I know that she is technically supposed to be me, but when i picture ren i always picture blonde Hanna Dodd
She's just so ren for me âșïž
STOP I LOVE HERRRRR
i can see this 10000%
like for me, itâs always a blend of lily james && young lily collins ~ and now i can totally see hannah dodd, too. like ren is so their love child.
sheâs got like, a copper gloss over her hair before the games that Cinna gives her && then it softens again to her natural color (ashy soft blonde/brunette).
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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gatorâs inner thoughts and song to mercer, especially this part like donât even get me started butâŠ
but there's robbers to the east, clowns to the west
iâd give you my sunshine, give you my best
but the rain is always gonna come if you're standing with me
but I'm a fire, and iâll keep your brittle heart warm
if your cascade ocean wave blues come
all these people think love's for show
but i would die for you in secret
the devil's in the details, but you got a friend in me
would it be enough if I could never give you peace?
just finished watching fargo and one of the first things i thought was how i couldnât wait to read mercy
ASDFGHJKL THOUGHTS??
DO YOU LIKE??
OMG THIS MAKES ME SO HAPPYâ
iâm still formatting the next wave of chapters that i meant to share this month but iâm ALMOST BACK, promise itâll be back so soon my loves !! just been settling into my new forever home :,,,))
missed tumblr so bad i had withdrawals of your stories and posts đđâïžâ„ïž
MY LOVIEEEEEâš
ilysm && miss you! youâre always brightening up my lil online realm of tumblr :,)) i cannot wait to be freaking back on here sharing all new chapters. movingâs been taking up my life and now iâm traveling to Cali tomorrow for outside lands (FIRST DJO SHOW EEEP !!) but then iâll be so so so so so back !!
I swear, your stories are addictive: they do you good, and they hurt. Let me explain: They do you good because theyâre beautifully written, with a fluid plot rich in detail that instantly transports the reader right into the scene. The characters are full of nuance, and none of their actions are accidental. They hurt because you grow so attached to the characters that when you knowâinevitablyâthat something bad is going to happen to them, you truly suffer right along with them. In this story, what kills me the most are the flashbacks: Steve and Robin? Whenever they appear together, I honestly feel like crying, because I know what happens to them laterâand the more you reveal, the more it hurts. Iâm terrified of the "B-side" of Steveâs mental cassette tape, yet at the same time, I canât wait... exactlyâaddiction... I know itâs going to hurt, but I canât help myself. Welcome back, Misha.
the way you are so invested && eternally supportive of this fic has me over here with hearts eyes <33 i love you sooooooo much
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Steve Harrington x Bauman!fem!reader
enemies to lovers, heavy angst, hurt/comfort, upside down mayhem, S2-S4, post S4 into S5 universe hot-take, end-of-the-world / dystopian setting turned happy ending (no more upside down!), ugly fights turned smut (...but with hella plot). 18+
đ§ Fic Song Inspo: "Infinite Baths" by Sleep Token
(s/o to @silkholland for this
đ€ CHAPTERS SUMMARY: Anger was never a trait that came naturally to Steve Harrington. He wasn't born to wear it, let alone embody it naturally. Maybe that's because only half his genetics is the reason he was born into it.
Back in May 1986, Rick and Trisha Harrington left their old life behind for good... and they let their son stay behind with it, because he refuses to leave this town full of people who have given him reasons to keep going.
Even the girl who he vowed to hate, and now cannot live without.
đ€ AUTHORâS NOTE: We're going back in time again. And this time... we see what happened before Steve's house became the safe house for the whole party, just a year before they're all on the run.
Cue up TSwizzle's âYou're On your Own, Kid.â Also, yes. âCornelia Streetâ gets its own street cred, too. I was in a strange Swiftie mood when writing OSWDLS, and kinda perplexed at just how much some of her lyrics fit him.
Heads up: the first chapter features yet another one of my all-time favorite pre-loversâ era flashback memories for Steve & Bauman. đ„č She truly saved his life. TBH, we get a couple of little flashbacks in between during their pre-lovers era. God, I love how bitchy they were with each other...especially when Steve starts secretly realizing how he feels about her.
Get ready for some angsty thrill rides up ahead. Weâre all very much in the thick of my S5 hot take with this story. Steve & Babe Bauman are eternally my Roman Empire. Their story is my longest one, and even when we reach their âhappy ever afterâŠâ it still keeps going.
Enjoy the mayhem. It only gets crazier from here.
Xx, misha
Chapter Eighty-Four
âIâll Never Walk Cornelia St. AgainâÂ
âą 1986 âą
đ đ đ
âThis is fucking madness.â
The door slams open so hard it bangs off the wall and nearly swings back to crack Rick Harrington across the shoulder.
He doesnât flinch.
Just stalks forward across the porch, shoulders squared, coat collar turned up against the morning chill, duffel bag slung over one arm like heâs boarding a plane and not abandoning his only son.
Trisha Harrington is already in the car. The engine idles, clouding up the frosted air with soft, white plumes, and her gloved fingers drum once against the steering wheel before going still again. She doesnât look at the house. She doesnât look at her husband.
She doesnât look at her son either. Not yet.
Steve follows Rick out a few steps slower, hands shoved in the pockets of a sweatshirt that isnât warm enough, hair messy, eyes bruised and sleepless. He doesnât say anything. Not yet. Just watches his father haul another suitcase toward the trunk.
âFucking madness,â Rick says again, louder this time, instead of muttered underneath his breath. âWhole townâs gone to shit. Canât even drive five miles without cracking a damn axle. FEMAâs a joke. Insurance is a joke. Mayorâs probably dead. Or golfing. Maybe both.â
He throws the bag into the trunk, slamming it shut hard enough to rattle the license plate.
âShoulda left those Larry Kline signs off my lawn,â he grits with disdain, turning back towards the house.
Steve stops at the edge of the porch. Heâs stiff, trying to not look like he is. Heâs flexing and unflexing his jawline, crossing his arms, feeling how taut Iâm his biceps are.
His father meets his eyes and instantly regrets it.
As usual.
âYouâre really doing this, huh,â Steve barely murmured.
Rick doesnât look at him now. âWe gave you a choice.â
Steve huffs. âWouldnât exactly say getting disowned was a conscious choice.â
âYouâre not getting disowned.â That comes with a flash of Rickâs eyes, sharp and narrow. âYouâre getting left behind. Big difference.â
âOh, okay. Yeah. Thatâs way better. Thanks.â
Rick turns fully now. âYou wanna stay in this goddamn death trap, be my guest. Just donât come calling when it all goes to hell again.â
Steve exhales through his nose, jaw clenching again. âMaybe I already live in hell. Maybe Iâve lived here for twenty years.â
Rick walks closer, and for a moment, the tension shifts. Not louder. Not softer. Just⊠even stranger.
âI donât get you, Steve,â he says, head shaking. âI really donât. Your mother and I justââ Rick scoffs a laugh with zero humor. âHell, weâve given you everything. And you just wanna throw it all away. For what? Some Kumbaya friends from the wrong side of town? This burned-out rat cage of a house? Yourâwhat? Little girlfriend?â
Steveâs face hardens instantly. âSheâs not my girlfriend.â
âOh.â Rick smirks. âShe turn you down already?â
âDonât talk about her.â
âIâm just sayingââ
âDonât talk about her.â
Trisha steps out of the car now. Her heels click softly on the pavement, somehow so elegant in the chaos of it all. A cashmere scarf wraps tight around her neck. Her lips are pale, despite the rouge. Her eyes are glass. Like a mannequin from Sax Fifth, slowly fracturing.
âRichard,â she says quietly. âDonât.â
He ignores her. âThis town is a ticking time bomb. And you wanna be the guy holding the match.â
âI wanna be the guy who doesnât bail the second it gets hard,â Steve snaps.
âBullshit.â Rickâs voice slices cleanly.Â
Thereâs that word again.
Bullshit.
Bullshit.
Bullshit.
âYou wanna be the guy who plays âhero.â You think this lowlife town makes you brave. You think staying âmeans something.â You wanna be the noble kid out in the ashes while the rest of us go rebuild somewhere safe and cushy and live our best little privileged livesââ
âNever said that.â
âYouâre not brave, Steve. Youâre a stubborn little punk who thinks pain equals purpose.â
Tricia flinches that one.
Steve opens his mouth, but nothing comes out.
Rick exhales hard, pinching the bridge of his nose the way that Steve always does⊠but itâs not the same.Â
Theyâll never be the same.
âJesus Christ, youâre just like her.â
Thatâs what does it.
Steve takes two steps forward, fire flashing in his chest. Not the angry kind of fire. The raw kind of fire. The rarest fire that dwindles but never wanes.
âDonât.â
Rick lifts his eyes. But they arenât angry now. Just⊠weary. Confused. Maybe even something closer to lost.
âYou got her softness,â he says. âAll that goddamn heart. Bleeding for anyone who looks your way. And whatâd it ever get her? Whatâs it ever gotten you?â
Steve stares at him. Doesnât move.
But Trisha does. âRick.â
âShe used to be warm, too, you know,â Rick blurts, now glancing sidelong at his wife, like sheâs not even there. âWhen I met her. God, she was⊠shâwas all light, thisââ He gestures wildly at his son. âThis insane light that just wonât burn the fuck out.â
Trisha closes her eyes.
Steve looks between them now. Something inside him is slipping sideways, a tightrope pulling too thin.
He turns to his mother. âYou donât have to go.â
She stares. âStevenâŠâ
âYou can stay. Justâstay here. With me.â
Let him go.
Thatâs the part he leaves out.
Choose me. Not him.
Choose me, pick me, love me.
God, Mom. Please just love me.
Trishaâs lips part slightly, eyes boring into her sonâs. And for a split second, even a few of them⊠she looks as if she actually might.
Steve sees it.
He sees the flicker of hesitation and the breath she draws that isnât quite complete, the way that her hand wavers at her side. But then Rick drops another bag into the back seat with a thud and calls across the lotâ
âTrish. Letâs go.â
Another dreaded moment sizzles again between mother and son. More big brown-eyed gazes that look so much more alike than not.
And then it fizzles out. Just like that, Tricia Harringtonâs spine straightens. Her jaw locks. She turns.
And she walks away.
Steve doesnât say anything.Â
Instead, he just watches her go.
She hesitates once more at the car door, looking back. Her eyes meet Steveâs again, and this time donât move for another long stretch of time.
Once again, she says nothing.
Once again, Steve doesnât blink.
Then, with a soft rustle of wool and silk, she slides into the passenger seat and shuts the door behind her.
Rick stares at Steve a beat longer. âYouâll regret this.â
Steve swallows. âMaybe.â
âYouâre not a soldier, kid. Youâre a babysitter with a death wish.â
âIâm not a kid.â
Rick doesnât argue. Just pulls open the driverâs side door and slides in behind the wheel. But not without having the last word.
âYouâre on your own, kid. Always have been.â
The engine revs. The tires crunch. And the car backs out slow and smooth onto the ruined street, never braking to stop other than when Rick looks both ways before the car heads in whatever direction is meant to carry them away.
Steve doesnât wave. He doesnât move a muscle. He just watches them go until they turn the corner, vanishing off in the distance, never planning to walk Cornelia St. again.
The silence that follows is deafening.
Itâs not the silence of peace.
Itâs the silence of an empty house, of no footsteps behind the giant walls, of no dinner on the stove, of no one ever coming back.
Itâs the silence of abandonment. Lifelong abandonment that now just gave the ultimate grand finale and took its final bow.
Steve blinks once.
And then the tears come, like his bodyâs been holding them in for hours, days, years. But even now, theyâre quiet.Â
Angry.Â
Bitter, anguished.
He smacks both palms hard against his face, his fingers clawing first before digging the heels of his palms into his eyes as he takes in a shuddering, sharp, guttural fucking breath that barely escapes as anything but a rasp.Â
Then another.Â
Then another.
Steve doesnât sob. He wonât.
But his knees feel weak and the world tilts sideways just long enough to make him grit his teeth bitterly and let out a ragged noise that scrapes from his throat⊠like a blade dragged across stone.
He kicks the nearest box, sends it flying across the porch, and then takes off to go back inside like if he stands there another second, heâll wind up screaming loud enough to wake the goddamn earth.
Or Max.
Or Vecnaâs seemingly lost vessel.
Steve slams the front door shut with a huff, the sound of it wet and dreadful⊠right as the wall phone rings, just as soon as the door shuts behind him.
He stares at it. Laughs once, humorless and cracked.
Lets it ring once.
Then twice.
Three times.
Four.
He almost lets it go.
But then he thinks: Dustin.
The kidâs name as the possible caller runs through his mind, knowing damn well he could need him, or the other kids⊠so Steve urgently snatches up the receiver, just before the machine kicks in.
âHello?â
ââŠhey.â
Itâs you.
