Sunday April 3rd begins with Jeffrey Richardson and Lynn Bousquet elaborating videographically on real and imagined narratives embedded in a strip of old photographic negatives. Coupled with the rhythm and noise of ABSV, these dead media revelations will be made audible as Musique concrète in Dub.
Then, field recordings and environmental samplings of Portland time and space will be abstracted via non-linear digital, analog and narrative processes as composer Mike Erwin and video artist Megan McKissack criss-cross technology with nature, the stochastic with the stationary in a live audio-visual mix.
The evening culminates in a mediated mangling of our received B-grade film history amidst custom edits, bent signal processing, and free-improvisation algorithms ala the Haskell language system. Or, in other words, an atemporal spasm of audio-visual chaoses characteristic of screen-worlds conjured by Da VideoTape of Ancient Analog and Cameron Scheider .
