@niteowclâ sent: after an argument ( im ready for this thread ) âş FROM TOUCH PROMPTS
Just because heâd been working with Kryzeâs people for a while now doesnât mean heâs completely accepted their way of doing things. Theyâre more efficient than he is by a mile, he thinks-- theyâre a well-oiled machine and heâs been alone longer than he can remember-- but with efficiency comes coldness, and as much as the Way favours cutting your enemies down, the Mandalorian knows that not everyone deserves to die.
The memory of the young guard, so young they were quaking in their boots as they tried to protect the doorway leading to the general Kryze was looking for, is stark in his head. The Mandalorian knew they wouldâve cracked if theyâd only spoken with them longer. He was certain they didnât have to die.
But negotiations had taken too long. The guard was, ultimately, trying to protect an Imperial person of power, even if the Mando was sure theyâd only been going at it for a few months at most. A fight ensued. The guard died. And somehow, looking at the young oneâs big, brown eyes suddenly glazed over with death, heâd thought of a different set of eyes, a different young one dead for reasons they didnât even entirely know.
Koska had noticed, of course, in that frustratingly insightful way sheâs begun to see him (the same way the Child does, but the Mando doesnât dwell too long on it). The moment the operation was over, sheâd asked him about it. The argument isnât new to either of them-- the Mandalorian doesnât approve of the way they do things, but heâs chosen to help them, so heâs got to suck it up and be part of the team-- but it doesnât make it any less exhausting to go through it. The Mandoâs voice never raises, never goes into a shout, but thereâs enough anger in it that they part on bad terms.
Frankly, she only leaves because the Child had started to wake from his sleep, and the Mandalorian needed to get him back to bed.
When he finds Koska again later, itâs a few hours before the sun rises on this planet. He hasnât gotten a wink of sleep, and heâs not sure if she has, either, but he steps forward with the soft clink of beskar boots and reaches out to touch the side of her wrist with a gloved finger.
His voice is soft now. Gentle, with a healthy dose of shame and remorse.
âIâm sorry I took it out on you.â
Itâs not a very good apology, but heâs not very good at words, either.