Your voice is soft. Static-laced. But itâs so fucking real, that it makes his knees weak all over again.
âHey,â Steve breathes, swallowing hard. He rubs a hand over his face like he can erase the wreckage there. âUh. Whatâs up?â
You hesitate a second. âThe boys were just talking about coming to see you. Lucas is still at the hospital with Max, though. He doesnât wanna leave yet.â
Steve exhales. âYeah. No, thatâsâthatâs okay. I can come to you.â
âYou sure?â
âYeah. I, uhâŠâ He glances around the house. It looks like a grave. âYeah. Please.â
You pause again. âWell Iâm already on the road,â you say finally. âAbout to grab Dustin and Mike. I can swing by and get you.â
âNo, I canâI can driveââ
âIâm already ten minutes out.â
Steve shuts his eyes.
And something inside him quiets.
ââŠokay. Yeah. Thatâs⊠yeah. Thanks. Hey wait, where are you even calling me from??â
A soft sigh pours through the receiver, sounding more like a breathy laugh than any sign of exasperation.
It sounds warm.
It sounds kind.
And Steve doesnât know why the hell thatâs making all of his bones melt with relief right now.
âPayphone,â you murmur. âStopped to fuel up. You know, sinceâgas stations are gonna tank soon. Pun intended.â
Steve rolls his eyes, tears slipping. He swats them. âYeah well, hope you grabbed yourself another gallon. No telling when weâre gonna need it.â
You paused, before⊠that, right there, thereâs that sound again. That breathy little sigh-laugh.
âDidnât realize we were sharing,â you lightly teased.
âItâs the end of the world,â he deadpans half-heartedly. âThatâs how this goes now.â
You hummed. âWell then, in that case. You owe me two quarters for this phone call.â
Steve nodded, lips pressed into a tight line. âGreat. Iâll go scavenge my piggy bank. Or Dustinâs. Then blame you.â
âCool,â you say gently. âYou got ten minutes to brush your hair and pretend that youâve slept in the last twenty-four hours.â
Steve almost smiles. âCopy that.â
Itâs quiet for another second.
But you donât hang up.
Neither does he.
Youâre just about to though, when suddenly:
âHeyâhey, wait.â
You freeze on the other side of the line. âYeah?â
âUm.â Steveâs hand tightens around the phone. âYou guys should⊠I mean. After. You should stay the night.â
You blink. âAt the hospital?â
âYeah. Orâor here. Whichever. Justâdonât go back out tonight. Roads are shit. Itâs getting cold. Just bring a bag or something.â
Youâre quiet again.
And his chest starts to pinch.Â
âI mean if thatâs stupid, forget it,â he says quickly, his voice defensive now. âI just thoughtââ
âNo,â you cut in, steady. âWe will, Iâllâweâll stay.â
Steve blinks at that, letting it register, then exhales so hard he forgets he was holding his breath.
âOkay,â he says. âCool. Good. Um⊠grab some stuff for you too. Like, enough for a few days. Just in case. Throw some overnight shit in a duffel.â
âOvernight shit, huh,â you say softly, but it sounds like you might be grinning. âAlright, what else should I pack?â
âSnacks. Sweats. Maybe your second-best knife.â
You smile. âWhy not my best?â
âBecause that oneâs mine now.â
You hear him smile at his end of the line, just barely. But itâs enough to let you know that heâs let himself surrender to something.
Maybe even to you.
âAlright, Harrington,â you say. âSee you in five.â
âFive?â he echoes. âI thought it was ten.â
You grin. âYeah, I rounded up. See you soon.â
And thatâs when the line clicks.
Steve stands there another second or so longer, staring at the receiver in his hand. And heâs this close to letting himself smile at it.
But then he bolts upstairs to change, after settling it back onto the wall.
Then halfway up, he stopsâŠ
âŠturns.
âŠmarches back down, hits the hall and goes straight into the master bedroom.
Itâs mostly empty now. Rick and Tricia didnât leave much behind.
Except for one box.
He opens it⊠and right there on top is a photo.
The three of them on the Florida beaches. Long ago. During that weekend trip to DisneyWorld, after theyâd stayed at some resort for a week-long conference.
Steve looks at it.
His throat closes up violently, because clearly leaving this behind had not been an issue. No more than leaving their own son was.
So he shoves it down deeper into the box without sparing it another glance and hauls the entire thing up to the attic, not letting himself feel a single fucking thing until itâs shut away behind the plywood and dust.
Out of sight.
Out of mind.
Out of reach.
And Steve waits for you to show up, so that this time, he doesnât have to be completely left behind. Maybe you will stick around and stay a few nights with the kids. Maybe it wonât feel so bad. Maybe things will feel full.
Maybe he wonât feel the truth of it.
Steve Harrington: the rich kid with no parents and a big house.
Chapter Eighty-Five
Operation: Crystalline
Hawkins, Indiana âą 1987 {present}
The streets of Hawkins are unrecognizable.
Ash clings to everything now. In the gutters, across the skeletal trees, even caked into the uneven tracks your tankâs treads have carved through four straight hours of prowling. Somewhere between dusk and dread, the line blurred, and now the forbidden ghost town looks like itâs been cryogenically frozen mid-collapse.
And through that static fog, you walk.
Boots heavy.Â
Shoulders squared.Â
Uniform crisp but untraceable.
No name. No rank. No patch.
Just presence.
Steve hates this plan. Hopper hates the plan right along with him. Murray co-signed the shit outta hating this plan, even though he helped orchestrate it, albeit with the most disdain known to mankind.
Youâd all come up with it during the hours spent prowling the streets inside of Dingus-1. It had all been a collective effort, a family effort, coming up with what the hell needed to be done.
Max had been strong about it. Surprisingly, sheâd been the strongest about it, other than Joyce. Not because she liked it. She didnât. But she understood it. And she wasnât about to throw her fears into the mix and make you doubt any more than all of you already were.
Jonathan gave it conditions.Â
Steve deepened those conditions.
Eddie demanded he stay up front, ready to trample over any onlookers who might âpull a fast oneâ â while Robin made it crystal clear that her not being involved stressed her the fuck out⊠but that sheâd stay behind for Steveâs sake, along with everyone else, as backup.
The frontline team was decided.
And now? Theyâre all in motion.
Youâre flanked by Argyle and Dustin at your sides, Mike and Lucas are behind you like statuesque shadows, and Nancy is farther back â all but still, her gun slung, stance wide, petite small frame swallowed by layers of fabric and menace. If she were any quieter, sheâd disappear⊠like a true sniper in the night.
A unisex apex predator that makes it clear: anyone will be shot onsight if they fuck around and find out, simply using their presence and loaded rifle to say it without a word being spoken.
Argyleâs jaw is locked in a way no one ever expects from him. His hairâs tucked and greased down underneath the battered ushanka. He hasnât said much⊠Not to you, not even to Dustin. But heâs exhaling in through the nose, out through the mouth, like someone whoâs doing procedural pre-battle breathing exercises. His Russian accent, when it arrives again, is impeccable.
You taught him that.
Dustin keeps pace beside you, gloved hands curled at his sides, expression unreadable under a fake mustache and cheap aviators. He looks like the villain from every Cold War propaganda reel.
And then thereâs you.
No one would know you at a glance. Not with your eyes hidden. Not with the way your voice drops an octave and leans sharp into every syllable of Russian.
And not with the weight of Murray Baumanâs expectations anchored behind your ribs and ingrained in your skull.
Your group stops moving only once the soldiers appear.
Three of them.Â
Standard fatigues.Â
Uncertain eyes.
The highest-ranking one steps forward. Stern jaw, flat affect, maybe mid-thirties. He speaks first, tone low and wary:
âIdentify yourselves.â
Okay, so different motherfucker than the last time, you now think to yourself. Same uniform, different eyeliner.
You donât blink. You simply tilt your head slightly and let Argyle drawl the first blow, his Russian accent slow and near-whispered.
âVy znayete, kto my yestâ. I yesli net, to vy uzhye opazdyvayete.â
(You know who we are. And if you donât, youâre already late.)
The lead soldier hesitates.
Dustin steps forward half a click, posture deliberate. His Russian is rougher, but still convincing, each phrase thick with the shape of memorized fear:
âMy otpravljeny dlya osmotra i izvlecheniya. Lyuboye soprotivleniye budet zafiksirovano.â
(We are sent for surveying and extraction. Any resistance will be recorded.)
A flicker of something passes over the soldierâs face. Worry. Forced respect. Maybe fear.
âWhat kind of extraction?â he pressed in English.
You smile faintly. No warmth.
âWe do not owe you specifics,â you reply in that heavily accented English, as if you are a Russian spy that must mask up when duty calls. âThis land belongs to us now.â
ââŠsince whenâ?â
âSince Starcourt,â you snap. âSince this town burned and you all lit the match. Do not play dumb.â
He subtly reels back half a step, eyes narrowing. âThe evacuation ordersââ
âWere yours to follow. Ours to dictate.â
Lucas doesnât move. Neither does Mike.
They are both silent statues behind you, their boots apart in semi-wide stances, eyes unreadable, obscured by the shadows of their helmets and military-grade type of cloth that almost look like ski-masks.
Your hands rest lightly at your sides.
Then Dustin cuts in again, producing the crispest, most official-looking file folder known to man from inside his coat. He opens it with a theatrical snap and flips it once toward the soldiers.
Photos.Â
Documents.Â
All aged to hell but stamped and sharp where it matters.
And there they are â the names.
Richard and Patricia Harrington.
Steven Harrington.
Joyce Byers.
Jonathan and William Byers.
Theodore and Karen Wheeler.
Nancy Wheeler.
Michael Wheeler.
Holly Wheeler.
Maxine Mayfield.
Charles and Sue Sinclair.
Lucas and Erica Sinclair.
Claudia Henderson.
Dustin Henderson.
Murray Lloyd Bauman.
...and your name.
The soldier stares, jaw clenched. âWhere did you get these?â
You step closer. âWhere did you lose them?â
Another soldier, younger, shifts beside the captain. âWe last saw Harrington. He was with Joyce and the younger Byers. At his house. Few weeks back.â
Dustin stiffens. âEvacuated?â
The soldier shakes his head after a moment of hesitation.Â
Bingo.Â
Thatâs the window.
âNo,â he admits. âWe left the house. Heâwe thought he was already washed up. That he was crazy. Didnât think heâd stay behind.â
âHe threatened suicide,â another one adds.
Argyleâs posture doesnât even change. âAnd was a body found?â he asks them in patronizing English.
No one volunteers to answer that.
Several tense seconds tick on by, and itâs as if you can hear every wristwatch tick tick tick as you all stand there and wait.
Finally, the grim-faced younger soldier finished what he started. âWe thought he might have offâd himself during the blizzard.â
Wrong answer.
Your tone drops to a surgical chill.
â...you thought.â
He tries to recover. âHe refused extraction. Said he was waiting for us to take care of it for him. For us to execute his death.â
âWell then he is still waiting,â you say, voice a razor. âBut we⊠are done waiting.â
Argyle exhales through his teeth and mutters something in clipped Russian. âOni igrayut s ogniom.â
(Theyâre playing with fire.)
The senior soldierâs eyes dart nervously. As if expecting backup. As if wanting to call something in.
Thatâs when your tank hisses.
All heads snap toward it as the back door unlatches. From its shadowed interior steps out a figure clad in indistinguishable gear â helmet low, rifle strapped, voice cutting through the air like winter wind:
âVy uzhe dostatochno sdelali. Nikto ne budet zvonitâ. Nikto ne budet dvigatâsya.â
(You have done enough damage. No one will make calls. No one will move.)
Murray.
But not as anyoneâs seen him.
He doesnât just speak Russian â he is Russian. Utterly unplaceable. So much so, the American captainâs mouth clamps shut before he can even process why.
You cut a glance back at Murray. He nods once and then slinks back inside, the door hissing shut behind him like a tomb sealing.
Then you turn back.
Dustin steps forward with deadly calm as he holds up one of the documents. âYestâ voprosy po povodu Baumana. Nam nuzhny otvety.â
(There are questions about Bauman. We need answers.)
The soldier stammers. âBaumanâs⊠been missing for months. Same as his relative. Weâve got no leads.â
You lean in now, voice all but venom. âIf there are any leads â anything at all â he will be dragged back by tooth and nail.â
The soldier swallows visibly.
Argyle snorts like heâs trying not to laugh.Â
âHey, man,â he mutters in his Russian lilt, slipping into English⊠like oil over opaque glass. âYou guys should probably strap your boots. You are making us all feel very watched.â
None of the soldiers answer. The power dynamic has flipped so fast itâs practically upside-down.
Pun fucking intended.
Thatâs when you ask it.
