I really wanted to like The Boleyn Traitor but the way the characters (specifically the women) were written was a huge turn off for me. I will admit, some of my issues with characterization may be a fault of my interpretation, but I feel like the patterns are too consistent to ignore.
It's hard to tell how much of the way Anne and Jane Seymour were written was just Jane Boleyn's perspective and how much of it was Gregory refusing to engage with these women as anything other than one-dimensional. One was a harpy and one was a bit dull, and that's all there was so say apparently. It felt cruel in a way that felt more like a revelation about the novel's author than its main character.
Is Gregory just not interested in portraying them as human beings? I don't understand the point of writing so much about these figures (over and over again) if you don't have anything to do with them but make them into cardboard cutouts.
The descriptions of Katherine of Aragon felt bland, which I was also disappointed by. We're somehow supposed to know that Katherine's goodness was true and admirable, but Jane Seymour's goodness was naive and holier-than-thou. Neither of these seemed backed up by anything other than Jane Rochford's narration. None of Anne's good or interesting actions were depicted at all. Her interest in culture, theology, and charity are absent. In fact, she only used charitable works to punish her ladies in waiting apparently.
Jane Boleyn herself isn't nearly as smart as the narration insists she is, and again, couldn't tell if this was intentional unreliable narration or the author failing to show us Jane's interesting character traits and settling for just telling us. Over and over and over. I didn't finish the book, but it seemed that the extent of Jane's learning taught her to be bookish and good at discussing philosophy, but not exceptionally clever in a practical way.
I got about halfway through before abandoning the book. Anne of Cleves was alright. Don't know how the relationship between Jane and Catherine Howard went. May have been interesting but I wasn't compelled enough to find out.
Henry was the most interesting character to me. It was chilling to see how his cognitive dissonance worsened over time and the frantic games the court had to play to cater to his whims. Jane's criticisms of Henry's capriciousness and paradoxical thinking were the most interesting parts of the book.
But if I never read the phrase "courtier's laugh" or puzzle through another sentence with an unnecessary question mark at the end again, it won't be a loss.
All of that being said, there are aspects of Gregory's writing style I enjoyed. If there are better books of hers I could be reading, I am definitely open to suggestions. (I've sworn off The Other Boleyn Girl though, for Anne Bolelyn-related reasons)
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"Queen Katherine had been born a princess. From the moment she could talk she had been taught to guard her tongue. From the moment she could walk she had been taught to step carefully and speak kindly to both rich and poor, for you never knew when you might need both rich and poor. Queen Katherine had been a player in a highly competitive, highly wealthy court before Anne had even born."
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philippa gregory could have done the funniest thing ever by making her latest book a cromwell x jane fanfiction now that mantel can't sue her ass but no, it's just yet another take on the same story AND with a main character she'd already used