Jan 25
Robert Filliou, Daniel Spoerri with Peter Moore, George Maciunas, Robert Watts, Untitled, 1967.
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Robert Filliou, Daniel Spoerri with Peter Moore, George Maciunas, Robert Watts, Untitled, 1967.
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Peter Moore (photograph), Alison Knowles, The Big Book, 1967, Staatsgalerie Stuttgart, Archiv Sohm [Art: © Alison Knowles. Photo: © Staatsgalerie Stuttgart]
Peter Moore - Charlotte Moorman and Nam June Paik (Paik as Human Cello) at John Cage’s “26’1.1499” For a String Player
4 October 1965
i have a few copies of the All My Love Forever CD left! there are 3 bonus tracks included, extending the previously established story.
Anglerfish is told from Tommy’s perspective as he reflects on his twin brothers accidental drowning in the pond behind his old house in California.
White Flag is a nightmare Peter has about being stationed overseas.
Inchworm is from the perspective of a boy stumbling across a murder-suicide while on a walk in the italian countryside.
i’m so excited to expand upon this story, it’s about to get really fucking weird.
FEAR STREET PART 1: 1994 (2021) Dir. Leigh Janiak
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nam june paik and charlotte moorman on nam june paik's tv bed photographed by peter moore, 1972, gelatin silver print
They're on the case!
I've been having a hard time having motivation to actually draw something and it sucks that this is the only drawing I've done in march. 2025 has not been a good year for me when it comes to art.
Nam June Paik performing “Violin with String” (1961) at the Twelfth Annual New York Avant Garde Festival, Floyd Bennett Field, New York, September 27, 1975 photo: Peter Moore