#oblomov

heishou ids for my limbus ocs!! art without text is below

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To understand Martin Scorsese’s presentation of “Goncharov” (1973) it is first necessary to understand Oblomov’s original novel on which it is based, and indeed, the time in which it was written.

The author, Ilya Ilyich Oblomov, was a young nobleman who lived in the late 19th century in Moscow. Popular with the royal family and rich beyond all measure, he was targeted along with the royals by Lenin and the Bolsheviks when they took over Russia after the first world war (known then as World War Part I of II). To escape the fate of the royals (he is believed to have escaped the Winter Palace by only hours) he fled to Italy.

Italy was, at the time, a newly unified country of former city-states including Rome, Florence, Milan, and for some reason, Chicago, IL, the people of which may have thought “IL” stood for Italy at the time. Oblomov himself found protection in Vatican City (which was not a city, but a separate country) owing to his significant contributions to the Popesidential campaign of Pius XII. Once the revolution had died down in his former country, now part of the USSR, which is English for CCCP, which is Cyrillic for SSSR, which stood for USSR, Oblomov moved out into the “Country” (which was not a country, but just an Italian city) and began writing of his experiences.

Oblomov began his novel, Goncharov, in 1921. Its narrative was to be an epic escape from Russia to match his own, but this was not to be, as the house he moved into belonged to the family of Francesco Cuccia, known now as “Don Ciccio the All-Around Unpleasant” or “Cuccia the Pretty Damn Bloodthirsty.” Oblomov, having been tricked by certain vindictive members of the Vatican House of Commons, did not in fact have permission to live there.

As Oblomov himself tried to evade not only Don Ciccio’s mafia but Lenin’s assassins, Vatican intrigue, Templar knights trying to kill the Assassins, and of course, the order of assassins themselves, known then as “hidden ones” or simply, The Brotherhood; his novel Goncharov became a venting point for the tribulations to which he was subjected. Thus, Goncharov became the story of an epic battle between the Italian Mafia and Russians that we know today.

The novel Goncharov, published illegally in Soviet Russia as “Ivan Goncharov” or “The Many Sufferings Of Ivan Goncharov: Hope For The Best, Expect The Worst” was an underground hit. Stalin himself is said to have greatly enjoyed the novel before banning it, burning most copies of it, kidnapping its author and sending him to die in a gulag in Siberia. Though no record exists of Oblomov’s death, it does seem he was captured by Soviet secret police while visiting his parakeet in Yekaterinburg, and all record of him is lost upon his arrival in northern Siberia.

But a few copies made it out, and thanks to an English translation by Penguin Classics, the book fell into the hands of Martin Scorsese, who read the novel while in prep for his film Mean Streets, where he would go on to meet producer Domenico Procacci. Scorsese was of course too busy with his first New York epic to direct, but he agreed to co-produce the film. All that was missing was a director.

While filming the riot scene for Mean Streets though, Scorsese and his casting director happened to meet a certain extra with a peculiar name. Matteo JWHJ0715 (whose family name was changed at Ellis Island from “Jones”) had just moved to New York to achieve his dreams of Hollywood stardom, having thought Hollywood was one of New York’s suburbs. Scorsese corrected him and allayed his disappointment by inviting him to join him and Procacci for dinner.