The term is called "ludonarrative dissonance" and it's the incongruity between the player character in gameplay and the player character in narrative. Generally, this happens when the narrative design doesn't work closely enough with the gameplay design to ensure a cohesive narrative and gameplay experience. This often happens because of the different speeds at which these get designed - not all gameplay systems exist or are mapped out when initial narrative design happens, and we can continue working on gameplay long after major narrative voiceover recording is already set in stone. The player character complaining about killing a narrative enemy stands out as weird while the party already slaughters thousands of nameless minions in gameplay for levels and loot.

The opposite concept also exists - it's called "ludonarrative harmony". These are games where the gameplay and mechanics of the game work in tandem with the narrative to reinforce and help each other hit harder. The Phoenix Wright Ace Attorney games are a pretty good example of this - the player is using detective and interviewing skills to advance a case and find a killer. The things the player does and the narrative usually line up well enough that the elements feel congruous and work together to become more than the sum of their parts.

The general importance of this depends on how important the team leadership cares about it. If the creative and team leadership wants to embrace ludonarrative harmony, they have to enforce it through the team's tasking and prioritization.

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Analepsis(Flashback) - Carl Hammoud , 2010.

Swedish , b. 1976 -

Archie's role is very important, she is brought in to be a new perspective that the audience needs during the second season.

She is the voice of the normal pirate experience. Just like the audience, every member of the crew has learned that there is another way to pirate: Stede's way.

They have seen Ed when he is just Ed. Even before becoming co-captains with Stede, he is still personable and treats the crew nicely.

When Stede leaves, Ed doesn't turn into the Kraken. (Not until he is threatened and has to take up the role to protect himself.)

While the crew and audience know that the way Ed is acting is not "himself" as Fang says "do you think he's getting better?" Archie seems nonplussed by the Kraken's actions because this is what they are used to with the abuse of piracy.

We get hints of her backstory and more of her pirate past as the season goes on. The snake cult, the reaction to Ed's apology, etc.

This is a normal narrative device in media and I think really important to this part of the story to really demonstrate a fresh perspective for the audience.

But moving on from the narrative purpose of her character, Archie also is just a joy! She's competent, fits in with the crew, and brings a lightness along with a reality with her.

Ep 1. "A heartrender. For what comes next? Wait, what comes next?"

Ep 2. "What!? I have so many questions. How? Why? Who? Where? When-- I guess-- yeah I guess that's all of them."

Ep 3. Wylan: Jesper Fahey, are you worried about me?

Jesper: I saw your face when the Crow Club blew up. You didn't know what you were getting yourself into.

Wylan: Yep, well, I know now. And I'm not going anywhere.

Jesper: Actually, you're walking away for dramatic effect.

Ep 4. "You're gonna say you can't do this without me, yeah? And that you hate it when we're angry at each other, but sometimes brothers fight. And that when all this is over, you're gonna open a tab for me at a club of my choosing. Cause when Pekka's gone, you're gonna take it all! That's what you're gonna say."

Ep 5. *Zoya and Nina fighting*

Jesper: "Soooo now that we all know that you two have history..."

And, later, "This is how we die!"

Ep 7. When they show up to the fight to save the day. "Why's Sturmhond here?"

And then, of course, in Ep 8.

"He's right, you know. We do have our adventures. We should hire a writer to jot down our story! What would we call it? The Four Charming Rogues of Ketterdam!"

Kaz: There's five of us.

Jesper: Right. ... Five of C--

Adrien and Marinette share the role of protagonist, so we obviously know who each of them are, and we know who they are from the very beginning. They never used Adrien’s identity as this long, drawn out surprise to the audience. We’re privy to both of their thoughts bc their kwamis serve as their inner monologue, and we’re aware that Tikki and Plagg both know that Adrien is Chat and Marinette is Ladybug, and they’ve been trying to bring them together. Hawkmoth’s identity isn’t learned about right away, but when it is revealed to us it continues to be a secret from the characters. And we hear, from several people, several times, and even from THEMSELVES, that Adrien and Marinette are meant to be, even if they just don’t know it yet.