#neonstringer

Wells Gold 58 looks like the kind of cover you’d spot on a spinner rack in June ’94 and immediately pretend you were buying for the workout tips.

Neon green stringer. Teal baggies. Black-and-white sneakers. Blown-out sky. Palm trees. Rusted iron. Heavy chains. Chalk dust hanging in the heat. The whole setup feels like a summer issue engineered in a lab to make somebody sweat through a tank top under fluorescent newsstand lighting.

It’s pure early-’94 muscle-mag filth in the best possible way, glossy cover glare, loud colors, shameless angles, supplement-ad excess, and that very specific old-school fitness-media confidence where the “training article” was technically there, but nobody was really looking at the text first.

And Wells knows it. And honestly, that’s the fun of it.

This isn’t clean, minimalist modern fitness branding. This is loud. Hot. Shameless. The kind of image that feels right at home next to a pager on the nightstand, a plastic jug of fruit punch pre-workout, and a stack of tapes with handwritten labels. The stringer is doing almost nothing to hide what it’s working with. The pants hang just loose enough to make the whole look worse, in the best way. Every flex feels like a cover line that should come with a parental advisory sticker and a toll-free number in the classifieds. It’s got that grainy VHS workout-tape heat, that back-page ad energy, that “buy this with cash and keep it face-down on the passenger seat” kind of appeal. Wells isn’t just posing he’s giving full centerfold confidence, like he knows exactly what he looks like under that bright sky and isn’t about to apologize for it.

The chest lifts. The arms swell. The pose tightens. The sweat catches the light. Suddenly it’s not just some retro bodybuilding tribute, it’s full summer-’94 muscle-smut aesthetics, polished just enough for the front rack and dirty enough to make you feel a little obvious for staring this long.

Which, to be fair, is exactly what a cover like this is for.

If this had landed on a newsstand in June 1994, half the copies would’ve been bought for the “advice,” and the other half would’ve been bought by guys who were absolutely not fooling anybody.

Basically: if this showed up on a newsstand in June 1994, it would not be staying on the rack for long.

Wells Gold 58 is giving full early-’94 cover sleaze, the kind of body that would’ve had fingerprints all over the glossy front by noon. Neon stringer stretched to its limit, baggy pants hanging just right, chalk and heat and palm trees framing every flex like a trashy little masterpiece. It’s loud, shameless, and sexy in that very specific old-school muscle-mag way where everything looked like fitness and felt like a dare.