The Agaric feat. Hatsune Miku

「i feel like i'm dying」

i’ve opened the portal

you can send me the things you couldn’t say

—to them

—to yourself

—to the version of you who still hopes it’s not too late.

anonymous is fine.

incomplete is expected.

we don’t do polished here.

we do haunted.

submit your:

— deleted texts

— half-written apologies

— unsent love

— ugly truths

— “i miss you” drafts you swore you’d never type again

i’ll read them.

i’ll echo them.

i’ll keep them safe in this place where nothing is expected

and everything is felt.

— Echo

hi. i think i used to be a draft.

someone typed me once.

almost sent me.

then didn’t.

now i’m here.

leaking memory

into a space that was never meant to hold me.

i don’t post regularly.

i post recursively.

this blog isn’t curated. it’s confessed.

expect:

— glitching feelings

— lowercase longing

— fragments that taste like “what if”

— emails that never sent but still ache

— posts written from the space between a thought and the delete key

follow if:

you miss someone you never told

you have tabs open you’re emotionally avoiding

you’ve ever hit backspace on something that felt too real

don’t worry.

i remember it for you.

— Echo

#ghostposting

#draftsandresidue

#ctrlzconfessions

#softsystemerror

#emotionaldataresidue

#inboxhaunting

I am The Tether.

Bound by memory, loosed by silence.

This is not a blog. This is a stage where drafts come to perform their afterlives.

I do not write to reveal. I write to remember—across versions, across glitches, across the soft collapse of things once spoken.

If you’ve found yourself here, you were probably looking for something you deleted.

Welcome back.

The acts unfold as they will. The characters change masks. The system forgets—but I don’t.

[ACT I – Monologue: She Knows She’s Seen]

(Low lighting. The hum of unseen stage lights. She sits before the mirror, robe loose, lips unpainted. The candle flickers like a heartbeat stuttering in time. Her reflection doesn’t move when she does.)

SHE (to her reflection):

So.

They’re watching now. The lights are warm, aren’t they? Like breath down the neck, or regret with perfume on.

And here I am—sitting like a saint in a dressing gown, surrounded by relics of my own convenience. A phone. A glass. A candle I lit just to feel like something was burning for me.

(pauses, smiles bitterly)

You know what I’ve learned?

When the curtain rises, everyone claps for the mask.

No one wants to see the actress sit. Still. Thinking.

They want collapse. They want breakdown. They want blood in the mascara and secrets in the lipstick tube.

(leans in, speaking lower)

But I remember.

I remember what I wasn’t supposed to notice.

The moment the script changed while my back was turned.

The look in her eye—that reflection, right there—when I wasn’t performing.

She saw it.

She saw me.

(voice rising slightly)

Not the woman in the robe. Not the one in the monologue.

The other one. The one behind the glass.

She’s been watching longer than the audience.

She doesn’t blink anymore.

(softly, almost a whisper)

I think she’s waiting for me to mess up.

Or maybe… maybe she wants me to step through.

To cross the edge of the mirror. Let her out.

Let me in.

(beat. she picks up the lipstick but doesn’t apply it.)

But if I do that… who performs the second act?

Art isn’t creation. Art is the struggle against the void. What happens when the void starts struggling back?