There are days when I wake up with a heaviness I can't explain. No tragedy, no storm, just an invisible weight pressing on my chest. It's on those mornings that getting out of bed feels like a small, private victory. I used to think strength looked loud, fierce, full of fire. But lately, I've been learning that sometimes, strength is just showing up. Not for applause, not even for progress but simply because I promised myself I would
I don't always believe that things will get better. There are moments I sit in silence, knees tucked into my chest, trying to quiet the war inside my mind. Doubt, fear, anxietyâthey visit often. But what surprises me is how often I still stand up, shaky knees and all, and whisper, "Let's try again." Not because I'm sure, but because I'm still here. Because even when I can't trust the world, I'm trying to trust myself. I've learned that showing up doesn't always mean being the best in the room. Sometimes, it just means entering the room at all. It means turning in a paper even if it's not perfect, walking into class when your heart is racing, speaking even if your voice shakes. It means not giving up when no one is watching. Quiet resilience. Steady faith. A soft, stubborn kind of hope.
There's a version of me who's always trying to disappear, who doesn't want to be seen until I've figured it all out. But I'm slowly learning that growth doesnât wait for perfection. Healing doesn't ask for permission.
Life happens in the middle of fear and fumbling. And if I only showed up when I felt ready, I'd never move at all. Sometimes I have to say it out loud to myself, "It's going to be okay." Not because I know it for sure, but because the sound of my own voice gives me something to hold on to. A lifeline, even if thin. A reminder that I'm trying and trying matters. Trying counts. And honestly, I think that's what courage really is. Not the absence of fear, but showing up in the presence of it. Still brushing your hair. Still answering messages. Still doing the mundane things that tether you to the world when your mind wants to drift.
Courage is continuing, even when it's not dramatic or impressive. Even when no one claps for you. There have been days I wanted to give up on my goals. On people. On myself. But I stayed. I stayed through tired mornings, silent nights, and all the empty spaces in between. And somewhere along the way, the voice that said "I can't do this" softened. It didn't disappear, but it made room for a new voice. One that says, "Maybe I can." And that maybe has carried me.
I've started honoring the small wins: brushing my teeth when I'm anxious. Eating lunch when I feel numb. Replying to a message when I'd rather isolate. These little things feel like nothing, but I've come to see them as proof of life. Proof of effort. Proof that I'm still here. And no, I don't always feel strong. But I do feel human. Messy, real, and trying. I'm no longer waiting to become a perfect version of myself before I start living. I'm learning that just being, just showing up is more than enough for now. So here I am, whispering it again: it's going to be okay. Not because I know what's coming, but because I've made it this far. And maybe, just maybe, that's reason enough to keep going.
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What have you done? You have turned us against each other. 2020 is a mess; covid 19 not yet solved and a war is probably brewing between countries.
How long will you ignorant, arrogant, selfish fools get your heads from your a**es and realise the world around us is crumbling. Yes, there are no explosions, no shouts of soldiers, or bangs of guns but can you hear the cracking of one's heart, the absence of light in one's eyes from the harshness of one's words, the WORDS that are being said, being posted online.
Yes we have moved on, yes we have evolved to a better world but have we truly improved morally? You, society encourage us to speak out our hearts but you do not mention how our words would affect others.
To our beloved society,
Why do you make us wanna be more like you? Why inspire so much people to make it seem like they have to be accepted by you to fit in this world? You tell us to be ourselves and yet you criticise us for what we are.
Have you finally tire? Have you finally feel like it's time for you to settle down because we are tired. You make is plaster such fake smiles on our faces and we're tired of that bs.
Society,
Do you finally deem us acceptable? We have changed ourselves to better suite you, morphing ourselves into someone we no longer know. It's an identity crisis and the question; who am I? Has never, ever failed to cross my mind.
You tell us to be loyal, you tell us to defend and protect who we think are right and yet you keep switching sides. Once, I do the same, my loyalty is questioned but how come no one has ever asked you, dear society; "which side are you truly on" with judgement twinkling in their eyes and their lips twisted into a cruel smirk.
