#modernnativeart

In celebration of Indigenous Peoples' Day, here are a few works from 'Action Abstraction Redefined: Modern Native Art, 1940s to 1970s,' the first appraisal of modern Native American abstraction—merging abstract expressionism, color field and hard-edge painting with Native American art. ⁠ ⁠ Artists include: Ray Aguilar, Ralph Aragon, Sammy Begay, Larry (Littlebird) Bird, Earl Biss, Bennet Brien, Bennie Buffalo, George Burdeau, T.C. Cannon, Art Chischilly, Joseph L. Concha, Larry Desjarlais, Joe Dudley, Earl Eder, Mary Eder, Kirby Feathers, Anita (Luttrell) Fields, Phyllis Fife, Herman Fragua, Henry (Hank) Gobin, John Gritts, Harvey Herman, Patrick Swazo Hinds, John Hoover, Michael Jenkins, Peter B. Jones, Ralph Robert Kniffen, Delores Lee, Alice Loiselle, Linda Lomaheftawa, Linda Lucero, Edna Massey and more.⁠ ⁠ Pictured here: ⁠ Lloyd Kiva New, (Cherokee), Untitled, 1968⁠ Fritz Scholder, (Mission/Luiseno), New Mexico Number 1, 1965⁠ George Morrison, (Wahwahtehgonagabo) (Chippewa), White Painting #1, 1965⁠ George Morrison, (Wahwahtehgonagabo/Chippewa), White Environ VI, ca. 1967⁠ Henry "Hank" Delano Gobin, (Tulalip/Snohomish) Northwest Design, 1966⁠ Mike Medicine Horse Zillioux, (Akimel O’odham/Cheyenne/Pawnee), The Day Jackson Pollack Became Christian, 1974⁠ ⁠ Published by @iaiamocna⁠ ⁠ Text by Lara Evans, Ryan S. Flahive, Shanna Ketchum-Heap of Birds, Tatiana Lomahaftewa-Singer, Stephen Wall & @manuelawelloffman⁠ ⁠ Read more via linkinbio.⁠ ⁠ #actionabstractionredefinied #nativeamericanheritage #nativeamericanart #modernnativeart #nativeart @instituteofamericanindianarts #lloydkivanew #fritzscholder #georgemorrison #mikemedicinehorsezillioux #indiginouspeoplesday #indiginousart #indiginous https://www.instagram.com/p/Cjf1OawsN_W/?igshid=NGJjMDIxMWI=

The new #diptych is done, it's called "Redhorn vs What my Cousin calls a Honka" #watercolor #nativeart #newpainting #monsterslayer #redhorn #modernnativeart #chickasawtimes #chickasaw

#painting #update 3 #redhorn #modernnativeart #newpainting #nativeart #watercolor #monsterslayer

In celebration of Indigenous Peoples' Day, here are a few works from 'Action Abstraction Redefined: Modern Native Art, 1940s to 1970s,' the first appraisal of modern Native American abstraction—merging abstract expressionism, color field and hard-edge painting with Native American art. ⁠ ⁠ Artists include: Ray Aguilar, Ralph Aragon, Sammy Begay, Larry (Littlebird) Bird, Earl Biss, Bennet Brien, Bennie Buffalo, George Burdeau, T.C. Cannon, Art Chischilly, Joseph L. Concha, Larry Desjarlais, Joe Dudley, Earl Eder, Mary Eder, Kirby Feathers, Anita (Luttrell) Fields, Phyllis Fife, Herman Fragua, Henry (Hank) Gobin, John Gritts, Harvey Herman, Patrick Swazo Hinds, John Hoover, Michael Jenkins, Peter B. Jones, Ralph Robert Kniffen, Delores Lee, Alice Loiselle, Linda Lomaheftawa, Linda Lucero, Edna Massey and more.⁠ ⁠ Pictured here: ⁠ Lloyd Kiva New, (Cherokee), Untitled, 1968⁠ Fritz Scholder, (Mission/Luiseno), New Mexico Number 1, 1965⁠ George Morrison, (Wahwahtehgonagabo) (Chippewa), White Painting #1, 1965⁠ George Morrison, (Wahwahtehgonagabo/Chippewa), White Environ VI, ca. 1967⁠ Henry "Hank" Delano Gobin, (Tulalip/Snohomish) Northwest Design, 1966⁠ Mike Medicine Horse Zillioux, (Akimel O’odham/Cheyenne/Pawnee), The Day Jackson Pollack Became Christian, 1974⁠ ⁠ Published by @iaiamocna⁠ ⁠ Text by Lara Evans, Ryan S. Flahive, Shanna Ketchum-Heap of Birds, Tatiana Lomahaftewa-Singer, Stephen Wall & @manuelawelloffman⁠ ⁠ Read more via linkinbio.⁠ ⁠ #actionabstractionredefinied #nativeamericanheritage #nativeamericanart #modernnativeart #nativeart @instituteofamericanindianarts #lloydkivanew #fritzscholder #georgemorrison #mikemedicinehorsezillioux #indiginouspeoplesday #indiginousart #indiginous https://www.instagram.com/p/Cjf3pzAuKpA/?igshid=NGJjMDIxMWI=

