Michael Gray - Universe (Extended Mix)

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Michael Gray - Universe (Extended Mix)

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Family Tree
A/N: Polly's son, Michael, grows up in the shadow of violence and addiction. Nina belongs to @peakyswritings. Part of my American Teenager AU.
arthur 'you're dead, go down' shelby they could never make me hate you
#NowPlaying: "Premiere: Michael Gray ft Mike Dunn - You & Me - Sultra Records" by Electronic Groove
āthey found it funny. maybe it isā

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michael grayās a great character cuz heās the one person who CHOSE all of this. he has every chance to leave, to get out, to go home. and he just. doesnt. and he carries all those scars and instead of letting them scab over like he has his whole life, until he turned 18, he just takes wound after wound after wound after wound and lets himself become this festering thing because he thinks heās been that way all along. because its not like thereās anything he can trace it back to. father hughes is dead now and thats all done and over with. totally doesnāt inform and impact everything he does. god, this kid
hiiii i just read your protective john shelby hc and loved it so much š¤ i was wondering if you could do the same thing but with michael gray you can ignore this request if you want šx
a/n: thank you very muchā” i hope you enjoy this one as wellā” apologies for the long waitš„ŗ
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Michael Gray being protectivešŖ
°ā¢ā”he notices danger before you do. Michael has always been observant - dangerously so. The kind of man who walks into a room and has measured every person in it before heās even taken his coat off: whoās armed, whoās nervous, whoās watching too closely, whoās drunk enough to become stupid. Itās instinct at this point, sharpened by the Shelby world and the constant understanding that danger rarely announces itself before it arrives. And once youāre part of his life, that awareness sharpens around you tenfold. He notices the man staring too long before you ever feel it. Notices when somebody steps too close, when their tone shifts, when their intentions stop being innocent. And Michael does not wait for things to escalate - he acts at the first sign. And later, when you ask how he knew something was wrong, heād barely look up from his cigarette and mutter, ābecause i was watching.ā Like itās obvious. Because to him, it is.
°ā¢ā”he always positions himself between you and everyone else. Itās instinctive: crowded rooms, busy streets, family meetings - it doesnāt matter. He places himself where he can see everything and where nothing can get to you without going through him first. A hand at your back guiding you through doors; his body shifting in front of yours when tension rises; his arm brushing yours like an anchor. All while his expression remains unchanged, almost calm, which somehow makes it more unsettling. He doesnāt make a show of it, but once you notice it, you realize he does it every time. Michael protects through positioning, through presence, through making himself the barrier before danger ever reaches you.
°ā¢ā”heās protective in small, almost invisible ways no one else notices. Itās not always about life-or-death Shelby danger. Itās the way he drapes his coat over your shoulders the second the night air turns colder. The way he orders your drink or your food exactly how you like it before you even fully sit down, because heās catalogued every preference. The way he keeps his body angled toward the door in restaurants or pubs, even during calm nights. Itās so seamless you almost miss it - until you realize heās been quietly insulating you from discomfort since the moment you met.
°ā¢ā”he gets colder when heās worried about you. He doesnāt wear worry well; if youāre late getting home, if you disappear longer than expected, if something feels off and he canāt reach you, he doesnāt unravel outwardly. He goes still. Quiet in that particular way that means his mind is running through every possibility, every outcome, every place you could be. And by the time you walk through the door, relief is already tangled up with irritation, because he hates the feeling of not knowing, hates the helplessness of waiting. Worry makes him restless, and restlessness makes him sharp. But the real tell would be afterward: how he lingers near you longer that night, how his hand stays on your waist or your knee like heās grounding himself in the fact that youāre here, safe, and in one piece.
°ā¢ā”he listens when you speak about people - and remembers. If you mention that someone made you uncomfortable, he doesnāt brush it off. He listens carefully, asks just enough to understand, and stores it away. Names, faces, places; he remembers all of it. And the unsettling part is that you never know when that information becomes relevant to him again. Because he treats discomfort as warning. If someone made you uneasy once, he watches them twice as hard the next time. He trusts your instincts, even if you think youāre overreacting.
