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these troublesome kids
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I draw this character a lot here so much so that I would look into other official artists renditions of her (strongest artists I’ve seen drawing her being Mahaya, Haimura and Chuuya), she’s described as looking like a model and is one of the characters with a overall strong aura/presence so it’s a joy to draw her. I think I made a few mistakes early on and I wish I could add a bit more character to some of my drawings of her; but what can ya do. and yes she doesn’t have a hand; those things are a pain to draw; especially when I already realised half the piece would likely be cut out. The main focus here was to improve how I develop the values and colours; I feel I did a pretty good job but also feel the picture was a bit too tense, too many creases and layers of volume being illustrated; which is why I ended up cutting away most of the lower torso and added a lot more negative space for the final composition. I’ll definitely be drawing Mugino again in the future. Well I don’t have to explain myself; I like this character and I like to draw, so I drew her.
For those of you who don’t know I don’t draw this all by hand or manually pick the colours out; a lot of my colouring is done by creating a strong set of black/white values and then using several blending options and colours over each other to create the effect, the process is very long and arduous but works very effectively; thing the filming process and how those will layer over several versions of the same footage over the original to balance the exposure and make the footage generally more aesthetically pleasing. I used to create pieces that had about 60 layers over each other just so I could be satisfied with the colours; but now i’ve reduced the layer number for this quite a bit, or at least I have with this version. It still is a bit much and can take a while before i’m happy with the colours, this is a bit of carry over from my experience colouring illustrations from artists i’m a fan of, I recently did another quick Mugino fan colouring a while back and it seems relevant to the methodology i’m using. What exactly is that methodology? Taking layers of shadows, line art and values that I made when constructing the foundation of the piece and mixing them ontop of each other using several layer masks and blending options to apply fine mixing and additional tones where ever I want them. You’ll need to experiment with blending layers a bit to know exactly what each one does to know how to use them effectively. I also use the photoshop cutout filter every now and then to mix things up or simplify the values.
Stage Illustration, Blending colours I draw this character a lot here so much so that I would look into other official artists renditions of her (strongest artists I've seen drawing her being Mahaya, Haimura and Chuuya), she's described as looking like a model and is one of the characters with a overall strong aura/presence so it's a joy to draw her.
omg you have so many OCs on th I just sorted by images: Aeneas 1, Orion 15, Nikola 9
Whatever works sldfkjdsklfj!! MY TRASH BUNNY TRIO
AENEAS: What’s your OC’s biggest insecurity and how would they react if someone pointed it out to them?
He’s pretty insecure about his childhood because it was a time of weakness for him and a time when he was wholly dependent on another person for survival. Aeneas lives pretty independently now and he takes pride in that. He doesn’t mind not being able to fight because he thinks he’s pretty awesome for being able to get out of sticky situations without resorting to violence... But he would hate it if anyone pointed out his origins. It’s a part of himself he’d rather not expose. I think the only people aware of who Aeneas was before he reinvented himself are Nyx and Kalidasa...and he’d rather keep it that way.
ORION: Does your OC consider themselves a good person?
Nope. But Orion views Devoras as the ultimate evil and a pox upon the earth; he thinks that to defeat a demon, you have to be able to think like one—to be demonic, in a sense. Kind, idealistic people can’t go through with what’s necessary. So Orion’s ok with resorting to awful tactics and having people dislike him because he feels his actions are necessary to kill Devoras. At the end of the day, that’s what he’s all about. “I’m not Good, but that’s fine because a Good person can’t do the things that I do. And what I do is necessary.”
NIKOLA: Does your OC feel a pressure to achieve or are they content and calm with doing what they can at the moment?
While he’d like to pretend otherwise and give off a confident air, Niko is a very lonely Venia and does feel a certain pressure from society to achieve and to make himself worth something. He’s an abnormal Venia, but rather than be upset at society for ostracizing him or want to rebel, Niko knows his place and would rather work within these restrictions to carve a name for himself. He’s very aware of being used by Orion and others, but he’s okay with it because it means he’s useful. Niko’s not exactly unhappy and he doesn’t seek out other people despite his loneliness, but that’s for fear of disappointment and pain. He can cut up Devoras because they are soulless so he doesn’t mind what they say. He can throw himself into his research because data never lies. But he’ll never admit that he needs other people.
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Even if you go to hell...
meltdowner replied to your post:does anybody have any recipes for an oodachi bc...
try 550/660/660/550? sadly there’s still a chance to get an uchigatana or tachi with it but I think I’ve gotten two oodachis this way
bless your soul
