View of soprano Leontyne Price in Puccini's opera, "Tosca." Stamped on back: "NBC photo." Handwritten on back: "Miss Price in Act II."
E. Azalia Hackley Collection of African Americans in the Performing Arts, Detroit Public Library
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View of soprano Leontyne Price in Puccini's opera, "Tosca." Stamped on back: "NBC photo." Handwritten on back: "Miss Price in Act II."
E. Azalia Hackley Collection of African Americans in the Performing Arts, Detroit Public Library

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Rehearsal of an Opera
Artist: Marco Ricci (Italian, 1676–1729)
Date: ca. 1709
Medium: Oil on canvas
Collection: Yale Center for British Art, New Haven, CT, United States
Joachim Tartakov — Ukrainian baritone (1860-1923), signed cabinet photo, shown in The Demon. Inscribed and signed on verso, dated in 1894. Size is 4.25 x 6.5 inches.
"kids are turning gay because of all this degenerate media they grow up with nowadays" have you considered that actually opera made me gay
Opera singers William Warfield and Leontyne Price, who were then starring in a production of Porgy and Bess, were married at the Abyssinian Baptist Church on August 3, 1952. Performing the ceremony is the Rev. David Nathaniel Licorish, with the attendants, William Holmes, Jr, left, and Urylee Leonardos, right, watching. The entire company came up from Washington, D.C., where the production was in its pre-Broadway tryouts, to attend the ceremony.
Photo: Associated Press

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Sexy Welsh opera singer Bryn Terfel
Gladys Swarthout
Opera singer Gladys Swarthout was born in 1904 in Deepwater, Missouri. Swarthout made her operatic debut during the 1924-25 season with the Chicago Civic Opera Company. In 1929, she gave her debut with the Metropolitan Opera, where she would remain for sixteen seasons. Swarthout's repertoire contained more than 25 operas, but she was best known for the title role in Carmen. In 1960, she was honored with a star on the Hollywood Walk of Fame.
Gladys Swarthout died in 1969 at the age of 64.
You mentioned in a few posts that opera singing in the 19th century is different to opera singing now. Are there any recordings you know of that can give us an idea of what a 19th century soprano would sound like?
There are a bunch of old recordings of sopranos trained in the old-school bel canto technique. I’ll link just a few of them, but I’ll try to show you different types of sopranos. If you want more, you’ll need to dig deeper into YouTube (there are entire channels dedicated to this!).
Adelina Patti – Casta Diva (Patti was 63 when she recorded it!)
Luisa Tetrazzini – Caro nome
Frieda Hempel – Der Hölle Rache
Eugenia Burzio – Suicidio
Marcella Sembrich-Kochańska – Ah, fors’è lui…Sempre libera
Nellie Melba – Jewel song
Amelita Galli-Curci - Un bel di vedremo
Emmy Destinn – Vissi d’arte