It took me a few hours to find the perfect bush, an element crucial to the middle ground I sought for my painting series. The middle ground separates the white figure made of cubes in the foreground from the white houses in the background.
I'm talking to you about the series of paintings with cubic figures and their houses that I'm currently working on. Sometimes, the sheer length of artistic research like this surprises me, especially when I consider if viewers will even notice the bush!
So, I wanted a bush typical of French gardens, as I made sketches for this series in the French town of Niort. I envisioned it with cold green leaves and dense foliage to cast contrasting hard shadows, highlighting the white cubes of the figure through the stark contrast between light and dark.
I also desired a variable top contour for the bush, allowing me to adapt it to different backgrounds in future paintings. My requirements proved challenging to meet. Perhaps research would be easier if I were in France now, exploring directly instead of relying on the internet.
Regardless, I scoured online images. Google kept pushing Estonian websites, offering little information on French gardens. It's a curious thing—we often think of the internet as global, but research platforms and social media track our location, restricting us to content from our immediate area.
I employed various tricks to immerse myself in the French online space, like VPNs and fake locations, but they yielded little success in easing my research.
Finally, I turned to BARD, a Google AI language model I find helpful at times. BARD's solution worked magic today. I found my ideal bush: the Laurus Nobilis. It seems to tick all the boxes. A quick digital sketch suggests it's a perfect fit, but only transferring it to canvas will tell for sure.
The next step? Taking my digital sketch and turning it into a living, breathing painting on canvas. The most exciting and, at the same time, the most daunting step of all.