Aug 2
THE HUNGER GAMES: MOCKINJAY PART 1
— 2014, dir. Francis Lawrence
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THE HUNGER GAMES: MOCKINJAY PART 1
— 2014, dir. Francis Lawrence
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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when the thought of a finnick odair prequal makes me ill but I desperately want people to understand how upsetting this man's life was. I'm sick of people looking at his capitol persona in catching fire and seeing that as the basis of his character. rather than the man who worked tirelessly for the rebellion, who gave his life for the cause, the man who cried constantly for months when his love was taken, who held her hand and never let go when she came back, the man who had multiple suicide references in the books. Finnick Odair lived and died tragically
THE HUNGER GAMES: MOCKINGJAY – PART 1 dir. Francis Lawrence
The Hunger Games: Mockingjay – Part 1 (2014) dir. Francis Lawrence
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
So were NONE OF YOU gonna tell me EFFIE WEARS HAYMITCH'S CARDIGAN in the scene RIGHT AFTER the "I like you better without all that makeup/i like you better sober"-SCENE???!!?!!? AM I GETTING NEW (for me) HAYFFIE CONTENT IN THE YEAR OF OUR LORD 2025??!!????
like honestly i don't know whether to be offended that no one told me, or grateful because i now get to enjoy this as if it's new content, either way this is literal perfection and i will be obsessively thinking about it for at least a week
Mockingjay - Part 1 (2014) dir. Francis Lawrence
I love how the general consensus on Plutarch is “I can’t really form an opinion on him” - babes, your ‘lack’ of opinion is, in itself, an opinion that Suzanne Collins wants you to experience.
Plutarch isn’t painted in jarringly simple shades of black and white, he isn’t a representative of ultimate good or quintessential evil, he’s neither blindingly pure nor irredeemably corrupt - his morality is questionable, the trappings of his colours grey.
Plutarch is a delicious example of a morally ambiguous character in an age where such a thing can barely exist.
He’s a tireless rebel, mastermind of an underground organisation that risks everything for a seemingly unachievable goal yet he buys his time with the blood of innocent children. He’s an invaluable key to the success of the rebellion yet he airs the gruesome bombings live, severing the putrid cord of war at once. And next to his name, Panem’s history books will bear no mention of the countless souls that were killed, unwittingly or otherwise, by his hand or his word, for the cause of the rebellion or the order of the Capitol.
If there’s one character Suzanne Collins’ done consistently right, it’s Plutarch. And I thank her for it because aren’t we all fickle, stupid beings with poor memories and a great gift for self-destruction