#michaelesmith

FEASTS OF HUNGER — Group presentation at SPAZIO ORR, Brescia, Italy In collaboration with Marco Ghigi’s private collection w/ works by #MichaelESmith #JuneCrespo and #GiuliaCenci Running until April 18, 2021 @spazio_orr @ghigi.marco63 @p420gallery @spazioa_pistoia @june_crespo @giulia.cenci 🔗 in stories 👀 #spazioorr #ghigiprivatecollection #p420gallery #spazioa #brescia #bresciaexhibitions #italy #sculpture #installation #art #contemporaryart #ofluxo #ofluxoplatform @ofluxoplatform (em Brescia, Italy) https://www.instagram.com/p/CLon_iEFL-x/?igshid=2f97yeywg2lo

BACK IN THE BOOKSHOP: Recent issues of MOUSSE including #57 (Feb-March 2017) Dean Daderko, Arthur Jafa and Sondra Perry on blackness, technology and Alien ontologies; Stefanie Hessler exchanges oceanic ideas with Heidi Ballet; Puppies Puppies talk to Tenzing Barshee; Hannah Black as seen by Rahel Aima; essays by Alexander Provan, Orit Gat and Jens Hoffmann; William Pope.L and Mia Locks; Sam Thorne with Marianna Simnett; Anna Gritz and Eric Baudelaire; Luke Willis Thompson; Basel Abbas & Ruanne Abou-Rahme; Raúl de Nieves, Chris Sharp, and more. Mousse is a bimonthly magazine published in Italian and English. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format. Mousse keeps tabs on international trends in contemporary culture thanks to its city editors in major art capitals such as Berlin, New York, London, Paris, and Los Angeles. Mousse (Mousse Publishing) is also publisher of catalogues, essays and curatorial projects, artist books and editions. #57, alongside #58, #56 and many back-issues, available in our bookshop and via our website. #worldfoodbooks #michaelesmith #mousse (at WORLD FOOD BOOKS)

January 19, 2017 - March 11, 2017

Press Invitation @viennasecession Swipe 👉 1,2 John Akomfrah A recurrent motif in his art that connects all three works on film is water, which acts as a reservoir of recollections; in the immensity of the ocean, it also marks the scene of the colonial conquests and the transatlantic slave trade as well as contemporary migrant flows. 3,4,5 Michael E. Smith He does not finalize his works until he installs them in the exhibition setting, and many take concrete form only during this phase or even owe their existence to a moment’s inspiration. The concentration on few objects in the room creates an impression of capaciousness and emptiness - a metaphor, perhaps, for the loneliness and precariousness of human existence at large - that enhances the significance of each work and becomes an integral part of the art. (Text from homepage) . . #JohnAkomfrah #MichaelESmith #viennasecession #artinvienna #ArtsyVisualStorytelling #walmatwien #ig_ometry #minimalart (at Vienna Secession) https://www.instagram.com/p/B87NYg6FCkz/?igshid=340wmlnqwltc

@viennasecession Michael E. Smith Eröffnung: Donnerstag, 20. Februar, 19 Uhr Ausstellung: 21. Februar – 19. April 2020 Vereinigung bildender KünstlerInnen Wiener Secession Friedrichstraße 12, A-1010 Wien https://www.secession.at/exhibition/michael-e-smith/. #MichaelESmith https://www.instagram.com/p/B8yUIO4FqhL/?igshid=17rm4bjryunom

Michael E. Smith - Untitled, 2017, Bull testicle, 44 x 21 x 14.5 cm

me now 🕊 michael e. smith installation i saw at @momaps1 last week in new york (untitled, 2017) #momaps1 #parrot #michaelesmith

#MichaelESmith untitled (2016) #onefairpic #artissima #artissimalive #torino