Kazimir Malevich never stopped believing in abstraction. Even after his work was condemned by the Soviet authorities he continued to paint bold geometric compositions that rejected narrative and tradition. In "Suprematist Composition No. 56" black red blue green and gold forms float across a pale background without settling into place. Every shape feels deliberate proving that for Malevich color and geometry could speak for themselves. Quelle: meisterdrucke.com

















