Adam Ahuja x E Scott Lindner x Nini Iris x Caio Carvalho x David Hawkins x Enter Horizons
jazz vibes
Close your eyes, unwind to the sky, get lost in the craters…
“Lunar Sojourn” is a 9-minute, atmospheric jazz improvisation, featuring Adam Ahuja (@hujapproach) on grand piano, (David Hawkins @davidhawkinsmusic_) on drums, E Scott Lindner (@escottlindner) on electric bass, Caio Carvalho (@caiwo_music) on electric guitar, and Nini Iris @ninismusic on pitched percussion.
The piece is part of the Enter Horizons project: the monthly ‘album in a day’ series at Pinch Recording in NYC, brought to you by Infinity Gritty and Pinch Records.
An atmospheric jazz journey, featuring a live studio performance (grand piano, drums, electric bass, electric guitar, pitched percussion
Infinity Gritty is a global music label and consultancy at the nexus of jazz, pop, and the x-genre with a mission to push creative limits.
NYC-based Adam Ahuja is a live-looping artist, keyboardist, vocalist, and multi-instrumentalist. He has drawn international recognition touring independently as an artist and as a past member of acts such as Robert Randolph & Family Band and the Ana Popovic Band.
Ahuja’s keen sense of the contemporary music scene prompted him to establish Infinity Gritty, a music label, consultancy, and artist development agency. Infinity Gritty has partnered with Grammy-winning label Ropeadope Records on distribution and promotion for multiple projects. Ropeadope is home to albums by jazz luminaries such as Christian Scott, Nate Smith, Snarky Puppy, and others.
In 2017, Ahuja released his critically-acclaimed album “Ubiquity” via the Infinity Gritty / Ropeadope joint venture, on which he composed and performed all music, including keyboards, guitar, bass, drums, percussion, and voice, and wrote the lyrics.
Adam Ahuja’s music incorporates influence from jazz, rock, funk, soul, hip-hop, electronic, world, and little bit of Vanilla Ice dance partying at age six. Ahuja melds a love for groove and an affinity with harmony, while flavoring his compositions with metaphysically-bent singing and rhymes.
When Ahuja plays live, he offers what he calls a “neolive” experience: one in which he draws upon a range of electronic instruments (keyboards & key-bass, singing & rhyming, beatboxing & drums pads) to record and loop the performance live, without the use of pre-recorded sampled parts. Ahuja’s shows often involve interactive participation as he loops and records audience members, bringing them on to the stage and giving them a personal connection to the performance.
Ahuja’s adept performances, charisma, and novel approach to the “one man band” paradigm have made him a widely viewed social media presence with individual videos generating well over 50,000 views.
Along his career path, Adam Ahuja’s work has led to collaborative highlights including writing and recording in-studio guitar parts for rock-legend Meatloaf, jamming on stage with musicians such as Jerry Harrison of Talking Heads, Questlove of The Roots, and Kenny Wayne Shepard, opening for legendary jazz pianist Chick Corea, and landing endorsement deals with Nord Keyboards and Motion Sound Amps.
Adam Ahuja has headlined, played, or appeared at a wide range of US and international festivals and venues. Recent highlights include Musikfest (PA, USA); Blue Note Jazz Festival (NY, USA), Morristown Blues and Jazz Festival (NJ, USA), Victoria Jazz Festival (BC, Canada), Costal Jazz Festival (BC, Canada), Gypsy Jazz-Fest (New Caledonia), Legendary Rhythm & Blues Cruise (Caribbean), Great Mississippi Balloon Race (MS, USA), Unifier Festival (CT, USA), Freemind Fest (PA, USA) DiscJam Festival (NY, USA), Folk Fest (PA, USA), Second Street Festival (PA, USA), and Sofar Sounds (SP, Brazil).
