#mod p.

...I know your English teacher said that he wasn't expecting much of your English because you're not English... Forget about being accused of being a glue-sniffer, or stealing lunches, or that you're brown because you don't take baths...

If only you could see how much you’re worth. And if only every kid, who was destined to not fulfill their potential because of cultural stereotypes and assumptions about their minority race, had a successful and benevolent future selves that could travel through the space time continuum and  encourage them with motivational wisdom... unfortunately that isn’t possible.

Being a teacher is one of the most important (and most underpaid) professions out there. Teachers make a huge impact and influence on our younger selves, especially when it comes to kids facing racism. A few of mine did. Kiwi teachers have the power to UNTEACH RACISM in Aotearoa New Zealand (and the world over)...will you?

!! I know who you guys are, I’m glad it inspired people, aAAAAAAAAAAAA

Granted the movie just came out yesterday, the situation may change, but still. People out here watched this movie and thought that a secondary white guy is the hottest thing that should be centered above the two Asian leads.

From the moment that Rick Riordan announced that Leah Jeffries and Aryan Simhadri would play Annabeth Chase and Grover Underwood, respectively, in a new adaptation of the beloved YA novels, fandom reacted poorly. So far, much of the racist anger online has been aimed squarely at Leah Jeffries; people mass reported her TikTok account until it was banned (likely for Leah being under 13, the bottom age on the platform) and made rude comments in the vein of “You are not Annabeth” or “Percy wouldn’t want to be with her now.” All of the insults and harassment, even from people who’ve never even read a Percy Jackson book before, stem from Leah not matching up to the in-book description of main character Annabeth Chase, who’s first described as, “a pretty girl, her blonde hair curled like Cinderella’s.”

The main purpose of racial/racist gaslighting here is to stop conversations about racism in fandom.

It’s an engagement type with a goal to make fans of color and white people in fandom second guess the validity of conversations on racism in fandom. To make the people talking about it seem unhinged and manipulative just for sharing what’s actually happening to them on a regular basis.

The MCU fandom has had a problem with misogynoir from the moment Black women were cast in the main franchise — a decision that in itself took too long considering how Thor: Ragnarok was the first MCU film to even have a Black woman onscreen in a major role without her skin tone being hidden under makeup or via CGI. It began with fans who wanted Lupita to be cast as a “strong Black woman that didn’t need a man” in Black Panther, and moved on to Shuri being written off as a Mary Sue right before the film was released. It’s now present in the way fans are able to clock the ableism in Bucky’s arm being deactivated as a shocking, fight-ending move, but not the misogynoir present in how they refuse to extend understanding towards Ayo and the Dora Milaje. It’s a contradiction MCU fans seldom seem to acknowledge: extreme empathy for white characters (even villains) runs right alongside a refusal to empathize with Black and brown characters in the same films or shows.

At the end of the day, there are two conversations we need to be having at once. We need to be talking about how the MCU has heaped ableism onto how Bucky is written, and how fandom is prepared to believe the worst about Black women characters to the point where they ignore context in a scene.

Genius toymaker Jeronicus Jangle (Forest Whitaker) abandons his calling after his apprentice Guftofson (Keegan-Michael Key) runs off with his inventions and his wife dies suddenly. It’s only years later, when his granddaughter Journey (Madalen Mills) comes to visit, that he finally attempts to rekindle his spark and rediscover the joy of creating wonders…

The film's musical score includes songs by John Legend and Philip Lawrence.