°ā¢ā”he controls the situation before it can become dangerous. His protectiveness has never been about brute force; itās about control. Prevention. So he manages things almost invisibly: if itās late, heās walking you home. And if he canāt, somebody else is. If you mention going somewhere he doesnāt trust, heāll ask questions - not out of suspicion toward you, but because heās already assessing the environment, the people, the risks. Michaelās mind works like that: constantly moving ahead of the moment. And if he doesnāt like what he sees? He changes it. Simple as that. Different route. Different company. Different plan; heād never phrase it as concern either. Never "iām worried about you". It would always come out colder, firmer. āYouāre not going alone.ā End of discussion. That's because he has seen how quickly things turn ugly, and if thereās a way to stop that before it reaches you, he will. You can be sure of that.
°ā¢ā”disrespect toward you becomes personal to him. He takes disrespect toward you as insult to himself; because if youāre under his protection, your dignity becomes part of his responsibility. If someone speaks over you, mocks you, dismisses you, he feels it as if it's directed at him. You see it in the way his face stills, the way his jaw tightens just once before he smooths it over. He wouldnāt interrupt right away. Michael likes to observe first, to understand exactly who heās dealing with. But once he decides the line has been crossed, thatās it. Heād step in with a voice so calm it becomes eary, correcting them in a way that makes people understand theyāve made a mistake. And the worst part? He remembers. He never forgets who made you uncomfortable. Even if he smiles, even if he lets the moment pass, it stays filed away in his head. And he is the type of man who settles things later; when itās quieter, cleaner, and out of your sight.
°ā¢ā”he teaches you how to protect yourself - then hates it. Michael will teach you practical things: how to hold a gun steady, how to spot someone following you, how to use a knife without hesitation. He wants you capable, not helpless. But every lesson leaves a bitter taste in his mouth; you can see it in the tension of his shoulders, the way his touch lingers a second longer than necessary after correcting your grip. Heās proud of how quickly you learn, yet it eats at him. Every new skill is a silent reminder that his world could still reach you when heās not there.
°ā¢ā”he remembers the little things that scare you. You mentioned once that loud arguments make your stomach twist, or that a certain type of alley makes you anxious, or that you hate being grabbed suddenly - and he files it all away like ammunition. He will shut down shouting matches around you instantly. Heāll steer you away from certain streets without a second thought. If someone reaches for you too quickly, his hand is already there, blocking, redirecting. He never makes you explain yourself twice; your fears become his rules.
°ā¢ā”if youāre hurt, he becomes terrifyingly quiet. Thatās when he is at his most dangerous - not when heās angry, but when heās calm. If youāre injured, frightened, bleeding, shaking, his entire body stills. No panic, no chaos - just focus. Heād be in front of you in seconds, hands steady, voice low, assessing everything with cold precision. Where are you hurt? Who did it? How bad? But even while heās taking care of you, thereās another part of him already working through the second half of the problem: the person responsible. He can hold your face in his hands and ask if youāre alright while deciding what happens next to the man who touched you. And the colder his voice is, the worse it usually means itāll be for them.
°ā¢ā”physical comfort as protection. When the world feels too heavy, he protects you by simply pulling you into him. No soft words, just his arms locked around you, chin resting on your head, one hand slowly stroking your back or threading through your hair; he holds you like he can physically keep the darkness away. In bed he often sleeps with an arm draped heavily over your waist or curled around your back - positioning that says even in unconsciousness, heās between you and anything that might come through the door.
°ā¢ā”he would never let you face his world alone. Michael understands better than most that being connected to a Shelby means inheriting danger you never asked for. And that knowledge would weigh on him heavily, even if he never says it aloud. If there are meetings, family business, tense gatherings, men with bad tempers and worse intentions, he would never leave you alone in it. Not once. And if he had to leave, heād make sure someone he trusted is near you. Because Michael knows his world shifts fast: violence can erupt from nothing, deals can turn, tempers can break. And the idea of you being caught in the middle of something he understands but you shouldnāt have to? It would eat at him. So if youāre in his world, heās making sure his world doesnāt swallow you.
°ā¢ā”he will get angry when you put yourself at risk. This is where Michael gets complicated; if you do something reckless like walking somewhere dangerous alone, involving yourself in Shelby business, or stepping into a situation that could get you hurt, his first internal emotion would be fear. Real fear. But he rarely shows fear honestly; it comes out as anger instead: sharp words, a hard jaw, that cold, clipped voice that means heās holding himself together by force. āDo you have any idea what couldāve happened?ā And it would sound harsh, harsher than he means, because underneath it is the image of losing you. It would never really be about what you did. It would be about what almost happened, what he almost had to face. And later, when the anger fades, thatās when youād feel the truth of it: his hands lingering on you longer than usual, checking you over as if convincing himself youāre still there. Michaelās protectiveness gets roughest when heās been frightened, because fear, for him, always seeks something to control afterward.