Adam also holds a Master’s in Public Policy (MBA) from University of Konstanz (Germany) and BSBA in Management and Pre-Med from Bucknell University.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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この映像には何も映っていません。
黒い画面です。
でも、音が鳴っています。
これは“作品”ではありません。
美しくも、整ってもいない。
おそらく、世界初の演奏構造です。
ギター1本だけで、ベースもドラムもシンセも、すべてリアルタイムで鳴らしています。
ルーパーも、同期も、シーケンサーも使っていません。
あらかじめ仕込んだ音ではなく、 その瞬間に鳴らした音だけで構成されています。
たった30秒。 でも、これを出すまでに16年かかりました。
沈黙は16年。音として鳴らすための方法を考えたのは、6年前でした。
評価よりも前に、 鳴らさなければいけない音があるなら──
これはその記録です。 ─ Velladon / G.O.T.H.
There is nothing to see in this video.
Just a black screen.
But the sound is real.
This is not a “work.” It’s not beautiful. Not polished.
This is very likely a WORLD-FIRST PERFORMANCE STRUCTURE.
Everything was played live using one guitar only — bass, drums, synths, noise.
No looper. No sync. No sequencer.
Every sound was created in the moment, with no pre-recorded elements. Just 30 seconds.
But it took me 16 years to release this.
For 6 of them,I was quietly building the way to finally let it out.
If there’s a sound I must let out before any evaluation—
This is a record of that sound. ─ Velladon / G.O.T.H.
For my fourth full length Dungeon Synth / Dark FolkMetal this year 2024, featured quite a bit of dark ambient noise, sonic violence, desecration coming from the ancestral lands of Ecuador and the Andes mountain range.
TARPUK AMSA is the latest in the somber imagination of URKU LLANTHU, a professional conceptual musical work for this new fourth studio album 2024. Arcane compendium of dark atmosphere that will paralyze the listener, through a mystical, primordial underground ritual full of melodies surrounds that invoke the ancestral Andean Charm.
Underground of the South American scene, transcends to ancestral settings, sounds of hypnotizing atmospheres, with gloomy and mystical Andean melodies, through the musical genre
Dungeon Synth / Dark FolkMetal, from it’s Ecuador origin.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
NEW MUSIC ADDED TO RAVN RADIO The Livesays are an accomplished five-piece Heartland/Americana band fronted by the band’s namesake critically acclaimed singer/songwriter/guitarist Billy Livesay, who spent 12 years performing, recording and touring with E-Streeter Clarence Clemons' band "Temple of Soul." During his 12-year tenure with the beloved “Big Man,” Billy recorded and released "Live in Asbury Park" Volumes I & II at The Stone Pony, the second album which features Bruce Springsteen. Billy has shared the stage with so many industry giants, his resume reads like a "Who's Who of Rock n' Roll Hall of Famers."Drummer Steve Rheingold, was formerly the beat keeper with the legendary Wayne Cochran.The Livesays' lineup is rounded out with Jorge Laplume on bass, Victor "Cuqui" Berrios on Hammond B-3 organ, and Tim Murphy on piano, all of whom have impressive resumes of their own. Cuqui, who grew up in New York City, offers a touch of the Big Apple to the band with his Hammond B3 and impassioned vocals. Tim brings his ear for harmony and his unique Elton John style piano. Jorge hails from Havana, Cuba; with his Latin roots coupled with a steady diet of the rock groups The Who and Free, he delivers a bass sound that is both funky and thunderous. The Livesays - One Man BandThe combination of these five seasoned pros, with their versatile backgrounds, incomparable harmonies, energy level, and undeniable chemistry, create real magic on stage together and put on one heck of a dynamic live performance.The Livesays have created five full length albums that are both memorable and moving with stories ranging from adolescence to adulthood, from battling addiction to conquering depression, from finding love to losing love ... with lyrics that will surely touch your heart and quench your soul. - https://www.thelivesaysmusic.com/ - https://twitter.com/thelivesays - https://www.facebook.com/TheLivesays/ - https://www.youtube.com/user/TheLivesaysMusic - https://music.apple.com/us/album/the-rhythm-of-love-and-dysfunction/1526908030
Una leggenda metropolitana vuole che il medico di cui si racconta nella canzone fosse addirittura un giovane re Umberto e che la ‘totina’ fosse una sartina sua fiamma giovanile realmente esistita. Aneddoto di cronaca rosa.