Your voice is lower, curious. Casual in the way a knife resting against a throat is casual. âWhere is Larry Kline?â
They blink. âWhat?â
âYou heard me.â
The captain recovers first. âEvacuated. We think. Three days ago. Escorted. Maybe paid his way out.â
Argyle clicks his tongue. âIs that not always the way...â
You nod slowly, eyes unreadable behind your goggles. âHeâll turn up. Like rot always does.â
With that, you start to turn back towards the tank. Dustin moves to tuck the documents back into his coat, keeping in time with your steps, making to follow.
And thatâs when the captain tries.
âWait.â
You stop.
âŠyour shoulders go stiff.Â
⊠doubtâs creeping in.
But you shove it back, mentally refusing to give it access.
You donât face him.Â
But your voice is soft.Â
Lethal.
âIf you are going to speak again, then you will tell me this: you all understand that we will be visiting all households belonging to these names.â You flick the files in Dustinâs hands. âStarting with Harringtonâs house.â
Dustin plucks the file out and shoves the others into his coat. âExactly where you all decided to take a day off.â
They look as though youâve shunned them from society.
You nod to Dustin, and he juts his head towards the tank as you all finally move to leave for good with the snap of Argyleâs commanding fingers, harsh and sharp.
Mike and Lucas, silent until now, both take a step forward in perfect sync. Their boots shuffle against the pavement like gunshots.
Lucas speaks first, flat and cold: âDo not follow.â
Then Mike, voice deeper than usual, inflection erased entirely, clips of with: âYouâve already done enough.â
They donât even sound like themselves. They sound like soldiers whoâve seen blood and donât mind seeing more.
Itâs enough to shut everyone the fuck up.
You keep walking.
Argyle and Dustin fall in ahead, leading the path toward the tank. Mike and Lucas flank behind, perfect symmetry. Nancy shadows farther off, unreadable under her helmet and rifle. The silence between you all is thunderous.
No one looks back.
Up ahead, Steve and Jonathan are still at their posts. Right next to the tankâs entrance, stances wide, faces completely concealed. Posture brutal. Unmoving. The two of them had been there the entire time⊠ready to strike if need be, but knowing their place.
This had been one of their conditions, and it worked.
The soldiers stare after you, dumbfounded, silenced, scorched by your wake.
And for the first time in all of Hawkins history, the enemy walked in without a single gun raised⊠and they still left with the whole town burning at their feet.
đ Hawkins, Indiana âą 1986 đ
Dustinâs room smells like Cheetos and dryer sheets.
Thereâs a tube sock on the ceiling fan and one singular rubber band holding together two decks of Uno cards on the dresser. Something is beeping softly under the bed⊠you donât ask. You know better. Besides, itâs a Tuesday.
Sort of.
If anyone were still bothering with calendars, it would say Tuesday. If anyone was still bothering with sanity, theyâd be long gone.
But Claudiaâs out working a double at the nursing home. Again. And you are posted up on the floor beside Dustin Hendersonâs twin bed, eating Nutella straight outta the jar like itâs soup. Because what else are you supposed to do, like⊠cry?
âCanât believe he let me in on his secrets that early on.â
Dustinâs across from you now, haphazardly folding up a sweatshirt into a big bag heâs definitely overstuffed. Heâs been packing without even acknowledging heâs packing. You havenât mentioned it, either. And honestly, it doesnât feel weird.
Feels like the new normal.
Which is horrifying.
But you two arenât talking about that.
Currently? Youâre both talking about Steveâs hair. Specifically, how he keeps wearing it like heâs not twenty pounds of Aqua Net away from setting off the ozone alarm.
âIâm just saying,â you mumble, mouth full of hazelnutty chocolate, âif he gets any closer to the sun, Iâm gonna need to wear shades.â
Dustin chokes on his Sprite. âHe looks like a freaking shampoo commercial.â
âCorrection,â you say, licking chocolate off your thumb, âhe looks like he thinks heâs in a shampoo commercial. The rest of us are watching a horror film about vanity.â
Dustin snickers, all giggles and smug glances as he over-stuffs another pair of socks into the corner of his duffel. âHe said itâs for wind resistance.â
You made a face at your next spoonful of Nutella. âWhat isâŠâ
âThe vast amount of hairspray mixed with anything but gel,â he explains, folding another shirt, âbecause I guess thatâs off the board at all times.â
You blink. âIâm sorry, what?â
He nods solemnly. âApparently, it âhelps with cornering.â His words. Not mine.â
That makes you bite back a grin. âGod, heâs unbearable.â
âHeâs a woman with the lust of a man.â
âHeâs like masculine ego as a fragrance.â
You both dissolve into a wave of helpless, exhausted laughter. The type that crumbles at the edges. The type that doesnât quite hide the truth.
Because outside, Hawkins is⊠folding in on itself.
Not on fire. Not anymore. But itâs shuddering.
People are leaving. Houses are all boarded up. Grocery shelves are becoming empty. Some families fled weeks ago, some just yesterday. Some never planned to leave at all. Some, like you, waited just long enough to make a plan that didnât involve a screaming match at 6AM and a sheriff escort out of town.
So here you are now. Eating Nutella. Watching Dustin Henderson pack another bag that neither one of you is acknowledging.
Just another Tuesday.
Knock knock knock.
You both freeze.
Itâs not loud, but itâs frantic. Scattered. Like someone knocking while alsoâ
jiggle jiggle
ââDustin?! Open theâgoddamnâitâsâwhere is itâ!â
âOh my God,â Dustin mutters, eyes widening. âHeâs using the spare key⊠finally.â
Of course he is.
You tilt your head toward the front of the house just in time to hear a door unlock and then slam against the frame as it flies open.
âDustinâDustin?!â Steveâs voice echoes like a drunk bat inside a gymnasium. âAre you here?! Why the hell is your walkie off?! Why arenât you answering? I swear to God if you leftââ
His voice bounces down the hallway, getting closer with each muffled bootfall.
You and Dustin just stare at each other.
ââand she left, without so much as a goddamn phone call, Iâmââ
And there he is: the man of the hour.
Steve rounds the corner like heâs expecting a goddamn crime scene, only to find you sitting cross-legged in a pair of cutoff shorts and a thermal⊠licking Nutella off of your index finger.
And he stops so hard, his Nikeâs squeak.
You blink at him a few times, eyes big and round.
Dustin lifts a single hand like itâs a pageant. âHi.â
Steve squints.Â
First at Dustin, then at you.Â
Then back at Dustin.
Then, heâs got a finger raised, blinking like an overloaded computer. âWhat the hellâwhat are youâwhy the hell is your walkie off?! And youââ (finger shifts to you) ââwhat are you doing here?!â
You scoop another spoonful. âSnackinâ...â
Steve looks like heâs short-circuiting. He opens his mouth, closes it, recalibrates. âWell I went to your house.â
You freeze mid-bite.
âI went to your house,â he repeats, quieter now but still heated. âAnd it was empty. Like, lights off, doors locked, no car, no mail. Gone.â
âYeah,â you nod, mouth half-full. âI dropped my grandma off at the airport earlier. Sheâs staying in Vegas. With her boyfriend. Real guy. Wears bolo ties. Donât ask.â
His jaw slackens. âYou booked her a flight to Vegas?â
âSheâs got a whole bingo strategy and an old money mafia boyfriend. I was merely the taxi and instigator.â
ââŠyouââ He cuts himself off, pinching the bridge of his nose. âOkay. Fine. Fine, sure. Butâwhy was all your stuff gone?â
You blink again. âBecause itâs in my truck.â
He gapes. âWhy is it in your truck?!â
You tilt your head toward Dustinâs duffel. âSame reason his stuffâs in bags. We were gonna come to yours.â
Thereâs a big ass beat of silence.
Then Dustin, very gently, breaks it withâŠ
âSurprise.â
Steve just stares. Eyes wide, lips parted, breathing like someone who just came out of a sprint and found out the race was imaginary.
âYou were gonnaâcome to mine?â he repeats.
You nod, cheerful now. âYep.â
ââŠand when were you gonna tell me that.â
Dustin shrugs. âI dunno. After we got there?â
âMaybe during the âSteve, weâre in your drivewayâ phase of the plan,â you added in case that might help.
Steveâs eye twitches. He flaps his arms helplessly. âYou canât just show up without warning!â
âWhy ever not?â you ask sweetly.
âBecââ The poor man looks like heâs about to combust. âBecauseâbecauseâI didnât know? I didnât know where you were? And couldâveâsaved the damn gas, or ya know, spared me my loss of sanityâŠ?â
Something quiet settles into the room then.Â
Dustin actually looks away.
But you stare right at Steve.
And suddenly, the buzzing inside your chest⊠the one you've been ignoring for days, and years, the one you have labeled âjust tension,â âjust exhaustion,â âjust the end of the worldâ â suddenly becomes something else.
He thought I left.
You realize it in real time.Â
He thought I left and didnât tell him. And now he doesnât know what to do with that.
Your voice softens without meaning to. âWell hey,â you offer finally, âI didnât.â
Steve swallows.
You donât say anything else. Neither does he. Itâs not the kind of silence that demands talking. Itâs the kind that just sits between you, all heavy and electric.
Dustin, sensing a moment he wants no part of, reaches for his bag and starts zipping it⊠as slowly as possible.
zzzzzzzzzzzzzzzzzzip.
You glance at him.
And you nearly laugh.
But you donât.
Steve runs a hand through his hair like heâs seconds from spontaneously combusting. âI justâI went to your house and you werenât there, and then I drove over here and all the lights were offââ
âBecause Claudiaâs working a double,â you say gently.
â...didnât she just do that?â
âYou know how she is. Sheâs volunteering nonstop.â
He still stares at you. âWhy would you not tell me where you were going?!â
Now you laugh. âI didnât think it was a big deal!â
âItâs a huge deal.â
ââŠumm,â Dustin clears his throat. âOkay, youâre both at, like, an eleven outta ten noise decibelââ
Steve whirls. âClaudia knows about this, right?!â
âYes.â
âIs she okay with it?â
âAgain, yes.â
âGreat.â Now he looks at you again. âAnd you justâwhat, planned to stay over for however long?â
You glance at the Nutella. Then back to him. âWould it be weird if I said until the rapture?â
Steve exhales loudly now, muttering something under his breath. Then, before either of you can speak, he crosses the room, snatches Dustinâs duffel, and slings it over his shoulder. âLetâs go. Weâre leaving now.â
Dustin blinks. âOh. Cool.â
Steve gestures at you. âDo you need anything else from the house?â
You open your mouth, but he cuts in, rushing. âActually no, wait, if you forgot anything, we can come back. Thatâs fine. I justâI just meant likeâif you had something super importantâor like a toothbrush, orâŠshower stuff, but Iâve gotâŠya know, plenty of extra so thereâs honestly like...no need to...â
He eventually trails off mid-sentence.
Youâve already begun to smile slowly.
Warmly.
Wickedly.
You had been ever since he grabbed Dustinâs bag, and now you stand, wiping your hands, screwing the Nutella lid back on. âIâll go double check the truck.â
And then youâre moving past him⊠close enough for him to catch the scent of whatever soap you use.
It smells like rich firewood and vanilla and something that knocks the breath out of his lungs.
âŠwait, what is thatâ
He watches you go as his thoughts race.
âŠwhy does that smell really good.
He watches you walk.
Why the hell does she smell good right now?
Steve thinks these things like heâs not allowed to notice those things at all. Like it hurts to notice things like that.
Dustin hoists the rest of his gear up and turns to Steve, deadpan. âAre you gonna walk out there or should I call your nonexistent therapist?â
Steve doesnât answer at first, side-eyeing him.
Dustin just raises his eyebrows.
Then Steve finally huffs. âGod, youâre annoying.â
âLove you too.â
Outside, youâre already look through your stuff inside the bed of your truck. The night air smells like⊠woodsmoke and nerves. Steve hauls Dustinâs duffel into his BMW like it just insulted him. Then he catches the keys mid-air and turns to find you leaning against the truck, arms folded.
Youâre grinning at him.
And he looks back at you like you baffle him. Like you haunt him in his sleep and in his wake.
He points a finger again. âDonât make this weird.â
You nod solemnly. âI wouldn't dream of it.â
â...what about your uncle.â
âDon't worry. Next plan is to kidnap him when he starts feeling left out.â A cheeky smirk finds the corner of your lips. âYa know. Assuming there's enough room at the inn.â
Steve considers that, nodding slowly. This time, he doesn't have any sort of retort for like. If anything? He seems strangely pleased at the concept of taking in Murray at his house, too.
Dustin is halfway into the car by now, now muttering something about clowns in crisis. Steve opens up the driver door, but before getting in, he glances at you.
âYou double checked everything, right?â
You nod again. âAll good.â
He hesitates. âAnd youâre coming.â
A gentle laugh is sniffed from your nose as you nod at him, opening up the driver's side door. âThought youâd never ask.â
He lets that land. And after one last look, he gets into his own car.
