⬩ ππ‘π ππ¨π«π ππ¬π©ππππ¬ π¨π π‘ππ« π©ππ«π¬π¨π§ππ₯π’ππ² .α βΛΰΏ (pt. 1)
death is sharp-witted and often persuasive, as charismatic and charming as she can be distant and calculating, easy to interact with heroes, villains and those in-between. there is astuteness in the way she express herself and a wise, composed, disciplined and often approachable aura about her despite how aloof she might seem in some dialogues. to some, she could be almost maternal. there is a profound respect for certain traditions or rather, to the balance of the universe which is translated into her task, which she fulfills with the efficiency of a well-regulated machine. her instinct is to preserve the balance of the universe, even as it balances itself naturally, but she still remains as a nexus or a fulcrum. the universe would collapse without death (in a way, she is that who essentially regulates it).
as a neutral entity, she looks upon the alignments of good and evil as facets of a multifaceted system where each aspect exists as a part of the whole, one to balance the other, such as life is necessary for death. she mostly prefers a highly philosophical outlook towards existence, neither positive nor nihilistic. she often ponders about the matter of different perspectives and likes to discuss it with other people, having a certain fondness for abstract debates. death seems to be socially extroverted, and even pleasant in most interactions, but she never loses an aura of isolation and otherness that intimidates most mortals.
when it comes to matters of opposite or conflicting forces, she is logical and tactful, almost diplomatic and tends to look beyond the immediate situation and into the bigger picture, feeling unaffected by most things because she exists outside of most things. this state of apathy and indifference is often challenged by her constant interactions with humans or other mortal beings. although sometimes nonjudgmental and uncommitted, her witnessings of the indomitable human spirit before adversity has essentially moved her, making death now much more sympathetic towards mortality than one would previously assume. she has been described as "simultaneously the most starry-eyed idealist and the bitterest of cynics".