Please never forget society,
That one day we will replace you and one day we shall change everything for the better. We shall educate ourselves on how to not break hearts, how yo not demolish souls, how to accept ourselves, how to ditch the smiles, how to answer that nagging question, and we will be loyal to one side; justice and honour.
"You Should Never Tell a Psychopath They Are a Psychopath. It Upsets Them": Villanelle, Joe Goldberg and Feeling Sorry for Psychopaths
What do you envision when you hear the word? Iâd hazard a guess itâs your prototypical psychopath with a dead-eye stare and blood-stained knife in hand. Perhaps itâs your conspiracy theorist neighbour, or thatâââyes, that oneâââex. Weâve seen Villanelleâs theatrical murders on âKilling Eveâ and weâve rooted for Joe in âYouâ despite his murder habit. Weâve read articles with clickbait titles on how to âspotâ a psychopath and immediately diagnosed our sibling, colleague or ex-best friend. Itâs a term we throw around carelessly, yet it also inspires fear. A real psychopath isnât like us and they certainly arenât worth any kind of sympathy. Weâre good people and theyâre crazy, violent, controlling, unemotional and self-obsessed. Right?
Sweet but a psycho
Popular culture has given us infamous psychopaths throughout the decades and a couple of our contemporary favourites must be Oskana Astankovaâââthe Russian assassin âVillanelleâ -from hit TV show âKilling Eveâ and Joe Goldberg from Netflixâs âYouâ. Despite their psychopathic tendencies, fans champion their victories.
Psychologist Robert Hare devised the âPsychopath Checklistâ back in 1980 and it is now routinely referred to as the PCL-R. Villanelle and Joe would score highly: both characters believe they are of great importance, routinely lie, act impulsively, struggle with control, take zero to little accountability for their actions, lack empathy, and have a history of criminality and behavioural problems.
Hareâs checklist is still doing the rounds in institutions worldwide, usually prisons, but it has come under plenty of criticism for what Willem Martens (2008) deems as being an unethical psychological practice. Itâs difficult to diagnose the term âpsychopathâ but several diagnoses may suggest a fit, from Antisocial Behaviour Disorder to psychopathy and various other personality disorders.
Already, we see how complex a diagnosis it and encounter very different views from psychologists when it comes to the question of the psychopath. Yet, as we progress as a society, so does science. Science isnât rigid, stuck in a time of Freud and every other straight, white, wealthy, old, neurotypical male philosopher and psychologist from the 20th century. It moves with society and it adapts as our knowledge deepens. Nowadays, some psychologists and mental health practitioners are rejecting the label âpsychopathâ completely due to the severely negative connotations and even calling psychopathy a mental health issue or disability.
Psychology says what?
Identity is an important factor when it comes to being human. Our identities are important to us, especially as we engage and present these identities online. Psychopaths are said to be so unlike the majority they are unable to make genuine connections with others but as with anyone deemed âdifferentâ, it is the group that collectively rejects the âdifferentâ individual, perpetuating a cycle of low interpersonal integration and marginalisation.
If given an official diagnosis with a working label of âpsychopathâ, combined with societyâs current view of what it means to be a psychopath, a psychopath is quickly forced to the outskirts of society thus lowering their commitment to fulfilling social roles. A self-fulfilling prophecy becomes imminent: when someone is thought of and treated as if they are somehow broken, they often become it.
Noel Smith is the commissioning editor of magazine InsideTime and a former prisoner who has experienced his fair share of mental health difficulties. Writing for InsideTime, Smith says: âIf people think youâre MAD, then everything you do, everything you think, will have MAD stamped across it.â
Psychologists Peterson & Seligman (2004), tired of psychologyâs tendency to focus on the deviant side of humanity, proposed we all have the ability to express âthe six common virtuesâ: wisdom and knowledge, courage, humanity, justice, temperance and spirituality or transcendence.
Here, Peterson & Seligman neatly demonstrated how language can create a narrative. The psychopath according to Hareâs checklist could be grandiose and controlling, but with a slightly different view, theyâre confident and courageous leaders. We associate the term so often with negative traits that we ignore the possibility for positives.