âFollow me,â he mutters.
You grin wider. âIâd follow ya anywhere, Harrington.â
He doesnât respond as you shut the door.
But in the rearview mirror, his smile gives him away.
Chapter Eight-Six
Youâve Followed Me Everywhere
April 1987 âą Hawkins, Indiana {present}
The bedroom smells like nothing.
Not even dust. Not even time. Just a hollow, breathless kind of nothing, like grief got here first and sucked all the air out.
Dustin stands in the center of it, his shoulders squared, helmet on, ski mask tight. If it werenât for the height and the posture, heâd look like a total stranger. Just another foreign soldier. Just a random body in a ghost town.
But this is Dustin Henderson.Â
This is his room.
And this isnât how he left it.
The tube sock is still on the ceiling fan. The Uno cards are still rubber-banded on the dresser. Thereâs even still something beeping faintly under the bedâŠhe still doesnât want to ask or check.Â
But now thereâs also a gaping wrongness here. A drawer left half-open that definitely wasnât before. A corner of the rug curled back. The comic books were left in the wrong goddamn order, and his bedâs been stripped.
Someoneâs been here. Of course they have.
Dustin knew that. They all did.Â
But it still feels like standing in an open wound.
He hasnât moved. Not since they cleared the house. Not since the others started sweeping. Heâs just⊠standing there. Like he can still see it.
You, cross-legged on the floor.
Himself, zipping a bag too full of socks.
Steve, bursting into the room like a lunatic with a key.
But that was now over a year ago.
Now, Steveâs standing in the doorway again. Only this time, he doesnât look like Steve Harrington. Not at first.
This time, heâs dressed in full military-grade gear. Black helmet, a tactical vest, rifle slung tight. His face is almost entirely covered, save for the goggles pushed up slightly, revealing his eyes.
Those big brown eyes. Theyâre the only part of him thatâs familiar and resemble anything that looks like him.
Theyâre all Dustin needs.
The two of them donât say anything for a minute. They just breathe. Just look. Just observe and stare and feel.
Then Steve steps into the room. Itâs quiet. Not in the way things are usually quiet. This silence is intentional. Overly prepared and calculated. Reverent. Determined.
Everything they say now is barely above a whisper, just in case of any unwanted earsâŠ
âStill smells like feet,â Steve mutters.
Dustin doesnât laugh. He just exhales through his nose. âDidnât think itâd be this weird.â
Steve nods slowly. âI know.â
His kid turns finally, but he doesnât pull his mask down. âItâs not like⊠I didnât know itâd be trashed. I knew it. Itâs justâŠâ
Dustin pauses to collect his thoughts.
Steve doesnât rush him. He waits.Â
âYou ever have a dream where youâre back somewhere you havenât been in years,â Dustin finally continues, âand it feels normal, but somethingâs⊠off?â
âYeah.â
Dustin nods at the bed. âMy duffel was right there.â
âI remember.â
âAnd you came in, yelling about my walkie.â
Steve huffs. âAnd you waved at me like a psychopath.â
Dustinâs voice breaks just the tiniest bit when he laughs. âI was just...trying to diffuse.â
Steve finally steps closer. Not too close. Just enough. âYou did good.â
Thereâs a long pause now. Dustin looks back around the room, eyes tracking invisible ghosts.Â
âI still see her,â he admits faintly.
Steve knows who he means, his eyes drifting to where you had sat there as Dustin packed his things.
âEating Nutella on the floor,â Dustin continues, lost in thought. âWearing those trendy cutoffs. She thought she was so cool.â
âShe was,â Steve says quietly.Â
Fondly.
âShe is,â Dustin corrects, just as fond.
Steve nods.
The silence sits again, but itâs not as heavy this time.
âI thought about it a lot,â Dustin says finally. âAbout what it wouldâve been like if we hadnât come back. If weâd just⊠stayed gone.â
Steve turns to look at him again, but Dustinâs still staring straight ahead.
âI donât mean the good kind of real,â Dustin continues. âI mean the kind that⊠eats at you. Every time you try to sleep. Every time you pass a mirror and⊠donât know who is looking back.â
Steve doesnât answer.
âIâm scared for my mom.â
Thatâs the closest Dustin has come to crying.
Which is why Steve closes the distance finally. He drops one hand onto Dustinâs stiff shoulder, risk be damned.
âI know,â he says carefully.
Dustinâs breath stutters once.
âI left a note on the fridge. In case she ever came back.â
Steve squeezes his shoulder tighter. âArgyle said it was gone,â he finally says.
Another beat.Â
Steve says nothing else. He doesnât have to embellish.
âShe read it.â Dustinâs voice breaks. âAt least I know she read it.â
They both stand there a long time. Neither saying much. Neither needing to at all.
But whenever Steve finally moves his hand from Dustinâs shoulder, itâs only to offer his hand a firm squeeze. Dustin takes it without hesitation.
They donât hug. They donât cry.
They just squeeze hands like brothers.
Like war buddies.
Because thatâs what they are.
Theyâre still holding that handshake when Nancy appears at the edge of the doorway. Sheâs still a shadow. All black gear. No visible face. Unmistakably her to your group, but not to anyone outside of it.
She gives a small nod. A silent gesture.
The coast is clear. No bugs.
They nod back.
Steve lets go of Dustinâs hand, and the two of them fall into silent steps behind Nancy as she rounds the corner.
Youâre already inside, moving in from the back with Mike and Lucas. None of you say anything. Youâre all dressed the same, in full tactical. Totally unrecognizable.Â
Argyle is the only one speaking right now, but heâs still just barely whispering, now crouched down in Claudiaâs bedroom, carefully sweeping for signs of disturbance.
He shakes his head slowly.
Dustin watches from across the hall, and his throat bobs harshly. If there was ever a note left behind, then itâs long gone by now. Scrapped. Discarded. Burned or tossed.
Thatâs what makes him feel sick.
You step up beside him now, gently and without a word, and then your hands come down on both his shoulders, firm and grounding and resilient.
Dustin remains rooted to the spot as you give him one good shake. Thatâs all he needs to snap out of it enough. He straightens up, blinks away whatever he has to⊠No words still. No risking cracks in his voice. Just soldiers.
Just aliases.
Just moving forward.Â
And thatâs exactly what all of you do right now. Move forward. Jonathan is the final sweep, moving into the room and giving a curt, practiced salute. Steve salutes back, then juts his head towards the front door so that both him and Jonathan can walk up ahead in order to flank you from up front, just a few paces ahead.
Mike and Lucas step into formation behind Dustin and Argyle, who are in the middle as Nancy exists last in true sniper fashion, whipping her head in all directions as she makes sure that no one else followed⊠before marching forward to bring up the rear with her brothers. One blood, one not.
Jonathan opens the door, letting you all make your way back inside the tank. Lucas instantly moves to sit beside Max, whoâs seated on a bench. She still doesnât look, or even speak. She hasnât since you all entered the house. Sheâs upright, still helmeted, completely disguised, leaning softly into the boys who now both flank her from either side, now that Mike has moved to join them.
Max has been awake now for nine months. But it does not feel real.
None of this does.
Hopper and Joyce are still seated, eyes sharp behind the viewfinders, silent and solemn as the grave, while Dustin passes them to move up towards the front.
Jonathan and Nancy step in last, their weapons drawn, unblinking. Murray is stationed by the rear hatch. His jaw clenched. His gloved hands steady. His rage unreadable.
Finally, Argyle steps forward, one hand on the overhead handlebar. âAll clear,â he murmurs in Russian, voice low, steady, all business again.
You nod in return.
But then, you feel presence behind you, and Steveâs already right there, moving to stand in front of you.
You didnât need to hear him approach. You felt it. In your bones. In your chest. In the way that the air shifted just to make room for him.
Steve steps in front of you without a word. Fully masked, uniformed, unreadable to anyone else.
But he lifts one hand slowly and tugs his own goggles up, just enough. Just for you.
His beautiful brown orbs for eyes find yours. Suddenly, you forget the war gear.
Forget the tank.
Forget the silence.
Because those eyes�
Those eyes could burn down the world.
Steve reaches for you, gloved fingers brushing the edge of your mask. And carefully, deliberately, he peels it back. Goggles. Scarf. Everything that keeps you from him.
Anything that stands between you.
Then he takes you in. Like he hasnât seen you in years. Like he needs to memorize you again just to survive the next hour, and get like there isnât any rush at all⊠as if he knows how to balance the contrast.Â
Your lashes flutter as two of his fingers come to rest just beneath your chin, and for a beat⊠you both forget how ruined the world is.
How armed you are.
How watched you might be.
And then he leans in to brush his lips with the whisper of a kiss against your own.
Featherlike. Fragile. Completely devastating.
The kind of kiss that doesnât just say I love you.
The kind of kiss that says Iâll still follow you everywhere.Â
Your breath catches, but you donât make a sound.
And neither does he.
By the time anyone turns around, both your masks are back on and youâre already stepping into formation like nothing happened.
But your lips are still burning.
And his eyesâŠ
They never once leave your face.
The others donât notice. Or maybe they do. But it doesnât matter. The tank is back in motion before anyone speaks. Robin and Eddie are already at the front of the tank. Both suited up, only their eyes showing.
Dustin moves past them, climbing in. Robin reaches a hand out to squeeze his elbow while Eddie nods at him slowly. Nothing needs to be said. Itâs all in the eyes.
Lucas and Mike keep their seats beside Max. Still silent as if theyâre not safe inside the privately shared space.
Joyce and Hopper donât turn. Donât blink. Murrayâs eyes stay sharp as he seals the hatch. Jonathan stays posted right beside Nancy, both their rifles ready.
And finally, Steve looks at you again from behind his alias appearance. Then he looks forward after youâve nodded.
The tank engine hums back to life.
Itâs March 20th in Hawkins, now just a ghost town in the rearview. And youâre still following him further down into the rabbit hole.
đïž A Stranger Things AU Fanfic from Mishaâs Masterlist Library.
đ Full Fanfic Saga & Infodump File here
đ Book One: all chapters here
BOOK ONE: Chapter 45 (continued)
đïž The Capitol -> The Games -> Hawkins
đč Day 6 of the Games
<- Read previous part (PART I) here
Steve Harrington x OC!fem!reader
hometown strangers to friends to lovers. ultra dark, heavy angst and hurt/comfort. alternate universe -> upside down apocalypse. high suspense, dystopian game-of-survival plot with morbidly dry humor sprinkled along the way. eventual plot-driven angsty smut (...but with hella plot). 18+
A fever dream multi-crossover au inspired by The Hunger Games and The Purge universes, merged with Stranger Things. đč
đč SUMMARY: Hopper feels as though he's balancing three broken worlds at once from his perch inside the lavish Capitol square: one world onscreen, where his tributes are surviving a death arena... one world back home in Hawkins, where his people and his town are barely surviving... and one world he never wanted to step foot in, but is forced to navigate on behalf of two young teens he's sworn to protect.
And he'll be goddamned if he doesn't get you some sort of sponsorship today, before your injured leg can sink you into eternal sleep.
Meanwhile, Powell and Callahan hold down the fort for their chief back in Hawkins. Little did they know, the hardest feat they would have to face wouldn't be any sort of monster or demo-whatever. It would be the mothers of the town, who refuse to just sit and comply.
Especially when your grandfather's life is on the line.
đż AUTHORâS NOTE: đ„č Steve and Ro have finally started putting their game plan into motion. Yes, I made sure to give them one more full day together before the tragically unthinkable happens. :(( DAMN YOU, SUZANNE COLLINS! (jk ily forever)
Sweet Ren finally gets a little bit of aid from the most unexpected sponsor, and it's absolutely a glimpse into the future because she truly does become such an idol for little girls.
Personally? My favorite part of this next wave of chapters were making Callahan and Powell the center of attention for a bit. They're out here hiding down the line lmfao.
Xx,
Misha
đč OVERALL SERIES WARNINGS: This is my darkest fanfic series. Strong language, mature themes all around. Explores PTSD and severe trauma, past s*xual and physical abuse, graphic descriptions of violence, dystopian setting. Heavy angst/hurt/comfort (yes, there will be a hard-earned happy ending). General THG series setting + angst, plus grim themes and gore in the vein of The Purge.
Chapter Forty-Five
(continuedâŠ)
12:03 PM âą The Capitol
[DAY 6 of the Games]
Powellâs voice had already gone thin with static by the time Hopper pinched the bridge of his nose and turned half away from the crowd.
âAlright,â he muttered into the phone, low and flat and trying like hell not to sound like a man one bad sentence away from losing his shit. âJust keep me postedâokay? I donât care if you canât reach me the instant somethinâ over there changes. You call, leave a message, and tell me how the hell to get ahold of you again when you do. Got it?â
Static crackled. Then Powell answered, tired and clipped and doing his best to make certainty out of shit that wasnât certain at all.
