In Defense of Carlotta
So I was rewatching the Royal Albert Hall version of POTO and I kinda came to a realization: Carlotta didn’t entirely deserve what was going on.
I’m not saying she wasn’t a jerk. She is a primadonna for crying out loud. She’s got the ego of a peacock, but she’s still human.
At the beginning of the musical during her rendition of Think of Me and the bit between that version and Christine’s version, she gets attacked by the phantom. Of course everyone knows it’s the phantom but the managers all kinda just blow it off. We see her get upset and leave the opera cause she’s pissed.
You could frame this as her being a perfectionist OR you could see this as a woman finally breaking after years of abuse from a ghost of a man.
She says that “for three years these things keep happening” and that the previous manager never did anything to stop them. He simply paid the phantom and then kept casting her in the lead roles.
The phantom wants two things and that is to get Christine on stage and then into his arms. So, he sees Carlotta as an obstacle and has probably been attacking her for all those three years.
And what happens when she complains? When she gets scared and looks for someone to aid her? She gets either one of two responses:
The person is too scared of the opera ghost to do anything.
The person doesn’t believe in the opera ghost and acts like she’s crazy.
Both result in someone telling her “these things do happen.”
So can you blame her for leaving after she got close to dying AGAIN?
And then less than a week after leaving she finds out that they replaced her already? After all that talk about how she was the best of the best, the crème de la crème, her years and years of training, they replace her. And not only do they replace her, but they replace her with practically a teenager who has been getting trained by the very man that keeps trying to murder her?!
No wonder she was so angry when she stormed into the letters scene! Those she trusted had replaced her, sent her a taunting note, and then had the gall to ask her to come back!
I think this also recontextualizes the majority of Primadonna. These jerks are asking her to come back and of course she’s hesitant, she doesn’t wanna get almost assassinated again, but that tiny bit of vanity and pride comes up in the back of her mind.
Furthermore her “public needs” her. This could be the pride but I like to imagine her thinking of a little girl in that audience that wants nothing more than to be like her. Music was one of the only arts and ways to make money open to women at the time. Shes an example of how women can be independent in this world.
And ya know what? This man is trying to ruin her life. He doesn’t know her, but he keeps tryin to intimidate her and make her give up on something she clearly has a passion for. If you watch the recording of the 25th anniversary version of Primadonna, after the phantom gives his good ol “imma mess up the show” threat, she cocks her head and gives a little smirk. Shes saying “screw you. I worked hard for this. I spent years of my life, hours of my time, all of my energy, to be the best of the best and not you nor any spooky ghost can stop me!”
In the next opera, Carlotta and Christine are clearly having fun playing opposite each other. You could argue that this was just for the opera to go well, but I can tell you as an ex-actress myself that feelings towards your cast mates can get past you and the audience will see it.
(For instance, in high school I was playing opposite a guy I had a crush on and he had a crush on me, so when we went to a clinic (judges giving you advice on your show before competition) the judge basically told us to decide whether or not our characters liked each other or not cause it was making it too complicated for the stage. (For context we were playing Jo and Laurie. Laurie likes Jo, Jo doesn’t like him like that) Once the play was over we started dating. TLDR the audience will know if actors do or don’t like each other)
So Christine and Carlotta are having a good time because I think Carlotta realizes this isn’t Christine’s fault. Someone was going to have to take on the roll and it gave this young artist a start. Plus, it’s not Christine’s fault the Phantom became obsessed with her. He could have chosen literally anyone and Christine just happened to be the (un)lucky girl. I don’t see any evidence of Carlotta holding any grudges against Christine in this scene.
Also, this is just a minor thing, but I think that this was the right casting for this specific opera. Carlotta is much more voluptuous than Christine. She can’t exactly Mulan herself but Christine is younger and smaller and therefore can. This isn’t a talent thing this is basic casting. The entire opera is more important than the phantoms obsession. Also, the page boy is still a good role! If anything it seems like a pivotal role that just happens to be a mute one! The phantom should be excited that they’re not just throwing Christine back to the ballet dancers!
And then, when everything is going well, when she thinks that maybe the opera ghost has given up, that terrible voice announces that she and the mangers have pissed him off. You can see in her face she’s trying to be strong but she is scared. Shes not angry. She’s not petty. She’s scared.
She only gets mad at Christine when she reacts to the phantom. Yeah she acts like a jerk, calling her a toad. But the man trying to kill her is talking and the girl he is obsessed with his looking around for her “angel” which is Carlotta’s angel of death. So she’s gonna get mad. She’s gonna yell at Christine even during the show cause that’s her only outlet at the moment.
I would like to note here that that is a dick move on Carlotta’s part. However, we just had the two having a good time and we don’t know for sure that Carlotta didn’t apologize afterwards. We have a whole time skip between acts. The two could have made up.
But back to the show, the phantom seems to magically curse her to croak like a toad. In the version I saw in high school she took a sip of water that had something the phantom put in it to make her croak, but in the 25th version, you don’t see that. For all she knows this is no longer just a creepy guy but a literal ghost that just cursed her to sound like a frog! Getting rid of the thing she holds most dear! Her voice! No wonder she’s scared! Hell she starts crying! And Christine even tries to comfort her! Further proving that Christine is an angel and that the two could have developed somewhat of a working friendship/relationship.