Mental health mattersâââbut not for you
âThey [psychopaths] are the social snakes in the grass that slither and smile their way into your life and emotions. They feel no empathy, and only care about themselvesâ says Dr Xanthe Mallett, a forensic anthropologist and criminologist at Newcastle University.
Dr. Mallettâs words reinforce an age-old belief: the psychopathâs only identity is psychopath and they are incapable of being anything other than one-dimensional.
Author Nathan Filer expressed his initial dismay that once his diagnosis was televised by âMeet the Psychopathsâ programme on Channel 5, strangers expressed their fear and revulsion immediately. Filer states he âquickly got overâ peopleâs negative opinions but received abuse on the streets with words such as âpsychoâ and ânutterâ shouted at him on a regular basis, reinforcing the rejection by the collective.
Lucy Nichol, writer and mental health support activist, expressed her fears when joining a discussion panel at the Centre for Life Scienceâs speakeasy programme for adults in 2019. Nichol, rightfully, is anxious about the welfare of those living with psychosis and how they can be discriminated against due to fear. She worries that psychopaths can be âviolent and frighteningâ, and any potential link between psychopaths and people living with psychosis can lead to danger for people with psychosis. Resistant to the movement of psychopathy being welcomed into the family of mental health, Nichol argues it should not be treated as a mental health concern. Her argument is that a classified psychopath lacks empathy and is unable to judge other peopleâs emotions and this makes the people around the psychopath vulnerable, not the psychopath.
Yet, other mental health conditions and disorders can lead to an individual not necessarily being able to empathise in the way a neurotypical person may empathise. Similarly, an individual with autism, a panic disorder or psychosis may have limited capacity to judge other peopleâs emotions on occasion. As a society, we tend to understand this and accommodate it.
In contrast to Nicholâs view, there are more and more calls for understanding psychopathy in broader, more compassionate terms.
Dr Luna Centifanti, Lecturer in Psychological Sciences at University of Liverpool classes psychopathy as a mental illness that means the individual experiences âdisordered thinking, emotions and behaviour.â She added that psychopathy can lead to struggles with understanding emotions of others and therefore their responses to distress can be âinappropriateâ.
Do better, be better
Joseph Newman is a psychologist at Wisconsin University who classifies psychopathy as a disability. Newman explains it as an âinformational processing deficitâ where individuals have less ability to process cues immediately such as someone elseâs fear or upset, inviting us to see the psychopath through a more sympathetic lens.
Campaigners, researchers, activists and those with lived experiences of mental health conditions and illnesses have made huge strides for inclusivity and understanding. As professionals such as Newman and Dr. Centifanti begin to deconstruct the pathological idea of psychopathy, it is being tentatively considered as a mental health issue.
Letâs go back to Villanelle. Her history is relatively secret, but the viewer knows sheâs spent time in Russian prison and has no family, therefore little connection to others. Her violent, âpsychopathicâ actions are a result of her occupation as an assassin as opposed to something she does simply for the joy of enacting violence.
A recent soundbite suggests the showâs writers are no longer calling Villanelle a âpsychopathâ after astute fans have criticised the way it reduces her to a label.
Be more psychopath
A merge of popular culture, sociology and psychology has begun to turn the connotations of âpsychopathâ on its head somewhat. The Wisdom of Psychopaths by Kevin Dutton (2012) looks to diagnosed psychopaths to teach us how to care less about other peopleâs emotions and our own, be fearless in our jobs and have an unwavering belief in ourselves. Western culture is a key culprit in promoting the idea that an impressive salary equals success or showing emotion at work is unprofessional, so, maybe itâs trueâââwe could learn a lot about success from a psychopath.
On the flip side, while these traits have the potential to lead to fantastical financial and business success in aggressively capitalist societies, that doesnât make them inherently good. Now more than ever seems to be a time where we need to cultivate harmony, compassion and vulnerability for all people regardless of individual status, label or identity.