âGot it, Chief.â
Hopperâs jaw flexed.
He stood in the middle of the Capitol square in broad daylight with polished stone under his boots â fountains throwing diamond-bright arcs into the air, and every giant screen in sight broadcasting the Games like the whole place was one big damned casino with blood in the walls. A hundred conversations blurred together around him â wealthy citizens in expensive clothes talking over each other, laughing, gasping, theorizing, drinking things with bright fruit speared onto crystal picks â while halfway across the country, Indiana was getting hauled into emergency protocol under a sky veined red.
Powell only knew so much.
That didnât piss Hopper off.
It made sense.
The military never told anybody shit unless it absolutely had to⊠and even then, they couldnât be trusted. Hopper knew that all too well by now. Powell knew that, too. Everybody whoâd lived through even one supernatural breach knew that. So Hopper hadnât wasted time trying to wring blood from a stone. Heâd gotten what mattered.
Steveâs people were evacuated. Eddie, Nancy, the kids â all accounted for and under shelter. Powell had confirmed that much. And Hopper, in the same breath, had made himself real goddamn clear about the rest. Like, get ahold of Karen and Ted at the hospital. Get ahold of Joyce wherever the hell theyâd moved her, make sure she and Jonathan know Will is safe with the others. If anybody gives you grief about authorization, they can call me directly, and I will make their fucking afternoon worse.
That had gotten him silence on the line for half a second.
Then Powell, tired but solid: âAlready on it.â
âAnd the Everdeenâs,â Hopper added, low and clipped.Â
âAlready done,â Powell confirmed.
Now Hopper exhaled once through his nose, listening to the wind smearing static across the call one last time, and ended it.
âTalk soon,â he murmured once.
âYep.â
Click.
Hopper lowered the phoneâŠ
And looked back up.
On the nearest screen, Steve and Ro were moving through the woods side by side under a hard white noon, all long limbs and quiet purpose and that strange new rhythm theyâd found with each other so fast it hurt to look at. A boy and a boy, one barely more than a child and the other barely more than a man â hauling brush and branches and armfuls of deadwood into another careful pile.
Not lighting it.
Not yetâŠ
Just building.
Preparing.
The first pile had been hours ago. This one sat a good distance away from it, hidden enough from the immediate eye, obvious enough if you knew what the hell you were looking at. Another future flare point. Another lure. Another piece of their plan slotting into place⊠with an efficiency that made Hopperâs chest tighten with pride and dread at the exact same damn time.
Steve did the heavier work because of course he did. Bigger armfuls. Bigger branches. Bigger strides. Ro kept pace anyway, hauling what he could with that ghost-light quiet of his, slipping in and out of Steveâs shadow like heâd been built to survive in one. Every now and then Steve would say something over his shoulder. Ro would answer. Then both of them would grin â not big, not carefree, but enough.
Enough to make the square around Hopper practically melt with delight.
Caesar Flickermanâs voice boomed out from one of the lower speakers with its usual lacquered enthusiasm. ââand there they are again, Pan and his shadowâabsolutely industrious this afternoon, Claudius!â
Claudius Templemith, equally delighted, purred right back, âOne cannot deny the ingenuity, Caesar. Itâs astonishing. Disturbing, yesâbut astonishing. I mean, what a pair. And all in pursuit, one assumes, of the elusive Wendy Bird.â
That got a little chorus of pleased noises from the square around Hopper.
He ignored them.
Or tried to.
The big screens cycled through angles â Steve bending to break a branch across his knee, Ro gathering smaller twigs and tucking them just so, both of them talking low and intent. Somewhere near one of the fountains a child in a tiny pale suit pointed up at the screen and asked something too far away for Hopper to catch. His mother answered with a smile bright enough to cut.
It made Hopperâs chest pinch in a way he didnât have a word for.
Not anger, exactly. Or not only that.
Because the kids here in the Capitol werenât the ones he hated.
They all stood there in polished shoes and perfect little clothes eating spun sugar and watching the screens because nobody had raised them to know any better. To them this was spectacle and story and bright moving pictures bigger than life. They werenât born monstrous. They were taught comfort in a monstrous place.
It was the adults he had a problem with.
The ones sipping champagne while teenagers starved.
The ones cooing over strategy while children bled.
The ones smiling now.
Hopper tore his eyes off the nearest family and made himself move.
Across the elite square stood some gleaming, overbuilt espresso station with a chrome body and a hovering blue touchscreen that looked like it belonged on a goddamn spaceship. Behind the counter moved two faceless service robots shaped just enough like people to be irritating. Sleek hands and blank oval faces. No eyes worth speaking of.
Hopper walked over anyway.
His mentor card hung around his neck on its lanyard, thumping once against his chest as he leaned in and jabbed the touchscreen with one thick finger.
Two bold espressos.
The machine whirred to life.
Even while he waited he kept one eye on the screen above the station now, where Steve and Ro had finished the second pile and were moving off again. Steve glanced around twice before nudging Ro onward with a little motion of his wrist. Ro darted ahead, scouting. Steve followed slower, watchful.
Good.
Smart.
Hopper hated how much he loved it.
The cups arrived in neat little white ceramic things with foam swirled artfully at the top. Of course they did. Capitol bullshit.
He grabbed both by the handles.
âThanks,â he muttered to the robot out of plain human reflex.
The robot had already turned away.
Hopper stared after it for half a second, rolled his eyes at himself, then went back to the square carrying the drinks. Heâd only made it halfway before the screens changedâŠ
Jack.
Hopper slowed.
Then stopped entirely.
The young boy stood just outside the mouth of the cave in full sun, all skinny determination and damp hair half-dried in wild directions from the stream. At his boots sat a gathered pile â roots, berries, edible greens, two speckled eggs strange enough in color to look almost painted. He cupped his hands to his mouth and sent out two brief notes, soft and sharp.
The mockingjays caught them.
Carried them.
Then Jack ducked back inside.
The camera followed.
And Hopper just froze there in the middle of the Capitol square with two hot cups in his hands and everything inside his chest going thick.
The cave looked almost cozy now in the way survival spaces sometimes did when desperation had been lived in long enough. The sleeping bag youâd left them was spread open and rumpled by use, big enough for both kids when they tucked themselves in close. Off in one corner, out of easy scent range, sat the food stash: the cracker sleeve thinned down but not gone, the tin of peanuts and almonds, the gathered plants, the two fresh eggs now added in. Another corner held the practical things. The flashlight. The iodine. Matches. The big canteen. The extra bag of scare supplies. A few odds and ends⊠all salvaged and sorted so carefully it hurt to watch.
Hannah sat on the sleeping bag waiting for him, all soft blonde hair still damp at the ends, her face small and pale and watching the cave mouth like she expected an answer from it if she stared hard enough.
Jack crouched beside her and set everything down. âI sent it,â he tells her, all breathless but trying to sound normal. âI sent it, and I covered it back upâ see?â
He reached over and fussed with the brush disguising part of the entrance, tucking it more firmly into place. Hannah watched his hands the whole time.
âDo you think Miss Ren is close?â she asked at last.
The question was so gentle Hopper nearly shut his eyes.
Jack didnât.
He kept working. âYeah,â he said, immediate as anything. âYeah, definitely.â He shrugged. âMaybe not tonight. But soon. Real soon.â
Hannahâs mouth made a little sad shape. She nodded anyway.
He saw it, of course. So Jack pivoted hard like only a brave thirteen-year-old with terror in his ribcage could for little girls whoâd stolen his heart.
âHey. Look what I found,â he said, holding up one of the eggs with a kind of hard-won triumph. âThese are weird, right? Like alien chicken weird.â
That got the tiniest smile out of her.
Hopperâs own mouth twitched before he could stop it.
All around him in the square he could hear people melting.
âOh, look at themââ
âPoor little thingsââ
âHow darlingââ
It made him want to snap at every last one of them to shut the fuck up and let the children breathe.
Instead he stood there, still and glassy-eyed, and watched...
Jack sat down beside Hannah and began laying out all their food like he was presenting a feast instead of rationing scraps. He kept on talking. About the eggs. About which roots were probably better raw and which maybe werenât. About how the water was still good and heâd checked it. About how they had enough. About how they were okay.
Hannah listened like each word from him was a plank beneath her feet.
There were little moments in it â tiny, weirdly ordinary moments â that hit Hopper hardest. The way Jack brushed a wet lock of hair out of his own face with his wrist because both hands were busy. The way Hannah tucked her knees up under herself and sat on them like she had at school assemblies before the world curdled. The way they kept glancing toward the cave mouth whenever the stream outside surged louder, instinctive and scared and trying not to be.
âŠand the way Jack lied for her comfort with such raw little courage, Hopper almost laughed and cried at once.
It got him, that didâŠ
It got him because you had done this.
You had gotten them here. You had tucked them away with enough supplies to make hope possible. You had built a whole damn hidden life for them in the dark⊠and then gone back out into hell, like it was the most natural thing in the world.
Stubborn, stupid, impossible girl.
A movement entered the edge of Hopperâs vision.
âChief.â
Hopper turned.
Seeder now stood beside him with his hands in his pockets and a face gone somber in that quiet, respectful way of his. He didnât ask anything dumb or force a joke into the wrong moment. Just held Hopperâs gaze once and saw enough there, then tilted his chin at the cup in Hopperâs left hand.
âYou hanging in there, Chief?â
Hopper snorted softly. âAs much as anybody is.â
He held out the espresso.
Seeder took it with a little nod. âAppreciate it.â
They stood shoulder to shoulder, both men looking up at the screen.
For a moment neither of them said anything.
Jack was handing Hannah one of the nuts from the tin like it was an offering fit for a queen. Hannah accepted it with both hands. Somewhere offscreen the stream rushed on, cold and endless.
âI can. Doesnât mean I gotta enjoy the attack.â
That got Hopper the faintest smile. He drank his own and watched Hannah tuck a strand of hair behind her ear while Jack kept talking.
After a beat Seeder murmured, âI gotta give it to you.â
Hopper didnât look at him. âFor what.â
âFor both of âem.â
Now he did glance over.
But Seeder kept his eyes on the big screen. âYour boy was always gonna be something. Anybody with eyes could see that. But herâŠâ He shook his head once, slowly. âMan. I still donât even know what the hell Iâm looking at half the time.â
Hopper stared at him another second, then back at the screen.
âJoin the club.â
âNo, really.â Seederâs voice stayed low. Private. âI mean it. That girl looks like she oughta be walking out of a local church choir or some damn storybook painting, not running circles around a pack of killers while keeping half the arena alive behind everybodyâs backs.â
Hopper huffed once through his nose because, yeah. Yeah.
âThatâs about the size of it.â
Seeder smiled sadly into his cup. âRoâs worshipping Steve, sure. But⊠Iâll tell you something. He talks about her like she invented magic.â
Hopper swallowed.
The screen shifted.
And both men went quiet all over again.
You sat by the stream now in hard sun with your clothes spread to dry over a broad pale boulder, washed out and dripping the last of their dampness into light. Your cargo pants. Your shirt. Socks lined beside them. What remained on you now was practical and modest and somehow made the whole thing worse, not better. The sports bra and fitted shorts left no room to ignore what the Games had already started doing to your body.
Cinna, bless him, had made sure to have your undergarments designed in a way that kept your modesty intact for anytime youâd need to wash up or strip down to lesser layers. Heâd catered to your purity, your desire to not expose yourself to the entire nation for views and cheap thrills.
But modesty still didnât hide the way youâve begun to go frail.
Youâd been slight before this.
That much Hopper knew.
Graceful. Slender. Light-boned in that almost birdlike way that made people underestimate just how much grit you could hold in one body.
Now days of near-starvation had sharpened it. You looked pale as skimmed milk beneath the harsh sun. The delicate hollows at your collarbones stood out deeper. Your ribs hinted faintly with each breath. And what softness you might once have carried⊠had thinned down to almost nothing. Not because you looked boyish â you didnât. You looked heartbreakingly, unmistakably feminine. Just young. Too goddamn young. Fragile in the visual sense only, because everything else about you screamed otherwise.
The square around them had gone softer now, full of coos and murmurs and dreadful sympathy.
Hopper barely heard any of it.
Because your leg was uncovered.
The cloth strip that youâd been using was now off to the side, dark and wet from rinsing. And your shinâŠ
Seederâs whole face tightened.
Hopper stopped breathing for a second.
The wound looked vicious in broad daylight. No theater left in it. No flattering shadow. No distance. Just a deep, ugly gash laid open cruelly across your shin where the blade had bitten and kept biting. The skin around it had gone hot and swollen, angry red blooming outward from the cut in a cruel way that made infection feel less like a possibility⊠and more like something already stalking toward you. Every time the camera zoomed tighter, the damage got meaner. The depth of it. The raggedness. The way that your flesh pulled just enough to hint at something too close to bone.