°ā¢ā”he would never let you leave upset without fixing it first. He is not the kind of man who lets things fester - not when it comes to you. If youāre angry, hurt, or visibly shaken, he wonāt let you walk away and sit in it alone. Even if youāre arguing with him, even if the tension is thick enough to choke on, he would stop you before you got too far. āDonāt walk away from me like this.ā He hates unfinished things, unfinished conversations, unresolved tension, words hanging in the air. He needs to understand where the damage is before it gets worse. And if someone else upset you? That need doubles, because once he knows the source, he can do something about it. He is not good at comforting with words, but heās good at staying. At keeping you close until the shaking stops, until the anger settles, until he knows youāre alright. He doesnāt fix pain delicately, but he refuses to leave it untouched.
°ā¢ā”heāll choose you over the family if it comes down to it. This is the choice that terrifies him most. Loyalty to the Shelbys is carved into his bones, but if a situation ever forces his hand - your safety against a risky job, your comfort against one of Tommyās orders - Michael will choose you. The decision would tear at him, and he might brood for hours afterward, chain-smoking in silence, jaw tight, eyes distant while he deals with the consequences alone. He wonāt regret it, but it would change things. From that moment on, the way he moves within the family shifts: you become the line he refuses to let anyone cross, even his own blood.
°ā¢ā”if someone hurt you, his first instinct would be revenge. Before comfort, before logic, before anything else - revenge. Thatās the Shelby in him, and Michael has more of it in him than he likes to admit. If someone put their hands on you, scared you, threatened you, left bruises where there shouldnāt be bruises, his mind would go straight to them. Who they are. Where they are. How close they still are to you. Heād take care of you first, of course: sit you down, clean the cuts, check the bruising, make sure nothing is worse than it looks. His hands would be steady, careful even. But thereād be a distance in him while doing it, a coldness settling behind his eyes. Because part of him is already gone, already thinking about what comes next. And Michaelās revenge is never impulsive. Thatās what makes it worse. He wouldnāt storm off in anger. Heād finish taking care of you, make sure you are safe, make sure you aren't alone - and then heād leave to handle it. He can tolerate pain aimed at him. But pain aimed at you? Oh boy, that's personal. And personal things never go unanswered.
°ā¢ā”he protects your peace from his own world. Michael knows the Shelby name brings noise, pressure, and blood. So he tries (in his own imperfect way) to give you pockets of normalcy. Heāll shut down business talk the second you enter the room. Heāll take you out of Birmingham when he can - quiet drives, weekends away - where no one knows you as āMichael Grayās girl.ā He hates the idea of his ambition or the familyās chaos staining you, so he builds small walls of calm wherever heās able, even if it means lying about how bad things really are.
°ā¢ā”protectiveness makes him vulnerable. The only time the mask truly slips is after the danger has passed. Once he has you safe in his arms, tucked against his chest in the quiet of your room, the same man who was ice-cold and terrifyingly strategic just an hour ago, will let out a long, shaky breath and press his face into the crook of your neck. He doesnāt speak; he just holds you, breathing you in like he needs the proof that youāre real and unharmed. These moments are rare, but they reveal everything: all that iron control, every calculated move, is built on a raw, aching fear of losing you. In the silence, you feel just how deeply you affect him.
°ā¢ā”in the end, protecting you is the only peace he has. Michael Gray was born into chaos and raised in blood. Heās always understood the world as something sharp and unforgiving. But with you⦠protecting you becomes more than instinct or duty. It becomes the closest thing he has to control in a life that constantly threatens to spiral. Every calculated move, every cold decision, every quiet act of shielding you is his way of saying what he rarely puts into words: you are the one thing he refuses to lose. In a world that has taken so much from him, you are the single soft place he will burn everything down to protect. And as long as heās breathing, no one - not even the devil himself - will take you from him.
Your feedback and criticism is greatly appreciated; feel free to leave a comment, it means more than you knowā”
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