nwela replied to your post: I always think of myself as like a ~fan~ of...
Chicago thoooo
I do love Chicago! though 1. all the awesome ladies 2. bob fosse
basically anything associated with Bob Fosse. into it.
but I always find that film musicals manipulate the form of film more than stage musicals manipulate the stage?
and I think a huge part of giving me the disbelief that these people are singing is also moving that disbelief into another realm of the form.
Chicago, Cabaret, Sweet Charity, Kiss Me Kate, Les Mis, West Side Story (to some extent) are the ones I am thinking of that do this.
musicals just seem inherently liminal, so if the form that is given to me is a stage play with music, I am left wanting.
I think movies are always about movies and stages are always about stages. so why ignore/hide that in the production?