When you poured water over it and grit your teeth through the sting, Seeder muttered, âJesus Christ,â under his breath as his gut plummeted.
Hopper didnât say anything at all.
He couldnât.
You still never cry for the cameras. Never performed your pain. You winced, yes. Your fingers shook once around the cloth as you slowly peeled it off⊠and your mouth pressed thin enough to bleach as you assessed the damage of your injury. But still, you kept cleaning it. Kept working the water over and through it as carefully as you could manage with no proper antiseptic⊠no clean medical wrap⊠no damn help.
Hopper wanted to punch every polished face in the square.
He wanted somebodyâanybody!âto send something useful.Â
Food. Medicine. Sterile dressings. Anything but another bullshit sentimental token to âbuy you time,â before some âhighly anticipated reunion.â
Instead Caesarâs syrupy voice flowed over the square.
âOh, our poor DoveâŠâ
Claudius added, hushed and rapturous: âSuch resilience. Such unbelievable composure.â
Hopperâs hand tightened around the espresso cup hard enough that the hot ceramic threatened to complain.
Seeder saw it.
âEasy,â he murmured quietly.
âEasy my ass.â
Seeder took another sip anyway, eyes on the screen. âPlanâs still good.â
Hopper exhaled once⊠hard and stressed.
âHas to be.â
They both knew it now. Most of the square did, too. Nobody said it outright in blunt language, but the pieces had been visible all morning if you knew how to watch. The three fire points. The spacing. The movement. Steve and Ro setting the board and meaning to set it on fire in three directions at once. Lure the Careers off their hoard while they leave Syl at the Cornucopia by default because somebody had to guard the stockpile. Give Steve a window. One arrow. One shot. One big beautiful kaboom if luck quit screwing around and finally did something useful for once.
Then westâŠ
Back toward the cave.
Back toward you.
âŠif it worked.
Across the square, over near one of the lounge clusters, the District 2 mentor stood with his giant shaved head shining in the sun⊠with a look on his face like he wanted to peel somebody alive. He wasnât even trying to hide it now. Every few seconds? His stare cut toward Hopper and Seeder, all brute-force fury and impotent rage⊠because his tributes were about to get outsmarted and he couldnât do one damn thing about it.
Seeder warily followed Hopperâs glance. âBaldie looks like he wants to chew concrete.â
Hopper snorted dryly. âWouldnât put it past him.â
âHe should be grateful. Maybe itâd improve his personality.â
That got Hopper the briefest bark of a laugh. âTall order.â
âTrue.â
They drank in silence for another moment, both watching you try to wrap the leg again with hands that were steadier than they had any right to be.
Then Hopper felt a tug at his pant leg.
He looked down.
A little girl in a pastel, expensive dress stood there staring up at him with one solemn hand still pinching the fabric at his knee. In her hair sat a small white feather clipped into glossy curls. Her shoes probably cost more than Wayne Munson used to make in a week.
Hopper blinked.
Then, because no part of him had ever stopped being a dad where little girls were concerned, he crouched. âWell, hey there.â
She didnât answer at first. Just stared with huge eyes.
Up close she couldnât have been more than six. Maybe seven if the Capitol fed its kids growth hormones and lies.
Hopper softened his voice anyway. âWhatâs your name, sweetheart?â
She lifted her chin a little.
âOphelia,â she said, every syllable careful as a jewel.
Hopper smiled warmly despite himself. âWell, Miss Ophelia, thatâs a mighty fine name. What can I do for ya?â
Her innocent gaze flicked over his shoulder to the big screen where you still sat by the stream. Then back to him.
âI want to send the Dove a present.â
For half a second Hopperâs brain just flat-out stalled.
Seeder, beside him, went very still.
Hopper managed, âA present, huh?â
Ophelia nodded. A tiny bratty crease formed between her brows like she was already irritated at the possibility of being denied. The white feather in her hair bobbed.
âMm-hmm.â
âWell,â Hopper said carefully, âthatâs real thoughtful of you.â
Behind her, a man now hurried into view wearing the expression of someone about to apologize for his child⊠while not actually having much practice at parenting one.
âOphelia, darlingâoh, I am so sorryââ He reached her at last and set both hands on her little shoulders, acknowledging the mentors. âIâm terribly sorry, I hope she hasnât been bothering you.â
Hopper rose slowly to his feet.
âNo,â he said easily. âNot bothering me at all.â
The pompous man gave a laugh too polished to mean anything. âSheâs quite determined, Iâm afraid.â
âThat so.â
Ophelia twisted halfway around in her fatherâs hold, looked up at him â and announced again, louder this time, âI want to send the Dove a present.â
Her father gave her the kind of exhausted smile that belonged to a bad actor. âYes, darling, I heard you.â
âI want to now.â
âYes.â
âNow!â
He pinched his eyes shut for one brief second.
Hopper, beside himself internally, put on the best glum-grateful face he had. âThatâs kind of her,â he said. âEvery little bit counts⊠even just the thought.â
It tasted like ash in his mouth.
Seeder went rigid with the effort not to laugh at how much Hopperâd clearly tried not to throw up in his own mouth while delivering the line.
The father now just sighed the sigh of a man tragically burdened by his own daughterâs compassion in public and crouched to her level. âOpheliaââ
âNOW!â she screeched, shrill and angry.
It was enough to startle anyone nearby, plus make her father instantly shush her with unabashedly appalled horror and disapproval. He visibly scrambled, trying to think fast before his child threw an outright tantrum.
âIf I send her something,â he said in a tone that could curdle milk, ââŠwill you please behave?â
Opheliaâs mouth fell open in betrayed offense.
Then she pouted so hard it almost circled back around into art.
âI wanna send a present.â
âWill you behave if I do?â
âYes, Daddy.â
He closed his eyes again. âOphelia⊠are you sure you donât just want some ice cream? Or a new dolly?â
His daughterâs lower lip trembled, real tears now. Hopper couldâve kissed the little menace on the forehead for her outburst and stubborn refusal.
âNo, I want to help her,â she whimpered, whiny and hysterical. âHer leg is all gross and bad and she wonât make it âtil Peter Pan finds herâŠâ
âOkay okay okayâshhhhhâŠâ
And that, finally, did it.
Opheliaâs father straightened with the defeated air of a man surrendering not to goodness but inconvenience. âFine,â he said. âFine. Weâll send something right now. Alright?â
Opheliaâs face changed instantly from wet misery to triumphant solemnity.
Hopper had to look away for half a second.
Until her father turned back toward him. âI can arrange a proper compression wrap. Sterile. Reinforced. Something that will at least cover the wound more effectively untilâŠâ His eyes flicked to the screen where Steve and Roâs feed had returned in a corner. ââŠuntil circumstances improve.â
Hopper stared. âSir,â he said slowly, forcing his voice not to crack from sheer fucking relief, âthat would help.â
Seeder leaned in just enough to support without overstepping. âTruly would.â
The father glanced at him, then back to Hopper. âIt wonât fix it, obviously.â
âNo.â
âBut it may help her keep the area protected. Reduce friction. Slow down any further contamination. Could even send a few simple pain killers with it. Just to subside it. Proper medication for that is a fortune.â
He says it like he does not have a fortune of his own to spare.
But even so, Hopper just nodded once. âIâll take any edge she can get.â
Ophelia had already seized her fatherâs hand and was loudly tugging him in the direction of the sponsorship kiosks. âCome onâ!â she insisted, high-pitched. âNow! Now, now now!â
He sighed long-sufferingly. âYes, darling. I am, in fact, moving.â
Seeder made a small thoughtful noise into his cup.
Hopper looked at him.
âIâm startinâ to like her,â Seeder mumbled, his mouth twitching behind a sip.Â
âYeah,â Hopper muttered quietly, watching Ophelia drag her father across the square like a tiny general with expensive taste. âMe too.â
They fell in step beside them.
Around them the Capitol square glittered on in its shameless brightness. The hosts kept talking. The citizens kept watching, entirely hypnotized. Onscreen, somewhere between pain and endurance, you were still alive under the noon sun, still wrapping your own wound with hands that ought never have had to.
Ahead, the kiosk emerged sleek and shining, all chrome and glass and quiet systems ready to turn sympathy into parcels and parachutes.
And Hopper walked toward it with Seeder at one side and a little feather- haired tyrant at the other â knowing damn well a bandage was not enough, not even close⊠but in a world this rotten, sometimes hope arrived not as a miracle.
Sometimes it arrived in stages.
And sometimes, it arrived all because a spoiled little girl decided she wanted something badly enough to make a grown man spend the money.
12:55 PM âą Hawkins
[DAY 6 of the Games]
âMaâamâ maâam, I am telling you your children are safe.â
Officer Callahan had been on the phone for exactly two minutes and forty- one seconds, and already his soul looked evacuated.
Rainfall hissed against the reinforced police stationâs windows hard enough to sound like a crowd. The fluorescent lights overhead buzzed with that tired, sickly hum that never changed no matter how apocalyptic the world got. The same could be said about the hospital across town. Currently? Thatâs where his telephone line carried while on this call, connected with the receptionists.
Somewhere down the corridor, a cart rattled past. Somewhere else, a patient coughed like they were trying to bring up a lung. But right here, right now, all of Officer Phil Callahanâs personal hell existed in the form of a cream-colored rotary phone clutched too tightly in one damp hand inside of his office â and Karen Wheelerâs voice coming at him like buckshot through the receiver.
âI heard that part, Phil,â Karen snapped back immediately, not even remotely interested in the fact that he was a sworn officer of the law and technically in the middle of a statewide emergency. âWhat Iâm asking you is where, exactly, are they being held, who is watching themâhow long theyâve been thereâ whether theyâve eaten, whether Michael has his inhalerââ
âHoney,â Ted Wheeler tried weakly somewhere nearby, probably from his cot in their holding wing, trying to calm his wife.
Karen steamrolled right over him.
ââand why in Godâs name did it take anyone this long to call me?â
âMaâamââ
âItâs been twenty-four hours.â
âIt has not been that long,â Callahan said, voice cracking on the last word. He pinched the bridge of his nose with his free fingers and glanced helplessly at the station wall clock like it might testify on his behalf. âIt hasnât even been twelve hours, maâam.â
âOh, for the love ofââ
âIt has felt like twelve years,â Sue Sinclair cut in, breathless and furious and very obviously right beside Karen â because of course she was. âDoes that count?â
Callahan closed his eyes.
Wonderful.
Now there were two of them.
He could picture it without even seeing it: Karen Wheeler in full mama-bear mode with her lipstick half-worn off and her curls a little frizzed from stress, Sue Sinclair beside her with that same tired, beautiful fury mothers got when the world kept on trying to scare their children. Somewhere around them, the hospital was under hard lockdown â phones limited, hallways swarming with approved staff and security and no one getting to go absolutely anywhere â and somehow, these two women had still managed to take over the personal call made to them from the station and turn it into a hostage situation.
âLadies,â Callahan tried, already losing ground. âPlease. Please let me finish the sentence Iâm saying beforeââ
âNo,â Karen said flatly.
He blinked.
ââŠno?â
âNo,â Karen repeated, curt. âBecause every time I let a man finish a sentence during a crisis, I lose fifteen valuable minutesâand gain exactly zero useful information.â
Sue made a little sound that was suspiciously close to a laugh but also very close to tears.
Callahan stared at the receiver like it had personally betrayed him before he forced himself to continue. âYour children are secure,â he said again, trying for firm and landing somewhere around an exhausted kindergarten teacher. âNancy and Mike Wheeler, Lucas and Erica Sinclair, Dustin Henderson, and Will Byers are all currently sheltered safely inside Steve Harringtonâs private quarters inside of Building II⊠along with Eddie Munson. They are alive, they are accounted for, and under police and military watch. There is food, water, bedding, power, and a working television feed.â
That got him maybe half a breath of silence.
Then Karen was right back in, already catching onto something he said. âThe Byers⊠The ByersâPhil, listen to meâget me in touch with the Byers.â
Callahan frowned. âThe⊠Byers?â
âJoyce Byersââ Karen said, voice suddenly sharper with urgency than even panic. âJonathan too, if heâs with her. Nancy told me they need help for Ren Everdeenâs grandfatherâBurdock Everdeen. Heâs in bad shape. Real badâ Nancy said Jonathan sounded terrified. They spoke yesterdayâ and if that boy sounds terrified, then you know. I am not being dramatic.â
Sue immediately piled on.
âOur husbands have unused comps through pharmaceuticals,â she added rapidly. âKaren and I both do too. Ted and Charles can sign off what theyâre allowed to sign off, and if they canât, then I know three nurses downstairs who owe me favors. If the man needs meds, we can move somethingâbut I need to know what heâs on, what dosage, where he is, and whether heâs breathing okay.â
Callahanâs head tipped back toward the ceiling.
