Vintage Provence Glazed Ochre Fish Plates
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Vintage Provence Glazed Ochre Fish Plates

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Saam
So then we lie down in our field and just do nothing at all
And I’m getting ready for when everything is wonderful
My babies 🥹
Painted Rocks — Stag, Aurochs, Lioness and Seal
Heyy people! Few months ago, I got some ochre and I decided to try to use it to paint on rocks. I managed to find good rocks with interesting enough shapes and textures, only to actually paint them now haha Tbh I was a little stressed to mess up, that's why it took me so long, but I'm actually quite proud of the result! I think the best one is probably the stag due to the rock being white (thus resembling the colours of the walls of Lascaux) and because I used the red pigment. Looking back, I feel that the seal would've maybe looked a bit better with some red too jsjs Anyway I had a lot of fun doing these, especially while trying to make the animals follow the shape of the rocks as much as possible! I varnished them with some fixative for dry pastels to make sure they don't get damaged over time Which one is your favourite? ✨

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
*Offers to let a sysmate leave front*
Him not leaving front:
thought we were over this
Regarding Your Face, Lunar Gravity, and One Long-Distance Video Call
Did I say you looked like a moon to me? That was silly. I don’t mean your face is a cave or that it’s too pale, but that it shines in the dark among the stars, pulling my eyes toward it even when I would seek to look elsewhere. Maybe it’s gravity. I don’t believe in the soul or the idea of soulmates, but I believe in the moon. In its orbit, its tidal lock, moving away from us each year but with only one face turned toward us. That face has a rabbit, you know. Pounding mochi, or the elixir of immortality, or perhaps just cardamom between mortar and pestle. I think of the rabbit in the moon whenever I use my mortar and pestle, grinding cardamom, grains of paradise, pimiento de Jamaica, and whatever flavor I need to reach. Maybe the rabbit likes cumin. Maybe it would like my enchiladas. That moon, the way it was formed from much the same material as the Earth after a colossal collision, before either world had fully cooled and hardened into the atmospherically protected squished balls we are now, spinning at roughly a thousand miles an hour. I believe that speed feels like nothing because we evolved here, water creatures that we are, to live near the sea, near the lake, near the damp places we need. That the moon pulls us as it pulls the seas and we are tides within ourselves. You are a moon to me, a tide pull that is inviolate, insistent, ineluctable, so that whatever is damp beneath my skin waxes and wanes with the force of your face, facing me. Oh but in this analogy I am the sea, and that is too much. You said my face looked like a sunrise when I said it, blushing bright, and perhaps sunlight bent through the atmosphere feels the same. What a wonder, it might think, at the landscape before it. Perhaps the sun, too, says something silly. And blushes.