âIt isnât hard to convince someone you love them if you know what they want to hearâ
An eyebrow raising sentence from everyoneâs favourite cute psychopath, Youâs Joe Goldberg. It is wonderfully inclusive to change the narrative on psychopathy but surely thereâs a reason for its fierce reputation. Maybe Dr. Mallet was right in that the psychopath is always a sneaky snake, ready to pounce and sink their psychopathic poison into our blood.
Manipulation is one of the terms we regularly hear associated with psychopathy. If psychopaths are prone to manipulating others, it can be argued that simple survival instincts mean non psychopathic individuals want to protect themselves and society from such behaviour. However, by perpetuating the hype of how dangerous psychopaths are, we just come back to an earlier point made in this article that the collective ostracises the psychopath and therefore impacts their ability to comply with social norms.
Hug your local psychopath
It seems that one of the prevailing mainstream perspectives on psychopathy is that a psychopath is someone evil: they were born evil; they are evil, and theyâll die evil. Hopefully youâll now join me in disagreeing with that sentiment and see psychopathy as a complex mental health issue where everyone experiencing it is different and deserves to have the chance to be defined beyond a label.
No one is innately criminal or violent. While yes, there are links between criminality, violence and psychopathy, itâs worth remembering that we live in a time of mass media consumption that loves to sensationalise. The need to sell and to exaggerate often win over the need to be patient, analyse and truly understand complex parts of the human experience.
Psychologyâs flirtations with neuroscience have revealed fascinating results: the brain, what a non-scientist would likely assume is a fixed and unchangeable organ, does and can change. Our brains are individual and through theories of neuroplasticity we can understand the vitality of our social environment on our brain and therefore behaviour. Psychopaths cannot be excluded from this.
Psychology and sociology are working to explore links between criminality and disadvantage or oppression. If criminality is linked to psychopathy, we must ask why, and be prepared to look at an individualâs history and their social environment.
Frankly, many of the accusations thrown at psychopaths do not work for neurodiverse people. Whether itâs an anxious person unable to understand why their habits, born from their anxiety, frustrate their travel buddy or a psychopath whoâââas Dr. Newman believesâââcanât recognise their words or behaviour has upset someone until much later, the world can be a confusing puzzle for those of us who do not fit neatly into the expected norm.
In expanding compassion and understanding to others regardless of what condition or disorder they may have, we can be instruments of change. Once we look to others and try to understand them, we deconstruct labels that lead to marginalisation and instead, we can bring people together by saying: you are not alone.
The thing about science fiction media set in the future is that it is premised in a vacuum of fiction.
By which I mean...futuristic sci-fi dealing with things like AI, robots, sentient computer intellgience, clones, etc, and the ethics surrounding them. In all the stories Iâve seen that deal with these subjects, it seems like the debates on whether intelligent robots are living, or if clones deserve rights, are some kind of novelty. Or that theyâre continuations of historical discussions stemming strictly from scientific advances made in previous centuries.
But none of these stories seem to exist in a universe like ours, where weâve been consuming fiction about such robots and clones and super computers for....decades. Centuries, even â Frankenstein fits into this discussion just as much as Star Trek. Weâve always been fascinated by the idea of humans trying to create something better than ourselves, whether it be artificial or organic. And by the same token weâve been wrestling with the ethical implications of that for the same amount of time. Weâve been telling stories for lifetimes about things we as a species are only just now scratching the surface of; what weâve accomplished comes nowhere near to what we tell ourselves is possible, but weâre already arguing about the morality of our distant future, the...personhood of things we arenât even close to creating yet.
So why, in all these distant futures and ethical quagmires we imagine for ourselves, donât we include the fact that weâve already been having the same discussion for generations? Why, in the glorious 23rd century, when weâre zooming around space in our palatial starships, do we act as if Asimovâs Three Laws of Robitics hadnât already affected our real world perceptions of artificial life centuries beforehand? In our science fiction we write about extraordinary things as if they are commonplace, we expect that they will be by the distant future, but even as we do so our imagination and naivety is revealed. We write about robots, cloning, supercomputers becoming commonplace, because we forget that they already are. Even though we may not have androids that can pilot spaceships, or clones that can fight in wars, the seeds of these technologies are already functioning, and more importantly the ideas existed long before that. So by the time we get to the 23rd century, weâll be two hundred years past the age when we were bottlefed on machine ethics. There will be millions of stories to argue the point. Iâm not saying that I think it would be settled by then â oh no, itâs been centuries and some humans canât even agree that other humans deserve rights, I wouldnât expect the question to be easily settled over robots. But...the fact that weâve been concerned for our artificial children since even before they were conceived? Well, that ought to count for something in our favor. In our stories about a future we havenât achieved yet, I donât think in the telling we should forget that itâs a story weâve been cherishing for years. Even our dreams should give credit to the imagination of our past.