"New Mexico Number 21" (1965) by Mission / Luiseño artist Fritz Scholder, is reproduced from 'Action Abstraction Redefined: Modern Native Art, 1940s to 1970s,' our book of the day in honor of Native American Heritage Month! ⁠ ⁠ “Scholder’s New Mexico paintings reflect IAIA’s visionary art approaches,” Manuela Well-Off-Man writes. “Trained in contemporary art styles, instructors like Scholder convincingly blended Native art influences with the concepts of Color Field painting. ‘New Mexico Number 21’ and ‘New Mexico #40’ were inspired by horizontally striped, woven Navajo blankets, and by Color Field works such as Kenneth Noland’s ‘Pan’ (1969) and ‘Via Ember’ (1968). Like Color Field paintings, ‘New Mexico Number 21’ and ‘New Mexico #40’ invite viewers to explore the effects of color on human perception and analyze how different colors react to each other. Characteristic for Color Field paintings, Scholder’s horizontal stripes can be conceived as fields that seem to spread out beyond the edges of the canvas. By integrating aspects of his own cultural experiences, Scholder actually came closer than most New York School artists to creating a modern, mythic art that expresses transcendence and the infinite.”⁠ ⁠ Published by @instituteofamericanindianarts⁠ ⁠ Text by Lara Evans, Ryan S. Flahive, Shanna Ketchum-Heap of Birds, Tatiana Lomahaftewa-Singer, Stephen Wall & @manuelawelloffman⁠ ⁠ Read more via linkinbio.⁠ ⁠ #nativeamericanheritage #nativeamericanart #modernnativeart #nativeart #lloydhenrikivanew #cherokeeartist https://www.instagram.com/p/CV3dtdMJRsR/?utm_medium=tumblr

"Northwest Design" (1966) by Henry "Hank" Delano Gobin (Tulalip/Snohomish, 1941–2013), is reproduced from 'Action Abstraction Redefined: Modern Native Art,' our book of the day in honor Native American Heritage Month. ⁠ ⁠ This 148-page hardcover features paintings and works on paper from the IAIA Museum of Contemporary Native Arts’ (MoCNA) collection, created in the 1960s and 1970s. These artists challenged stereotypical expectations of Indian art by experimenting with New York School abstraction combined with art influences from their own cultural heritage. This departure, supported by the groundbreaking art education philosophy at IAIA, revolutionized the Native American art world.⁠ ⁠ Artists include: Ray Aguilar, Ralph Aragon, Sammy Begay, Larry (Littlebird) Bird, Earl Biss, Bennet Brien, Bennie Buffalo, George Burdeau, T.C. Cannon, Art Chischilly, Joseph L. Concha, Larry Desjarlais, Joe Dudley, Earl Eder, Mary Eder, Kirby Feathers, Anita (Luttrell) Fields, Phyllis Fife, Herman Fragua, Henry (Hank) Gobin, John Gritts, Harvey Herman, Patrick Swazo Hinds, John Hoover, Michael Jenkins, Peter B. Jones, Ralph Robert Kniffen, Delores Lee, Alice Loiselle, Linda Lomaheftawa, Linda Lucero, Edna Massey and more.⁠ ⁠ Published by @instituteofamericanindianarts⁠ ⁠ Text by Lara Evans, Ryan S. Flahive, Shanna Ketchum-Heap of Birds, Tatiana Lomahaftewa-Singer, Stephen Wall & @manuelawelloffman⁠ ⁠ Read more via linkinbio.⁠ ⁠ #nativeamericanheritage #nativeamericanart #modernnativeart #nativeart #henryhankdelanogobin #hankdelanogobin #tulalipartist #snohomishartist #tulalip #snohomish https://www.instagram.com/p/CV3Gw_7J5mv/?utm_medium=tumblr

November is Native American Heritage Month! We're celebrating today with a few images from 'Action Abstraction Redefined: Modern Native Art, 1940s to 1970s,' published by @instituteofamericanindianarts⁠ ⁠ Pictured here: "Untitled (Squares)" (1968), by Cherokee artist Lloyd Henri "Kiva" New⁠ ⁠ "Indian art can be projected into the future," New said in 1962, "by a willingness to consider the evolution of new forms, the adoption of new technological methods, and the fact that new incentives for expression by the individual must fill the void of inertia in Indian groups or tribal forces, in the rapidly changing Indian world."⁠ ⁠ Text by Lara Evans, Ryan S. Flahive, Shanna Ketchum-Heap of Birds, Tatiana Lomahaftewa-Singer, Stephen Wall & @manuelawelloffman⁠ ⁠ Read more via linkinbio.⁠ ⁠ #nativeamericanheritage #nativeamericanart #modernnativeart #nativeart #lloydhenrikivanew #cherokeeartist https://www.instagram.com/p/CV2o4srltzc/?utm_medium=tumblr

Closer look at my #packagingdesign on the #nannaloma #mini #cosmicwarrior /#helmet #graphicdesign #knowyourskills #modernart #forsale #knowwhatyourtalkingabout #muskogean #nativeart #modernnativeart #art