The Woods are Lovely, Dark and Deep * -Β Β Peter BrookΒ
British,Β 1927β2009
Oil on canvas,Β 24 x 60 in.
EmbellishedΒ
seen from Finland

seen from TΓΌrkiye

seen from China
seen from Poland
seen from United States

seen from United States
seen from China
seen from United States

seen from Italy

seen from Italy

seen from United States
seen from Japan
seen from Argentina
seen from United States
seen from Spain
seen from Brazil

seen from Italy
seen from Germany

seen from United States

seen from Brazil
The Woods are Lovely, Dark and Deep * -Β Β Peter BrookΒ
British,Β 1927β2009
Oil on canvas,Β 24 x 60 in.
EmbellishedΒ

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Peter Brook (British, 1927-2009), Evening in the West Riding. Oil on canvas, 20 x 24 in.
peter brook, from "the holy theatre" in the empty space
brecht's use of 'distance' has long been considered in opposition to artaud's conception of theatre as immediate and violent subjective experience. i have never believed this to be true. i believe that theatre, like life, is made up of the unbroken conflict between impressions and judgments -- illusion and disillusion cohabit painfully and are inseparable. this is just what weiss achieves. starting with its title, everything about this play is designed to crack the spectator on the jaw, then douse him with ice-cold water, then force him to assess intelligently what has happened to him, then give him a kick in the balls, then bring him back to his senses again.
--peter brook, introduction to peter weiss' marat/sade

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some screenshots from Time Flies (1996) β¨β¨
Lord of the Flies (Peter Brook, 1963).
Peter Brook (UK 1927-2009)
Give Way (n.d.)
Oil on canvas (51 x 61 cm)