most unfriendly radio intro ever.” A strange bass slide, a lonely hi-hat, then Kim Deal singing like a kid making noises with her mouth.
The Breeders told me they never imagined radio would touch it. Instead, listeners sang along with every weird little sound. Thirty years after Last Splash, “Cannonball” still sounds like a hit that slipped through a side door while nobody was guarding it.
The Breeders on 30 Years of Last Splash, J Mascis, & Their Lost Tapes
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“I think I’m the rug that ties the room together.”
Kim Deal spent nearly a decade recording Nobody Loves You More, pulling together ukuleles, strings, horns, Chicago sessions and collaborators connected through Steve Albini. She sounded almost surprised when I told her the album felt cohesive, but her explanation was perfect. After Pixies, The Breeders and The Amps, Kim Deal remains the common thread, even when she’s officially flying solo.
Kim Deal Talks Nobody Loves You More, Opening for Olivia Rodrigo, and Ukuleles from Steve Albini
The Pixies
This is just a green and black (glow-in-the-dark) tie-dye T-shirt that I designed for the Pixies (band). They're my favourite band, in case anybody was wondering, haha. @gothhabiba @fionaapplerocks
