its nearing the end of february meaning its march and march is basically april. april is spring and so is may so it’s basically may but also may falls under summer so its basically june. merry christmas. happy new year
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its nearing the end of february meaning its march and march is basically april. april is spring and so is may so it’s basically may but also may falls under summer so its basically june. merry christmas. happy new year

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Ed Teach & Love Do I think Ed’s ever felt an intense connection before Stede? Everything about his characterisation suggests that he has. Ed’s a man of deep feeling. He has most likely experienced liking, lust, longing, and limerence, and even thought he has loved. We know his friends understand enough about his preferences to suggest he has a ‘type’. Whatever their connection, Ed is still troubled thirty years later in the Gravy Basket by the terrible loss of Felix.
There’s one thing feeling though, and another in being able to nurture that feeling, and nothing in Ed’s life before Stede suggests he existed within an environment which allowed for that.
Life as a pirate is transient. People come and go. Folk are there one minute, dead the next. How many crushes did Ed have to see perish before he decided no longer to feel ? How safe was it to let those feelings be known even in the first place? According to Ed and Jack, they were treated ‘worse than dogs’ in their younger days. Stede himself suggests that most pirates had the constant mental pressure of wondering how they would next eat. I should imagine pirates live very much in the lizard part of their brain - fighting, fleeing, food, fornication. It’s not really conducive to romance.
Coupled with the idea that Ed likely has some form of c-ptsd, which can make forming relationships difficult, nothing about Ed’s past suggests an environment in which he could fall in love. And once he became Blackbeard, it would not have been safe for him to give away emotional control in that way.
There are several things about the situation with Stede which allows Ed to fall in love. One is the setting of the Revenge, if we ignore Izzy, being a safe space allowing that exact thing. We have Lucius and Pete, and Jim and Oluwande. There are friendships which flourish too, such as Frenchie and Wee John. Stede is paying his crew a wage meaning the next meal is guaranteed. Ed enters a world that isn’t living minute to minute. There’s time and leisure, pursuit of the arts, and a community built not just on survival.
Ed also feels safe to share his trauma. It’s confirmed in the Gravy Basket that Stede is the only person Ed ever told about the murder of his father. When Ed shares and Stede doesn’t recoil, instead offering friendship, it allows some of Ed’s walls to start to come down, and only then can he begin to move towards intimacy. Love cannot flourish without trust.
This leads to the third thing, which is that Stede sees Ed immediately. It was said at one of the cons that ‘vulnerability recognises vulnerability’, and the first time Stede meets Ed properly, there appears some truth in that. Stede intuits they are kindred spirits in ways he isn’t yet conscious. Ed now also wants to be seen, not caring to uphold the image of Blackbeard in quite the same way. Ed’s being seen, and then further seen, despite revealing what he views as his darkest parts, is what enables him to lay the groundwork to fall, properly, for the first time.
However, I do think for much of season one, Ed is in a state of limerence. He very much puts Stede on a pedestal, and has wild plans about running away. It’s as if he’s in love with being in love. In season two, now he knows Stede’s not necessarily got it ‘all figured out’, yet understands he returns his feelings, I think we see Ed truly falling in love. It might be partly why he’s so hesitant during the second ywftw. He’s been hurt, but this is also uncharted waters, and he knows this goes well beyond heady feelings. He wants a long-term relationship and a stable future, tenderness, nurture, and companionship, which is what they get in the finale.
The question of whether Ed has ever fallen in love before is complicated by a number of factors, but I think it’s safe to say he has never felt a love like he has for Stede. That doesn’t make it ‘pure’ or better than other ways of loving, it just makes it theirs - it’s their particular love story. It’s not a static thing either. It’s going to change and grow into something Ed, Stede too, never thought possible, and they’re going to marvel at what they create together. And I’m going to think about it, forever.
Taking up space is so goddamned liberating.
Never chasing “thin” again.
The “Frankenstein” star takes on his greatest experiment yet.
This article makes me wish I could wrap my head around everything being an actor means to Oscar Isaac. There are aspects of it as an art that I don't think I can comprehend.
What I do understand is the Dante quote he chose. “Midway upon the journey of our life I found myself within a forest dark, for the straightforward pathway had been lost.” Oscar Isaac talks about his youthful passion and focus on acting to the exclusion of other aspects of being, and through his recent roles he explores that as well as a shift from that. He seems ready to explore what else there is.
I'm only five months apart from him in age and the thoughts expressed in the article resonate with me. I relate because this midlife stage, for me it's a transition, is just more deep than anything I could have foreseen. For me, there's so much grief for all the paths not taken, as well as the loss of the clear path forward. Motherhood was my focus in life, rather than acting, and I find that the woman who entered into it is not the one who exists now.
I miss that girl. I grieve her. I worry her joy is gone and I find the one existing now has little value to the world. But I'm searching for the path forward, and it heartens me to know that somebody I admire is exploring too.
Great article.

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Some of the most magnetic people I’ve met aren’t loud, or flashy. They’re steady, present, and quietly powerful. That’s the energy I crave now.
The art of perception as magical bewitching
Perception is a powerful faculty of consciousness & magic. To transform perception is to transform the world.
Integration & shadow work leads to changed perception & insight into life & reality. Looking out onto the world, the state of being of the perceiver, greatly influences, shades & colours what is seen. Shadow work is removing the veils & covers that cloud our perception. As we perceive what is in front of us more directly & with more openness & attunement, the mystery & beauty of the what appears, is revealed to us.
There is a bit of trick involved in that we have to say yes & desire & choose to see & engage the world in a way that is real, beautified & immediate. Layer upon layer of mystery & meaning is revealed to us if we choose to look at life with the eyes of beauty & mystery- the Heart.
This is to be the tantric/tantrika. To tune in to the senses.
The senses are the organs of perception & the sensory body can become finely tuned in to the vibrational undercurrents that flow beneath the surface & mundane appearances of things.
This is to step into the archetypes of enchantress, sorceress etc.
Bewitching is as simple as altering perception to tune in to the finer details of reality- to see with the inner senses, to be alert to the energetic qualities of situations, things & people.