Hereward Carrington, Ph.D and Willis A. Whitehead - Keys To The Occult - Newcastle Pub. Co. - 1977 (cover by Jane Yamada)
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Hereward Carrington, Ph.D and Willis A. Whitehead - Keys To The Occult - Newcastle Pub. Co. - 1977 (cover by Jane Yamada)
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What is art even about man
Chapters: 4/4 Fandom: Wiedźmin | The Witcher - All Media Types Rating: Mature Warnings: No Archive Warnings Apply Relationships: Vilgefortz of Roggeveen/Stefan Skellen Characters: Vilgefortz of Roggeveen, Stefan Skellen, Leo Bonhart, Nimue | Lady of the Lake (The Witcher Series - Andrzej Sapkowski), Condwiramurs Tilly, Cirilla Fiona Elen Riannon, Yennefer z Vengerbergu | Yennefer of Vengerberg Additional Tags: Alternate Universe - Canon Divergence, Stygga Castle (The Witcher), Oneiromancy, Allies To Lovers, Crack Treated Seriously, Metafiction, Introspection, Fluff, Humor, Domestic Fluff, Accidental Voyeurism, Being Walked In On, Forced Proximity, Fix-It, Implied Sexual Content, Non-Graphic Smut, underwhelming ending, Oh. OH. | Italicized Oh Moment, Gap Filler, Fast Burn Summary:
“What interests me,” Nimue leaned forward, “is the same thing as always – filling in the gaps in this story. Every possible one, Condwiramurs. To be more precise: what were Skellen and Vilgefortz doing at Stygga Castle from December to March, while Geralt and his company were trudging through the snow?”
I love it a lot that the ‘Stefan Skellen’ tag on AO3 is almost exclusively supplied by me, @krnberg and @astaldis - who could have thought that our little circle of Cahir fans will be serving the fandom that way 😄
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Forest // for rest
I thought somewhere I'd try to take // a few things off before I break: The red dress to the forest floor // I don't want to be this anymore!
So now I'm walking through my forest // hand in hand, but I'm with you. Yet I live here, and you're my tourist, // just do what you came to do.
And leave me, leave me, in the clearing // without my clothes, but you're not hearing: leave me, leave me, in the clearing // and leave me, naked, without you.
Dionysus is beneficial for farmers who cultivate fruit trees, especially vines, and also for innkeepers and all 'artists of Dionysus'. He is auspicious too for people in any sort of critical situation: he signifies relief and escape from whatever threatens them, because of his very name—'Dionysus' is derived from 'bring to an end' (dianyein), and he brings everything to its end...
...To dream of dancing for the god, carrying the thyrsus, carrying uprooted trees, or performing any other of the actions in which the god delights, is malign for all except slaves. For all others the dream signifies folly and damage because of the mental aberration and the frenzy, but for slaves it is indicative of freedom, because those they join in the revels are indifferent to their status, and also because of the god's epithet and his kindly nature.
from the Oneirocritica, written by Artemidorus (late 2nd century/early 3rd century AD), trans. Martin Hammond
Late Deipnon post :p🖤
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