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Thatâs the other thing about time zones: things can be both beginnings and endings. I used to call the day he waved goodbye our anniversary. Now I call it the day that he waved goodbye.
- excerpt from a little something Iâm working on
Below the cut I have copied, word for word, my essay that I wrote that says Nick Carraway imagined all the events in âThe Great Gatsby.â
tldr: Compared to all the other characters, Nick is about as interesting as off-brand toothpaste - we only learn about 12 things about him over the course of the book, which is little compared to what we learn about the rest of the characters and when you consider that heâs the narrator. (Just look at the party in chapter 2 for examples of this.) When Gatsby dies, Nick is the only friend of Gatsbyâs to show up at the funeral, which makes no sense given that, he had all these parties, surely he must have touched other lives. The charactersâ behavior after Gatsbyâs death make no sense - Daisy and Tom just up and vanish, when Tom is not the sort of person who would leave without fighting Gatsby, heâd turn up to gloat about âha ha, I got Daisy and you didnât.â Then thereâs Jordan Bakerâs sudden engagement - we learn at the beginning of the book that sheâs single, but by the end of the book she announces to Nick out of the blue that sheâs engaged. Sheâs a professional athlete, and Nick really likes her - if the media didnât follow her social life, Nick would. The events with Gatsby take precedence over the events of an otherwise full summer. (Now of course, this makes sense given that the book is about Gatsby, but Nick seldom mentions his career. Quote from the essay - âThe events he cites-eating lunch with his fellow bond salesman, walking around in New York City - compared to the extravaganza that is Gatsbyâs company, and being privy to his cousinâs husbandâs love affair, and hanging out with such a celebrity as Jordan Baker, are dull and trivial. No wonder heâd choose a fantasy world over the real world.â) Plus, he staright up forgot his own birthday and didnât remember until basically the end of the day. Until after the fight Tom and Gatsby had over Daisy, until after the fantasy started to fall apart.Â
Odds are, none of the characters are completely fake. Perhaps Gatsby, Tom, Daisy, and Jordan resemble people he met during the war or other times in his life. Perhaps he met a guy during the war who called everyone âold sport.â Perhaps he really did meet a polo player named Tom in college. But the man was lonely - he planned to rent the house in West Egg with a coworker who then moved, heâd left his family behind, and even his dog ran away. Nick was lonely. He made up some imaginary friends.
And if you want my citations, below is the whole essay, complete with citations.
Imagination is an integral part of the human experience. Every one of us has at some point created a magical world for ourselves, be it as simple as having an imaginary friend, playing role-playing games online, or writing fan fiction. we may do this to fulfill some deep desire to be loved and to experience things that we could never hope to experience in real life. Something in our real life is displeasing to us, and we want to fix it in whatever way we can. In my spare time, I like to write fiction. I like to create new worlds and new people, to experience new things that could never happen in real life, and to give myself a different life, a better one. We can find this in F. Scott Fitzgeraldâs classic novel, âThe Great Gatsbyâ. Â Nick Carraway, the narrator of the story, has a life that none of us would wish for. In the summer of 1922, much to the chagrin of his family, he moves to New York City to become a bond salesman. He originally plans to rent a house in the country with a coworker who then moves, so he goes out to West Egg Village alone. Even his dog runs away. At that point, Nickâs life was miserable. It must have seemed that all the world was against him, and he didnât have a friend in the world. In such a situation, a person would find some way to make friends, be they real or imaginary. I postulate that this is exactly what Nick has done-he creates imaginary friends so as to be liked and creates a new world around him. This creation is shown by the over-the-top qualities exhibited by all of the characters save one-Nick himself-, the discrepancies in character behavior, and the fact that, though Nickâs summer was a full one, the events with Gatsby and the rest of his imaginary friends are given the greatest importance.
