Figure 1: Stacking is symbolic of trust and bonding
Objects demonstrate attachments in many different ways (yet another example of how diverse they can be lol.) For instance, stacking is a universally-recognised display of attachment among objects. It’s a sign of mutual trust, bonding or allyship – the bottom supports the top since they trust them, while the top trusts the bottom to keep supporting them and stop them from falling. Of course, not all objects display attachments the same way (see Figure 2), but stacking is the most recognised as a symbol of fondness and affection.
The fifth image in Figure 1 is also a good illustration of how attachment must be mutual: stacking here doesn’t work because the top (Grassy) trusts the bottom (Pencil) to protect and support them. This feeling is not reciprocated; hence why there’s conflict.
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now that I've got your attention, read my completely sfw /srs thoughts on objects handling the sunny weather
Was walking under the sun and my hair got really hot and it made me wonder how would objects handle heat. Especially metal objects (I'm totally not biased because my wife is one). Remember the metal slides at summer? they burn. now imagine that's how your almost whole body feels...
In objectified it's said that bestial objects who are respawned in a different district might change their assigned animal to adapt to environment. Terminals can also cause nerve damage so organspace is affected. So I like to think that, for example, objects spawned in Ankh are more heat resistant than those from The Rings or Fort Blanket (who would be better at handling coldness. it's a problem for metal objects too!). Well, technically their metal parts get heated the same way, but it doesn't affect their system that much and they can function just fine in the weather that would give a middle ringer a heat stroke.
Oh wait. Food objects exist and don't ever melt. I guess not everything should make sense in the object show world... - that's something I'd never say. Objects are made of cells. Their edible parts are cells too. The cells are living and renewing, so when some liquid from the glass object is spilled or evaporated, the cells multiply to refill it. Objects who would melt, like ice cream, are cells too. It has cell structure, not actual ice cream structure, so it might feel and even taste like ice cream but not melt like one. Yay!
I could've said much more but I have to prepare for the math exam I have tomorrow that I barely understand because I was too busy thinking about object worldbuilding in class
See, previously I had assumed them to be like just the pupil and Iris, which much of the eye being actually huge but just covered in skin like with chameleons. The skin could stretch and squash, for mainly expressions.
But now I have an idea I way more like!
Fig 1: Just doodles with the whole side eye thing, I really like this expression
So! I took heavy inspiration from mouse and rat eyes. Because, you see, their eyes appear black because both the pupils and iris are black, they have a lot of melanin to capture more light.
It’s not just pupil, because 1) an iris is really important for the eye and 2) the eyes of albino rats are red and you can actually see their pupils! I believe.
Anyways, an object’s eye is just like that. A black pupil and iris, that gives their eyes that solid black colouration. However, moving their eyes, like with a side-eye, can show the whites of the eye, otherwise the sclera.
But what about the eye shape?
Fig 2: Showcasing binocular vision and the effect of when the eyes widen
Objects have binocular vision. There is no doubt about it! It helps to better distance how far away something is from you. However, you don’t get the panoramic view animals with monocular vision have, where the eyes are situated more to the sides of the face/head.
Of the animals that have binocular vision, they have vertical slit pupils, which allow for the pupils to expand more greatly.
The same principal applies to the object eyes. Their similar shape allows for them to greatly expand their eyes, showing more of the sclera and also letting in more light as the pupil and iris widen as well. Thus, they light in more light and their binocular view widens.
While images get more blurry, they can have a wider view of their environment and thus process that information to have a better understanding of what’s going on around them. However, as objects are social creatures, it does also help express emotions.
Much like side-eyeing, expanding their eyes can be used to express judgement or dissatisfaction by others onto an individual/group. This expression makes the object uneasy or stressed and so will quit whatever they’re doing that has displeased the other object.
It’s also used when an object is alert or surprised. Their brains unconsciously perceive a danger, so respond by automatically having the eyes expand to capture the general view of that potential danger.
The judgemental aspect can also be used to intimidate, both objects and other animals that dislike eye contact. Big eyes means there is more focus on you. That makes you feel more vulnerable, and thus attempt to escape that vulnerability.
Although that aspect has since died down in modern times, except both alertness and judgment are still prevalent expressions. This is due to object societies becoming more safer for an individual’s survival, thus requiring no need to ward off danger when it is all but reduced. However, being alert and casting judgement is still used on due to benefitting the society as a whole, making it continue healthily.
That is due to the society being able to learn about perceived threats and thus better respond to it. But also, judgement helps removes out bad behaviours that may cause detriment to the community.
Now I’m saying this regarding object communities that have developed over a period of time without any way to recover. They fear death, not knowing of the advantage of things that could bring them back to life just yet. And this will still be engraved in object culture, even as their reaction to death becomes more lax since they can just recover themselves with the press of a few buttons, a twist of a crank or the power of some capable entity.
You don’t want to die, you want to live and be happy and frolic in the meadows with your friends. You want to play rock paper scissors and toss the dirt. Death is sudden, it’s cold, there is no enjoyment to it. Only a sudden end, that frightens you. And if every member of a population didn’t fear death then that population would inevitably become unstable, because no one is avoiding danger as they are apathetic to it.
Poppy watching phm and seeing ryan gosling (hes a goose egg bc i like the last name being somewhat related to the object type) hang his glasses off the side of his face: pauses the movie and does the same to their own glasses
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coke spits words at you (episode 1?): everything is magic
plain (and slightly modified) text below:
Objects have a high concentration of magic within them, it's what makes us sentient. We like to call the center of it either the heart, soul, or nucleus.
It's what keeps food from going bad, technology from losing its battery, and so on. Magic can also connect us to certain aspects of our object, so a glass of juice may feel nauseous when it's empty, or a phone's memories can be accessed through its hard drive.
Our magic is also unique to the individual due to its ability to hold a conscious, so I guess you could say it IS a soul. We call these magic IDs. They can be registered into a recovery center so it can recognize who's who.
When an object's magic is released into the air, it can then be picked up by a recovery center if their name/ID is typed in. Due to its relation to itself, it will stay intact despite it being free from its vessel. If an object is not recovered in a long time, they will eventually diffuse back into the air as regular magic.
Our faces and limbs are constructed by magic, same way a recovery center uses magic to reconstruct objects. The texture of our skin can vary based on the environment of our conception, so it can be rough, smooth, fuzzy, etc. I came to be in some crackhead's abandoned, water-damaged basement, so I'm a little scaly.
The color of our skin is usually just the main color of our object but darker, but uncommonly, it can be other colors, I guess.
We do have what could be considered blood, but that has more to do with magic than biology, I think. Same goes for bones, they are both constructed and puppeted by our magic.
i've been thinking, and between the commercially available spaceships and the sheer amount of episodes featuring space in BFDI (31 😭) i think it's safe to say that objects are a pretty advanced spacefaring species. Race. Whatever. Even so, there's just so many random things in space that the only reason i can imagine is because of an early Space Race. Like in our world but with SO much more competition between nations.
Let's pretend there are countries for a sec. Each one would want to gain prestige as a spacefaring nation and, in their delusions of grandeur, each believed they should leave their mark on the universe which represented them. So the object equivalent of America might launch a massive cowboy hat into space; yoyleland launches a scale model of their most impressive landmark; a currency nation (i.e. where coiny & nickel & money come from) launches a mini planet full of bills, and so on.
so yeah to conclude a massive hat in space proves that the object states of america exists.