And in her moment of terror what do the managers do? They replace her again! After all that talk about how they needed her the minute she becomes an obstacle they throw her out of the way.
She probably doesn’t have any time to process that before seeing that the phantom ACTUALLY KILLED SOMEONE! Any of that little hope she had that it was all just threats and taunts is out the window when the master of the fly ACTUALLY DIES! Hes killed and the phantom laughs and parades the corpse around like a piñata!
After that he manages to make a giant chandelier explode?!? If Carlotta doesn’t think that the phantom is an actual ghost before then she does now!
But a long while later, everything seems to go back to normal. We don’t know what happens in the meantime but we skip ahead to Carlotta managing to attend a masquerade party back at the opera. She’s all in black and back in her “don’t f with me I have the power of god and opera music on my side” vibes.
She doesn’t get much screen time here but we get three major lines from her.
“What a delight”
“Watching us and watching them”
“May its splendor never fade”
And “no more notes”
We can glean three things from this. Life has been good. The ghost has finally left her alone, and she’s got her art back. Her passion back! And I like to headcannon that she’s become a better person in this time and that’s why she’s dressed like she is.
If she was really still vain and conceited, she’d be wearing the most elegant angelic or queen-like dress she could find, but she’s instead a witch.
She’s dressed as who she used to be. She may have evolved and come to terms with sharing the spotlight hence why she says “watching US” She’s in a better place now that death isn’t breathing down her neck.
(Unrelated but also anyone notice Madame Giry with a young handsome dude? Is Giry a cougar and we just never noticed?)
And then, as everything is going good again, THE PHANTOM SHOWS UP AGAIN! And he’s literally LITERALLY dressed as the red death! A literal manifestation of Carlotta’s fears surrounding this monster of a man.
Yes Carlotta then becomes a jerk when she gets only a tiny part, which I will say she should have expected. The guy who wants you dead writes an opera and you expect him to give you a large role? Girl? You on the same planet as the rest of us? Once again, pride and vanity are kinda her big things.
Yet she still agrees to do it cause people are in actual danger now. And as she says “the things I have to do for my art!”
And yet she jumps back down the hole that she and the phantom are both in: blaming others for their problems. She thinks Christine is in line with the phantom and therefore blames her. She isn’t as… shall we say croaky about it but she still does point the finger. And yet she does seem to get a little worried when she thinks Christine is completely backing out. I mean after what happened last time Christine didn’t play the lead..
And then the phantom sends his note and once again you can see the horror and then also embarrassment when the phantom insults her acting.
Another headcannon is that yeah she does have an amazing voice there is no doubt about it, but she seems nervous about her acting. Maybe she knows her acting isn’t as good as her singing and realizes that if she messes up this time let’s just say she won’t get another chance.
(Also did the phantom really have to fat shame Piangi?)
And as the phantom addresses Christine in the note, I think Carlotta flops sides again when she hears that Christine has basically left the phantom. Hes not training her anymore. She had no idea of this. And if you can zoom in on her face in the background, you can see that Carlotta looks guilty for just yelling at this girl that’s just as terrified of the phantom as her if not more so!
And then she smirks again when Christine says no so then there goes that argument. And then again she goes back to pointing fingers but this time at Giry. Granted Giry does have some blood on her fingers so she has a point but once again EVERYONE IS SCARED OF THE PHANTOM! What makes Giry any different?! And when that pointing doesn’t work it goes back to pointing at Christine cause she can’t take into account anyone’s suffering but her own.
Then Christine had her break down and Carlotta comments “she’s mad.” But look at how she says this. Shes not making fun of her, she’s not belittling her, she’s worried about her. She sees the madness she’s experiencing is happening to others too. I think this is the final time she flips back to sanity. She realizes she’s not the only woman cursed by the phantom.
And while we can’t see much of her after Raoul’s solo we do see her almost run after a terrified Christine.
Yes she’s still jealous of Christine, we see that with the looks she gives during the rehearsal for Don Juan, but we also see something else I’ve been neglecting.
She’s an amazing friend to Piangi.
She gets upset when people correct him. He gives her support after almost being murdered and walks out with her. He pumps her up, she pumps him up. She compliments his skills and never once gets mad that he gets a role and she didn’t. I mean she’s mad she didn’t get a role but she’s still happy for Piangi! She’s willing to stand up to the phantoms writing not for herself but for her friend Piangi. And she backs down not for herself but for PIANGI. And she gets mad when he gets stressed and she gets stressed when he’s stressed and she’s a dick to everyone else but at least she’s a good friend to the few she has.
Which is why it’s probably for the best that we don’t see her react to Piangi’s death in this version.
Carlotta is definitely not perfect. But I don’t know if she’s entirely evil. She has been hurt by the phantom as much as anyone and deserves a future of peace just as much as anyone else does because that could allow her to grow.
Anyway rant over.