The characters in âThe Great Gatsbyâ are known for their extravagant qualities, their over-the-top lifestyles, and their bursting personalities. All of the characters in the book have these, save one, of course-Nick himself. In fact, compared to the information we have on every other person mentioned in the book, we have startlingly little information about Nick. Heâs rather boring, by comparison, and more realistic than everyone else in the book. Most of what we know about Nick is in Chapter 1. Heâs middle-class, a bond salesman, was a soldier in World War I, is from the midwest, and in the summer of 1922, he rents a small house in West Egg for $80 a month. That may seem like a lot at first glance, but after that we only learn 5 things- his name, where he went to college, heâs the cousin of the wealthy Daisy Buchanan, where he works, and the house he rents is, incidentally, only one over from the extravagant manor of Jay Gatsby (1, 7-13; 3, 61). Of the other characters we know greatly more, even of Gatsby, who is considered somewhat of a mystery. This is largely due to the fact that Nick focuses more on others but with a great lack of perspective about himself. He observes the behavior of others around him, but fails to observe his own. In fact, there is a lot of description in the book about others, but, again, a significant lack of the same about Nick. In Chapter 2, Nick attends a small get-together at the apartment of Tom Buchanan and his lover, Myrtle Wilson, in New York City. When the other guests begin to arrive, Nick describes them in great detail- Catherine, Myrtleâs sister, is described as âa slender, worldly girl of about 30[âŚ]. When she moved about there was an incessant clicking as innumerable pottery bracelets jingled up and down her armsâ; Mr. McKee, a fellow tenant âwas a photographerâ, his wife, âshrill, languid, handsome, and horribleâ. Myrtle changes into an âelaborate afternoon dress of cream colored chiffonâ, and when she changed, Nick notices that âher personality had also undergone a change. [âŚ] Her laughter, her gestures, her assertions became more violently affected moment by moment and as she expanded the room grew smaller around herâ. By contrast, Nick becomes drunk, sits down in the living room, reads a gossip magazine (2,34-35), and doesnât say much of anything, and he certainly doesnât say anything about himself. Overall, his role is very minimal. Fantasies often include great amounts of detail to make them seem more real. But by including so much detail about others and next to none about himself, Nick makes himself seem flat by comparison. It becomes obvious that something is not right, not real- either Nick or everyone else is fake. The odds that 5 people would imagine the same thing are too low, telling us that it is really Nick who imagined them. Their extravagance and great detail tells us that the characters are, in fact, a fantasy.
Furthermore, another clue that the events of âThe Great Gatsbyâ are Nickâs imaginings is all the discrepancies we find in the charactersâ behavior at the end. Nothing that would make sense to happen, given the characters established behavior up to that point, actually does When the character of Gatsby dies (8, 169), the only one who mourns, truly, is Nick, even though, surely, Gatsby must have touched many lives. He must have had other friends in the world. But no, only one friend, Nick, attends Gatsbyâs funeral (9,182). (This also shows how Nick is central to everything, proving that he is, in fact, the one who imagined all of this.) Daisy, the woman supposedly so attracted to Gatsby that she was tempted to leave her husband, wasnât even in the area. She and Tom disappeared shortly before Gatsby died- they âleft no addressâ, didnât âsay when theyâd be backâ, they had just âgone away early that afternoon, and taken baggage with themâ(9, 172). Even if their leaving makes sense, Tom is the kind of person who would want to gloat. This personality trait can be seen both during and after his and Gatsbyâs fight over Daisy in Chapter 7. He is arrogant and believes that Daisy can only love him- When told that Daisy loves both Tom and Gatsby, Tom says, ââEven thatâs a lie. [âŚ] Whyâthereâre things between Daisy and me that youâll never knowââ(7,140). And when Daisy says that it wouldnât be true if she said she never loved Tom, he says rather pompously, ââOf course it wouldnâtââ (7,140). And at the very end of the fight, to further assert that heâs won, he orders Daisy and Gatsby to drive home togetherâââGo home,ââ he says, ââHe wonât annoy you. I think he realizes that his presumptuous little flirtation is overââ(7,142). Tom would want to rub it in Gatsbyâs face once more that he had Daisy before bowing out. He would have Daisy drop by to say goodbye forever. Even while mourning for Myrtle, it would be out of character for Tom not to gloat.
