Dec 29, 2025
Cannibal Corpse performing Hammer Smashed Face in movie Ace Ventura: Pet Detective.
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Cannibal Corpse performing Hammer Smashed Face in movie Ace Ventura: Pet Detective.
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Marianne Faithfull, on the Dutch TV programme Fanclub, photographed by A. Vente in September 1966.
March 21, 2025 - OLIVIA RODRIGO performing at Lollapalooza Chile 2025.
Experienced chinese actor teaches new entrant actor how to perform 'seduction'
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So, I actually enjoyed this week's episode of Strange New Worlds ("The Sehlat Who Ate Its Tail"), but I do have an ongoing nit to pick about how Spock is written and performed. Ethan Peck and the writers seem insistent upon giving him an entirely un-Spock-like cadence and vocabulary, that just consistently sounds off.
I don't remember the exact line from Kirk that prompted it, but at one point in the episode, Spock says, "That would be…not good," and it just…Spock doesn't talk like that. Spock is simultaneously smooth and assiduous with his speech. He would not allow an awkward sentence construction like that to leave his lips, unless he's recovering from a katric restoration and attempting to master colorful metaphors.
Spock would say something like, "That would be…inadvisable." Or, he wouldn't have the pause at all and would say, "That would not be conducive to our ultimate objectives," or something similar.
Mr. Spock is a smart guy, and he has an expansive vocabulary. Not only that, but he is deeply invested in making sure that you know that he's a smart guy with an expansive vocabulary—as are most Vulcans, it seems. The issue is that these are seldom traits that suddenly pop-up in your mid-30s. It doesn't make sense for Nimoy Spock to be this way while the younger, Peck Spock stumbles around so regularly with his words.
I'm sure there are numerous rationalizations that can be concocted, but at some point you have to just realize that this is work that you (the viewer) shouldn't be doing. The people making the show should be making more of an effort to draw the connection between this Spock and the original Spock, so that we believe that they're the same person. It has to be more than just giving him a blue shirt, pointy ears, and a bowl cut. It's about capturing the essence and soul of the character. That's a baseline. Otherwise, the suspension of disbelief is broken (especially for someone, like me, who may or may not have spent 60% of his teen years trying to act like Mr. Spock)…
Hello! I just finished listening to MAG 186 - Quiet for the first time, and I had a question about the production of it.
Did you record the lines for both Martins in one go (switching off characters), or did you record them separately and then edit them together?
Been asked this a few times so to clarify:
I recorded both Martin's together bouncing back and forth between them. But I did multiple takes to choose between. Solo duologs is an odd skill I picked up from teaching Improv back in the day.