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REVIEW ROUNDUP: DAWN, MCKDADDY & LEE GI KWANG

[SINGLE] Dawn - Dear My Light

7.5 out of 10

Taking up with Groovyroom’s AREA after parting ways with P-Nation, Dawn’s first release with the label is the soul-bearing ‘Dear My Light’. Lead by not much more than an acoustic loop and a vulnerable performance by Dawn, ‘Dear My Light’ is as tragic as it is therapeutic. Capturing the feeling of loss, selflessness and acceptance in a truly beautiful vignette, Dawn delivers a career-best vocal performance. Dawn’s perspective is relatable but also almost entirely unique given the nature of his highly publicized relationship and what that relationship represented in the context of the industry. The instrumentation is simple, but Dawn’s entrancing vocal performance is what gives the song the gravity and emotional potency that it needs.

[ALBUM] Mckdaddy - Fatal

6.0 out of 10

Since landing with one of the most impressive debut rap albums perhaps ever in Korean hip-hop in 2019, Mckdaddy has continued to rap on a technical level that is a cut above the rest, but has largely struggled to capture the musicality and energy that ‘I’m In Trouble’ so perfectly bottled. ‘Fatal’ is the rappers latest EP, and while it’s still a far cry from Mckdaddy’s best, it’s perhaps his most noteworthy project since. He has never come up short on quick, razor sharp flows and ‘Fatal’ is no exception with standouts being on ‘Most Underrated’ and the buoyant ‘Good Morning’. It’s mostly the occasional bland production choices and some undercooked hooks that keep ‘Fatal’ feeling rather bogged down at parts. Though there are production highlights such as the intro with its fun scratches and cloudy atmosphere. ‘Fatal’ feels like Mckdaddy finally stepping from the shadow of a tremendous debut, with a commendable about of swings.

[SINGLE] Lee Gi Kwang - Predator

8.0 out of 10

Lee Gi Kwang of BEAST/Highlight fame returns with his first full-length effort fronted by the enigmatic ‘Predator’. Almost Taemin-esque at times, ‘Predator’ is a heavily textured dance number that works brilliantly in building and maintaining suspense through its engrossing song structure. The verses and hooks find a way to seamlessly melt into one another, without ever losing a sense of momentum with enough peaks and troughs throughout. Driven by a heavy bass line and ethereal synth leads, Gi Kwang embodies a sense of mystique and sensuality in his very polished vocal performance. ‘Predator’ doesn’t pay off its buildups as typically expected, by the groove that it clutches on is far more entrancing and infectious. Lee Gi Kwang’s ‘Predator’ is an absolute show stopper of a single built on progressive songwriting and immersive atmosphere.

#dawn #groovyroom #mckdaddy #lee gi kwang #highlight #beast #kpop #khiphop

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#justhis #r.tee #don malik #huh #rosy #khan #mckdaddy #los #smtm11 #khh #khiphop #audio #uploads #ROSY. MY DEAR SWEET BOY.

Luci Gang - Catch the tail (feat. Ash-B, PAXXWORD, Mckdaddy)

#luci gang #catch the tail #khh #khiphop #new releases #ash-b #paxxword #mckdaddy #Spotify

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Holyday | HOLY Album

Tracklist:

01. Spotight (feat. 넉살)

02. Tag (feat.맥대디, oygli, 한국사람)

03. Bluffin (feat. ron, Khundi Panda)

04. Wavin (feat. 팔로알토)

05. ANTI (feat. 염따, QM, 펀치넬로)

06. Guilty Pleasure (feat. ODEE, SINCE)

07. Rum and Drum (feat. J.Yung, YOUNG SKI)

08. HOW U FEEL? (feat. 우원재)

09. Last Call(feat. 잠비노, 딥플로우)

10. Divine Test

mixed. @brasco911 mastered. @nahzamsue

art direct / design. @rowdee3886

3d sculpture / visualizer. @surin.kim

Producer Holyday released his 1st LP HOLY under VMC. Eventho they announced to no longer operate as an official record label, this proves their artist do continue to release music as a crew still.

Holyday has been in VMC since 2019. Just to name a few, he has works like Odee’s Scumbag album, Don Mill’s OKGO2 (i rmb this track as a spinoff to Beenzino’s I’m Back released after completion of National Service) , VMC summer single Trouble Summer & Nucksal’s Brother feat. Don Mills & Los

IG : @/holy4life

Released on 23.01.23

Stream via Spotify | Youtube