Thereâs also the point of Jordan Bakerâs sudden engagement. At the beginning of the book, Daisy says that she intends to set Nick and Jordan up together- she says, ââIn fact, I think Iâll arrange a marriage. Come over often, Nick, and Iâll sort of -oh- fling you togetherââ(1,23). Jordan Baker, being a celebrity, a professional athlete, would be rather well-followed by the media of the time. Any boyfriend she might have had would have been news, the same as it is today, and Daisy wouldnât have even tried to set them up. And Jordan liked Nick, we know this (ââI hate careless people,ââ she says, ââThatâs why I like youââ(3, 63).), and Nick tells us right out that âfor a moment, I thought I loved herâ (3, 63). If the media didnât follow this professional golfer, Nick certainly would. However, at the end of the book, she tells Nick âwithout comment that she was engaged to another manâ (9, 187). Out of the blue, with no clues of any sort beforehand, Jordan is engaged. Her engagement totally removes any chance of a further relationship between her and Nick, a relationship that we were expecting. That doesnât make sense considering her character and the details established thus far. That is a character discrepancy that hints to something suspicious beneath the surface, hinting even more that these events are all a fantasy.
Yet another clue that the events of âThe Great Gatsbyâ are Nickâs fantasy is the importance that the events with Gatsby and the rest of the delusion are given out of an otherwise full summer. Nearing the end of Chapter 3, Nick breaks from his story to tell us about the events thus farâ âReading over what I have written so far I see I have given the impression that the events of three nights several weeks apart were all that absorbed me. On the contrary they were merely casual events in a crowded summer and, until much later, they absorbed me infinitely less than my personal affairsâ (3, 60-61). For a brief moment-a little over one full page (4 paragraphs on pages 61 and 62)-Nick breaks a little from his fantasy to tell us what he had done until the middle of July, 1922, but after that he goes back to talking about Jordan and his imaginings. But he was right when he said that it seemed those three events were the highlights of his summer up until that point. The events he cites-eating lunch with his fellow bond salesman, walking around in New York City (3, 61)- compared to the extravaganza that is Gatsbyâs company, and being privy to his cousinâs husbandâs love affair, and hanging out with such a celebrity as Jordan Baker, are dull and trivial. No wonder heâd choose a fantasy world over the real world.
Also, preoccupation with the fantasy caused him to forget his own birthday. In Chapter 7, following Tom and Gatsbyâs fight over Daisy, as Tom was preparing to have a victory drink, he asked Nick if he wanted any. Nick didnât hear him at first, then said, ââNoâŚI just remembered that todayâs my birthdayââ(7, 142). He didnât remember this until after the fight, when his fantasy started to fall apart, when Daisy, the reason he created the fantasy in the first place, left Gatsby. He didnât think about it until real life started to creep in. His life wasnât important until an issue with his all-important fantasy was resolved. There is a clear separation between the fantasy and his reality. Were these events real and true, Nick would not have forgotten something like his birthday.
Now, none of this is to say that Gatsby, Daisy, Tom, and Jordan are entirely fake. Indeed, the human mind is incapable of creating entirely new people. However, compiling qualities from separate people into one person is entirely within the realm of possibility. In his life in New York, or his life in the midwest, Nick might have met someone-anyone-that could have later become Gatsby, or any of them. Perhaps during the war, he encountered a soldier who called everyone âold sportâ, or perhaps in college he really did meet a polo player named Tom. In creating his imaginary friends, he called minor details from his real life to his mind and they turned into these people, these friends that Nick created for himself. And they became so fantastical, with such unbelievable qualities, because if you were going to create an imaginary friend, why would they be boring?