He had been given one assignment.
One.
Call the mothers. Reassure the mothers. Get off the phone.
Now he was somehow in charge of cross-referencing family medical aid for a sick old man related to one of the girls currently bleeding her way through the goddamn Hunger Games.
âMaâam, I can pass along the messageââ
âNo.â
Karen again.
Somehow louder this time.
âNo, absolutely notâno. Do not you dare âpass along the messageâ me, Phil. Put me through to Joyce.â
âI canât just patch throughââ
âThen patch me through to Powell.â
Sue was right there with her now. âYes, put us on with Powell.â
âLadiesââ Callahan nearly begging now, ââwith all due respect? There is no universe in which Chiefâ well, Acting Officer Powell can justââ
âPut me on hold then,â Karen demanded. âI do not care if I have to listen to the worldâs saddest elevator music for twenty minutes, put me on hold.â
âThereâs not gonna be any elevator music, maâam.â
âOh, even worse!â Karen shot back. âThen Iâll have to sit here alone with my thoughts.â
For one awful second, Callahan actually almost laughed.
Then immediately didnât.
He dragged a hand down his face, walkie clipped to his belt digging into his hip, his nerves stretched so thin he felt like cheap tape. All around him the station kept breathing its own exhausted rhythm â boots in the hall, radios crackling, someone somewhere swearing at a jammed printer, deep thunder muttering against the boarded windows like something mean and patient.
âAlright,â he said finally, in the tone of a man throwing himself onto the mercy of a firing squad. âDo not hang up.â
âTrust me. We wonât.â
Something about how quickly Karen said it made him believe she might die before relinquishing that receiver.
He jabbed the side of his walkie with a finger. âBoss?â he said, trying not to sound like he was already halfway to a stress-induced aneurysm. âBossâ you there? We got a pretty urgent situation over hereâŠâ
Across town (or⊠really not that far across town at all, not in Hawkins, where everything important sat too close together and all grief tended to overlapâŠ) Officer Powell was having his own private collapse in real time.
The police station sat only yards from Shelter II now â the concrete bunker looming next door like a giant gray tooth hammered into the earth after the first supernatural earthquakes split Hawkins wide open just a few years back. Everything around both buildings had been reinforced since then â fencing, barriers, floodlights, checkpoint lanes, armed watch. It all looked very official and very sturdy and very much like something designed by men who wanted to convince themselves concrete could out-argue hell.
Inside Powellâs office, the air smelled like stale coffee, wet leather, and paper that had been handled too many times by tired hands.
He had one phone wedged to his ear.
One walkie hissing at his belt.
And one military officer currently knocking on his half-open door like this was in any way a reasonable moment for that.
On the line, Jonathan Byers was talking too fast to breathe.
âNo, listen to me, youâre not getting itâ he canât just sit here and wait this all out, alright? He needs medicationâneeds it now, not when some goddamn form gets signed off or whenever somebody decides that his lungs are worth looking atââ
âSlow down,â Powell said, trying and failing to sound calm. âJonathanâslow down. What exactly does he take?â
âWould tell you if I could get a whole sentence out,â Jonathan snapped back, raw and strained and nothing like his usual careful self.
That gave Powell pause.
Jonathan Byers was not a kid who raised his voice for sport.
That alone made Powell straighten a little in his chair.
In the background, he could hear Joyce too â could hear Burdock coughing somewhere farther off, deep and awful and wet enough to make something cold slide under Powellâs ribs. He could hear the crowded room around them as well: cots creaking, murmured voices, a child whining somewhere, even the sound of one of those big industrial fans turning useless air over.
On his belt, the walkie crackled again.
âBoss? Boss, you there?â
Powell shut his eyes.
The knock came again at the office door.
Louder.
For one bright, hideous second? Powell genuinely considered diving out the window.
Instead he barked, âWHAT?â
The door awkwardly eased open, hinges creaking⊠and on the other side, a military officer stood there in full soaked gear, expression flatter than drywall.
Not offended.
Not impressed.
Just standing there with a look that very gently suggested Powell was being kind of a bitch.
Powell stared at him.
The uniform stared right back.
Behind Powellâs eyes, the migraine heâd been outrunning all day finally made a serious bid for power.
Jonathan was still going on in his ear. ââand Iâm telling you I donât know how much longer he can keep doing this if nobodyââ
âJonathan,â Powell cut in, holding up one finger at the military officer like that would somehow stop the entire world for a second. âHold. Your. Horses.â
Then, because apparently he hated peace and joy â and maybe living long enough to retire, he hit the side of the receiver just enough to muffle it and looked at the man in the doorway.
âWhat is it now?â
The officer arched one brow. âThereâs an issue in Shelter Two.â
âShocker.â
The man ignored that. âOne of Harringtonâs family members is now making a scene in the hall outside their private room. She is refusing to cooperate until she speaks to police directly.â
That landed.
Everything inside of Powell that had been all static and overlapping voices⊠suddenly clicked one ugly notch more into place.
Harringtonâs family member.
A âshe.â
Not Erica. Too uncharacteristically quiet when scared.
Not one of the boys. Too direct.
Nancy.
Of course it was Nancy Wheeler.
Of course Karen Wheeler had Callahan by the throat over one line, Jonathan Byers was nearly chewing through another â and Nancy Wheeler was out in the hall somewhere raising hell over the exact same thing.
For one second Powell just stood there, watching all the dots connect and deeply, deeply resenting them for it.
Callahan crackled again from the walkie.
âBoss, Iâm serious, man, they will not let this goââ
On the phone, Jonathan said, âAre you even listening to me?â
Powell looked at the ceiling.
Then at the military officer.
Then down at his desk.
Then back up again.
And somewhere in the middle of all that, a decision got made.
âBring me the girl,â he said.
The military officerâs expression shifted by maybe half an inch.
Powell met it head on. âAnd be nice about it.â
A beat.
Then the officer gave one tiny nod and stepped back out into the hall.
Powell huffed, then lifted the receiver again. âJonathanââ he said, his voice roughening with resolve. âI am listening. I need you to take one breath, then give me the exact name of the medication.â
At the same time he thumbed his walkie. âCallahan.â
âJesus, finally.â
âKeep Mrs. Wheeler on the line,â Powell said. âTell her Iâm bringing Nancy in here and weâre gonna sort this all out together.â
There was a static silence on the other end that sounded suspiciously like Callahan blinking.
ââŠyouâre what?â
âYou heard me.â
âBoss, are you sure thatâs a goodââ
âNo,â Powell said honestly. âIâm sure itâs a decision.â
And because there was no time left in the day for anything but decisions, he clicked the walkie silent, set Jonathan on hold just long enough to keep him from talking himself hoarse, and finally sagged back in his chair.
For one whole second, the office went quiet.
Not actually quiet, not with the storm muttering outside and boots moving in the hall and radios coughing through static and his own blood thudding in his ears⊠but quiet enough.
Quiet enough for him to feel how tired he really was.
How much all of this had started to braid itself together.
The girl in the arena with the ruined leg.
The old man in a shelter somewhere coughing himself inside out.
The Wheeler women refusing to sit still for five goddamn minutes if there was something useful to be done.
The oldest Byers boy, finally sounding like his mother.
The little pack of Harrington kids locked up across the way and trying to stay brave.
Powell rubbed at his temples, praying to a god he refused to give up on even at the end of the world. Then â restless and suddenly needing something concrete under his hands⊠he yanked open the nearest file drawer.
A.
B.
C.
He flipped through the folders faster than he meant to, old papers whispering beneath his fingers.
D.
E.
Everdeen.
He stopped.Â
The tab sat there plain and neat and harmless looking, which felt like bullshit. Powell drew the file out, set it on the desk⊠and stared at it a second before opening it.
Inside: forms, identification records, household notes, registration details, old emergency contact information, every dry little official scrap that claimed to explain a family.
None of it looked like the actual truth.
Not really.
Not the truth that mattered.
Not the truth where one granddaughter had become the only thing standing between that old man and total abandonment.
Not the truth where the wrong people kept ending up responsible for love.
Not the truth where a beautiful bakerâs daughter, who ought toâve been home kneading bread dough with flour on her wrists, was instead somewhere else, inside a televised death trap â limping through the woods while the people who loved her (people who werenât even blood related) tried to keep her sick grandfather breathing from half a dozen separate corners of a town that had already survived too much.
Outside his office, footsteps approached.
Powell lifted his eyes from the file just as they stopped at the door.
And with the Everdeen papers open beneath his hand, he realized the whole damn town had finally done what Hawkins always did best when things got bad enough.
It had started loving somebody out loud all at once.
5:03 PM âą The Games
[DAY 6 of the Games]
âCâmon, man,â Steve muttered, already halfway through a grin as he hauled another armful of dry branches into place with one hand and used the other to point at the pile. âThat oneâs gotta be taller than the other two or itâs just embarrassing. We are not half-assing Operation Smooth Criminal this close to showtime.â
Ro, kneeling in the leaves with a fistful of brittle twigs and piney brush tucked against his chest, looked up at him with a face so solemn it nearly ruined the effect of the whisper-sung Michael Jackson noises heâd been making under his breath for the last twenty minutes.
He shook his head gravely.
âNo,â he agreed in a tiny, deeply serious voice. âThat would be humiliating.â
Steve barked out a quiet laugh through his nose.Â
âExactly. You get me.â
It was going on five in the afternoon now, maybe a little after. And the arena had gone golden in that dangerous, pretty way late-day could get when the sun started slanting lower through the trees. Bright all day. Hot all day. But now everything had softened at the edges. The light came in shafts through the branches, thick and honey-colored. Dust motes drifted through it. The bark on trees looked richer. The shadows got longer and longer underfoot, stretching out over the ground like black water.
And in the middle of all that, hidden deep on the western side of the arena with a final bonfire pile nearly complete in front of them, Steve Harrington and a nine-year-old boy were acting like two idiots at summer camp instead of tributes in a death arena.
That was the craziest part.
Not the plan. Not the mines. Not even the fact that Steve, who had spent the better part of the last year and a half with all the joy pressed out of him by force, had somehow managed to find it again up here in the woods with a kid heâd only really known for a day.
No, the craziest part was how easy it felt.
Ro dropped the twigs where Steve indicated â then immediately popped up onto the balls of his feet and did a tiny, sharp little heel-toe shuffle backward that was somewhere between a dance move and a proud retreat.
Steve stared at him for half a second.
Then, without even thinking about it, he mirrored the move.
Roâs eyes went huge.
Steve pointed at him. âYou gonna start us off this round?â
Ro grinned.
Then immediately started.
He made a little sound under his breath â ba-dum, ba-dum, da-da-da-dum â trying to mimic the bassline from Smooth Criminal, then slid one sneaker over the leaves in a shaky moonwalk that should not have worked as well as it did on uneven forest floor.
It was ridiculous.
More than that? It was perfect.
Steve lost his mind a little bit.Â
âAwh, hellââ he drawled, dropping two more branches onto the bonfire pile before stepping around it and answering the challenge. âDance break. Go.â
He hooked his thumbs briefly against the belt loops of his cargo pants, gave his shoulders a sharp little roll â then hit the same move back at Ro with a whole lot more swagger and a whole lot less balance than he wouldâve liked. The leaves crunched under his boots. His bow knocked lightly against his back. The quiver of arrows shifted with him. And yet, Steve still managed the little slide, the hip hitch, the narrow-eyed look, the mischievous smolder.
Ro clapped both hands over his mouth to keep from laughing too loud.
Steve snapped his fingers at him. âThatâs right, I still got it.â
His shadow was already shaking his head, delighted and horrified in equal measure. Then he planted his feet, bent his knees, and did the exaggerated forward lean again.
Steve nearly choked.
âOh my God,â he snickered. âAlrightâhold on, hold onââ
But Ro was already committed, tipping forward with all the faith in the world and absolutely none of the center of gravity required â until he had to catch himself with both palms against a tree trunk.
âYee-hee!â Ro yeeted in his best MJ impression.
Steve doubled over, one hand on his knee, the other shoved over his mouth. His shadow wheezed laughing too, danger be damned.
For one stupid, impossible second⊠they were just two boys in the middle of the woods losing their shit.
And somewhere out beyond them â back in the Capitol, back in Hawkins, back in District 11, across every remaining city full of people glued to their televisions â the cameras adored it. They adored the handsome, half-feral boy with the chestnut hair and the bow over his back, hips loose with old rhythm and newer freedom, and they adored the little shadow by his side, all bright eyes and quick feet and too much courage for one body so small.
Neither Steve nor Ro knew that.
They were too busy being alive.
Steve straightened and rubbed the sweat off his upper lip with the back of his hand. âAlright,â he laughed. âBack to work before we get arrogant.â
Ro nodded with saintly seriousness.