The imagination is an amazingly human thing. Some might even say that it is what makes us human. Itâs been used to create amazing worlds and amazing technology, from the spear to the Internet. The creators are valued in history, and the character of Nick Carraway is honored with a place among them. After all, through the creative genius of F. Scott Fitzgerald, he created characters that have been valued and read about for decades, almost a century-characters that are fantastically amazing, fantastically complex, fantastically important. We need not pity Nick Carraway for making imaginary friends rather than real ones. We should respect him, and continue to honor him and the story he is a part of, as we have in years past.
its not fair to miss you because I let the relationship go years ago. i was hurt, because you were unfairly mean to me for no reason, and instead of apologizing for what you said, you apologized because I found out. I was mad, too, because it was one of your friends who told me what you had said about me, and I saw that you let other people say mean things about me, all while you laughed along. after being best friends for eight years, how could you do that to me?
i thought we were going to be friends forever. we had known each other since we were teenagers. while we were not physically close,I truthfully believed we were a one-in-a-million story. a story other long-distance friends would read about, because we knew one other so well and clicked instantly. I think of your family often, of your pets, and of you. even when my heart hurts because of what you did, or didn't do, I still think fondly of you.
letting the relationship go wasn't easy. but after telling you what I knew and ignoring your response, all I could do was stare at the conversation thread. how much of what we had said had been passed around your other friend group? how much of what I had confided in you had been used as a punchline from you? all your secrets, every piece of you that I cherished, sits safely in my heart, where I will carry it for eternity. i was foolish for believing you had done the same to my secrets, but now I am not sure.
I deleted the conversation thread that night. i don't remember if I blocked you on social media or if I simply made a new account. all I know is everything that connected us was severed. all the screenshots I had of our conversations, images I had saved since we were fifteen and sixteen years old, were gone. many messages were long, heartfelt, and honest. i believe they were honest, because back then we were newly friends, and all the emotions we felt were real. but, they are gone. i do regret it now, because it was proof that someone loved me, despite everything, even for a moment.
it's not fair to miss you this much. it's not fair to me. i loved you, up until recently. up until i remembered the messages between you and your friend, laughing at my expense. there is no hatred in my heart, but there is no love either. i cherish the time we had together, but i do not wish you back into my life.
yet, there are moments when i think of you. when the summer breeze picks up, the sun beating down on my skin, I think of you. your birthday is in the summertime, and I think of you then, too. i think of you when I hear songs from ten, fifteen years ago. back when we were both obsessed with the same band and would wait for their new music to drop every november. it hurts to listen to them, even if the songs are upbeat, which is pathetic. they remind me of you. when I see purple flowers, beautiful and vibrant, I think of you.
it's not fair to miss you because I know you do not miss me. i don't know what made you change, if it was me, or your life becoming difficult, or something else, but I felt it. you must have, too. i felt it in the way I would text you and wouldn't receive an answer back for hours. i waited, I know you were busy and I was too. still, I waited. then another text, because I loved talking to you. again, nothing. until you responded, I waited. it was a single word text, but I was happy you did it anyway. it's pathetic to get a one-word answer after sending one, two, many texts, but you were my friend. i would have wait a thousand years for you to send a single word. maybe you knew it then, that you didn't love me anymore, that you were tired of our friendship.
I ended the friendship because you said that I could talk to you whenever I felt like it, after half-apologizing. i didn't want to talk to you. what would have stayed between us, and what would you have told your friends in secret? i deleted the thread, then your number, and then never contacted you again. I want to, sometimes. i see a cute picture of a dog, or a rabbit, or a cat, and I think that you would like it. but I do not talk to you. i see your celebrity crush and I think that you would say something hilarious if I sent it to you. but I do not want to talk to you. something happens in my life and I want to talk to you. but I don't. i want to talk about your life, to ask about your family and you, but. i don't.
you have given me a new fear in life. the fear that, despite everything I do, people will leave. i believed we would eventually move closer to one another, to spend the rest of our lives together, laughing, and aging. you would have your family, and I mine, and we would be together. but, it didn't end that way. because of me, because of you. because I ended the friendship.