Then, quietly, âShamone.â
Steve squeezed his eyes shut. âOh, you little shitâŠâ
Ro cackled, then darted off to grab yet another deadfall branch before Steve could get him.
The third bonfire needed to count.
That was the thing.
Everything needed to count now.
The first one â south. The second â north. This one â west, opposite the eastward direction of the cave and the streamâs beginning. Come morning, the plan would finally take full flight. Steve would light Bonfire Two. Ro would light Bonfire One. Then, after enough time had passed and the sun hit the agreed spot in the sky, Ro would make his way to ignite the last one. Three separate fires. Three separate distractions. Enough smoke, enough panic⊠enough visual chaos to drag the Careers away from the Cornucopia and leave Syl stranded on guard.
Then Steve just needed to get one clean shot.
One arrow.
One chance to hit the mines and blow the whole stockpile of hoarded food and supplies to kingdom come.
It was smart.
It was risky as hell.
And it was also the first time that Steve had felt like he was doing something other than waiting to get his teeth kicked in by fate.
âIncoming,â Ro whispered, dragging over another armful of brush, dumping if with a huff.Â
Steve crouched beside the pile, adjusting some of the heavier branches into a tepee shape, making sure there was enough tinder tucked low and enough dry fuel stacked high to catch fast tomorrow. His knife stayed clipped within reach. His backpack sat against a tree trunk nearby. His bow and arrows never left his person. Nothing in here got left to chance anymore.
Ro crouched beside him. âLike this?â
Steve glanced over.
The kid held up a handful of dried grass and brittle leaves.
âYeah,â Steve nodded. âYeah. Perfect. Stuff it low so it catches first.â
Ro did, careful and efficient.
Steve watched him for a second⊠It still got him. The way Ro moved. Quiet as a breeze. Light on his feet in a way that made the woods seem to accept him. No wasted motion. No whining. No fear in the places fear wouldâve been justified. He just⊠kept in step. Kept learning. Kept trusting Steve in a way Steve wasnât sure he deserved.
It made something tight and painful and good pull low in his chest.
Ro looked up, catching him staring.
âWhat?â
Steve blinked, then shook his head. âNothing. JustâŠâ He glanced at the pile, then back at him. âYouâre good at this.â
Roâs mouth twitched shyly. âYou too.â
Steve smiled. âEh. Iâm older.â
âThat means nothing.â
That startled a laugh out of the eldest ally.
âWell damn,â Steve murmured amusedly. âOkay.â
Roâs shoulders lifted in a tiny shrug. âNot your fault. Growing upâs a sham.â
That, it was... Too true. Age didnât mean much in here except more names in the sky if things went wrong, or more slips in a fishbowl on Reaping Day.
Steve didnât say that.
He just reached over and bumped his knuckles softly against Roâs shoulder before rising to his feet again. âCâmon, partner. Letâs admire our handiwork before we get emotional.â
Together they stepped back.
The bonfire pile stood thick and ugly and solid in the clearing. Big enough to blaze high. Dry enough to catch quick. Hidden well enough, for now, beneath the normal clutter of the woods.
Ro put both hands on his hips.
Steve did too.
They stared at it in silence.
Then Steve held out his hand, nodding at their work. Ro slapped a high five into it so hard his own little palm stung, and he immediately shook it out with a hissed laugh.
Steve grinned. âWorth it?â
Ro nodded. âWorth it.â
âGood.â
Then Steve crouched with a sly look and tapped one shoulder.
Roâs whole face lit up.
He came over without hesitation and climbed up Steve like theyâd been doing this forever, then settled onto his shoulders while Steve reached back for his backpack. He fished out a couple crackers and pieces of jerky with one hand and handed them up without even looking before shouldering the pack.
Ro took them greedily. âThaaaaankyou.â
âWelllllllllcome.â
Steve shoved one cracker into his own mouth, rose to standing, and got both hands around the kidâs ankles. âHang on tight.â
âI am.â
âWatch my six.â
âOn it.â
Steve started walking.
Ro immediately flopped backward with complete trust, dangling upside down over Steveâs backpack against his spine while still chewing like a little goblin, humming some mangled version of Smooth Criminal through a full mouth.
Steve had to bite the inside of his cheek to keep from laughing again.
âBro...â
Ro pointed the last of his cracker at him from upside down. âYeah?â
âYou get a head rush, thatâs your own fault.â
âIâm okay.â
âYou sure?â
âIâm excellent. In watchinâ your six!â
Steve shook his head, grinning like a madman as he kept moving through all the trees, one hand occasionally lifting to steady Ro whenever the path got uneven. The late sunlight flashed through the leaves overhead. Somewhere far off, a bird chirped. Somewhere closer, water murmured.
And beneath it all, the beat kept going.
Ba-dum, ba-dum.
Steve took over for a second, whispering the rhythm under his breath.
Ro answered it from upside down.
Then the two of them were doing the sounds together, building the whole song out of nothing but bad percussion and whispered enthusiasm and the occasional sharp little woo! that Steve absolutely should not have been doing but did anyway.
He kept walking.
Kept swaying his shoulders.
Kept giving into the warmth of it all.
By the time theyâd reached the first snare, they were both grinning like idiots again. Steve spotted the caught squirrel first and froze mid-step â then, he straightened dramatically and looked out at the invisible audience of nobody.
âWell, well, wellâŠâ
Ro lifted himself upright on Steveâs shoulders.
Steve pointed. âWould you look at that. Yahtzee.â
âBingoooo,â Ro whisper-shouted in fake shock.Â
Steve carefully crouched to let him climb off. Ro landed light and quick, then immediately padded over to the snare. Sure enough, caught clean and dead, was a fat gray squirrel.
Good. Real good.
Enough for both of them tonight.
Ro crouched by it and went still.
Steve came up behind him slower. For a second neither of them spoke. Then Ro pressed three fingers to his lips, kissed them⊠and lifted them toward the sky.
Steve frowned, not in disapproval⊠just curiosity.
He crouched beside him. âWhatâs that for?â
Ro glanced at him, then back at the animal. âA sign of respect,â he explained quietly. âBack home, we go it.â
Steve stayed still.
Roâs voice stayed soft. Matter-of-fact, no performance to it. Just solemn truth and grace. âFor whoever falls,â he said. âFriend or foe. Human or animal. Itâs just⊠we acknowledge it.â
Steve looked at the squirrel.
Looked at the kid beside him.
Something in him shifted.Â
He nodded once. Then, after a beat, he copied the gesture himself â three fingers to his lips, then giving them a little lift toward the air.
Ro didnât smile about it. Didnât make it a thing.
He just looked down and reached for the snare.
Together they got the squirrel free. Steve guided his hands through the first part of it, talked him through the rest in low, steady instructions â and Ro followed every word. Yesterday heâd watched. Today he helped. Steve didnât rush him. Didnât sugarcoat it either. This was gruesome workâŠbut necessary work. Sorrowful work. The kind of survival that never stopped tasting wrong, even when you got good at it.
Ro never flinched away.
His eyes stayed glossy. Solemn. But he didnât look sick. Didnât panic.
Steve couldnât decide if that relieved him or broke his heart worse.
Once the skinning was done, they buried what needed burying. Covered all signs. Scattered the disturbed leaves. Then Steve built them a small, tight little cookfire while Ro struck the match. The squirrel roasted quickly enough over the flames, the smell of hot meat making both of their stomachs twist awake in the worst and best ways.
Steve cut it down. Wrapped it carefully in two giant elephant-ear leaves that theyâd found nearby. Tucked it into the smaller pouch of his backpack. Then they stamped out the fire together until not even a live ember remained.
When it was done, Steve rose, dusting off his hands on his cargo pants, and offered Ro a fist.
âAlright, partner,â he said. âYou ready?â
Ro grinned up at him.
And then, instead of fist-bumping, he launched himself at Steveâs waist with a delighted little hynnnng noise.
Steve barely had time to catch him before the kid clung there like a koala.
âWell okay then,â he laughed under his breath. âThat a yes?â
Ro just squeezed harder, face tipped up at him with total menace and delight sparkling in his eyes⊠crinkled with pure love and childlike adoration.
Steve hugged him back automatically and gave him one playful little shake. âYouâre a nutcase.â
Ro nodded. âYup.â
âGood, glad we cleared that up.â
For a minute, Steve playfully waddled with Ro wrapped around him like that. One step, two steps, three steps â all shuffled and awkward and scored by the unabashed giggles of a nine-year-old, along with the witty commentary of his noble comrade.
Then Steve scooped him up again, hauled him back onto his shoulders, and set off toward the tree theyâd chosen for the night.
The forest had mellowed out into that rich, pre-sunset hush now... Not quiet exactly. Just held. Expectant. The kind of soft light that made everything look briefly kinder than it really was. Steve and Ro kept up the little whispered jam session most of the way there, not even really singing words anymore. Just music sounds. Bad rhythm. Tiny dance breaks whenever Steve had to stop and adjust his grip or check their surroundings. Every now and then⊠Ro would point out something ahead. Like good footing, low branches, a rabbit trail, a patch of edible greens they should remember later.
And every now and then, Steve would glance up toward the sky⊠and think of you.
Still out there somewhere.
Still alive, if the earlier birdcall meant anything⊠which it had.
He held onto that.
Had to hang onto that.
By the time they reached the big tree theyâd picked out earlier, the sun was tipping lower in earnest⊠staining the spaces between branches amber and pink.
âLead the way, brother,â Steve murmured, setting Ro down and letting him scramble upward first.
The kid went up the trunk like he belonged there.
Steve followed with the backpack over one shoulder, the bow secure against his back, quiver shifting lightly as he climbed. They found the same kind of gift that theyâd found before: a sturdy fork of thick branches, high enough to matter, sheltered enough to work.
Ro carefully got settled while Steve hung up the backpack and accepted the little knapsack from him too â securing both within reach. He made sure the bow and arrows had their own easy notch nearby. Then he pulled out the wrapped squirrel meat, their water, and the odds and ends theyâd scavenged earlier â roots, greens, a few plants Ro knew were safe.
They settled in to eat.
It wasnât much.
Nevertheless, it felt like a feast.
Steve cut the squirrel smaller with his knife, handed over the first pieces, and pretended not to notice how carefully he kept giving Ro the better portions. Ro pretended not to notice too, which was its own kind of mercy. For a while they just chewed and drank and watched the sky change.
The colors got strange with evening.
Pretty in a way that felt almost mean.
Ro squinted out at it. âLooks like peach.â
Steve followed his gaze, expression turning sly and teasing. âMm, thatâs not peach.â
âIt is.â
âThat is aggressively not peach.â
Ro pointed. âThat part is. Right there--see?â
Steve tilted his head. âOkay, maybe that part.â
âAnd orange.â
âFor sure.â
âAnd pinkâlike, sorbet.â
âMm-hm,â Steve smirked, mouth watering at the mention of sorbet.
âAnd that weird one,â Ro pointed to another section of the sky, where a cloud swirled off into another cluster of color. âLooks like a kind of funky jam inside of a jar.â
Steve snorted. âGreat description.â
âItâs weird.â
âThat I agree with.â
Ro leaned a little farther out to see between branches. âLike bruised gold.â
Steve went still for a second. Then looked at him with something like surprise and something fonder. âBruised gold, huh?â
Ro shrugged with one shoulder, chewing. âYeah.â
Steve looked back out over the trees. âYeah,â he murmured after a second. âOkay. Bruised gold.â
They sat with that.
Then Steve cupped his hands and sent out the four-note whistle.
The mockingjays caught it. Carried it. Carried it farther and farther through the woods.
He and Ro waited.
Maybe a minute and a half.
Then your four notes came back.
Not from you directly. From the birds. From the trees. From the whole damn arena, it felt like. The mockingjays confirmed you were still alive. Still safe.
Still out there.
Roâs whole body eased.
Steveâs did too, even as the saddest smile graced his features.
Then Ro sent the smaller signal back â the one that meant stay put. Do not come looking yet. The planâs in motion.
The mockingjays carried that too.
And sure enough, your two-note reverse call bounced back to them.
After they knew for certain youâd heard, they leaned back into their branches again and finished the last remnants of supper. Then, Steve pulled out a few honeysuckles from where heâd tucked them into an outer pocket earlier and handed two to Ro, while he kept one for himself.
Ro brightened. âDessert.â
âDamn right.â
They sucked the tiny sweetness from the flowers and let the day finally begin to wind down around them. No cliff dropped out from under the moment. No beast roared. No cannon sounded. Not yet. Just the two of them up in a tree with sticky fingers and tired limbs and a plan waiting for morning.
Below, the woods darkened.
Above, the sky bruised deeper.
And by the time the last taste of honeysuckle faded off their tongues, all that was left to do was breathe, sit shoulder to shoulder in the branches⊠and let the night come slow.