#max bruch

Bruch wasn't Jewish. He was Protestant, and was introduced to the Kol Nidrei prayer by a chazzan friend of his. He was so moved that he composed the piece, and it's his second most famous piece after his Violin Concerto No. 1.

I prefer Max Bruch's smaller, chamber pieces. I don't understand why they don't get more of an airing. Heyho. This is lovely and melodic.

Max Bruch (1838-1920) - Piano Quintet in G minor, Op. posth. (1886)

0:00 Allegro molto moderato 9:16 Adagio 16:21 Scherzo 22:47 Finale - Allegro agitato

Nuriya Kartamyssova Нурия Картамысова and Sergey Krylov Сергей Крылов, “Bruch. Suite Брух. Сюита”, music by Max Bruch (“Suite for Orchestra on Russian Folk Melodies” op. 79b and “Swedish Dances” op. 63), choreo by Igor Bulytsyn Игорь Булыцын, set design by Alyona Pikalova Альона Пикалова. As part of the program “Bruch. Suite. 598 bars. Rodin”, Leonid Yacobson Ballet Театр балета имени Леонида Якобсона, Tovstonogov Bolshoi Drama Theater Большой драматический театр имени Г. А. Товстоногова, Saint Petersburg, Russia.

Source and more info at: Leonid Yacobson Ballet Website Leonid Yacobson Ballet on Telegram Leonid Yacobson Ballet on You Tube Leonid Yacobson Ballet on Facebook Leonid Yacobson Ballet on Instagram Leonid Yacobson Ballet on VKontakte

via: Sergey Krylov on Instagram Note I: This blog is open to receiving and considering any suggestions, contributions, and/or criticisms that may help correct mistakes or improve its content. Comments are available to any visitor.

Vox Satanae – Episode #570 16th-20th Centuries This week we hear works by Noel Bauldeweyn, Antonio de Cabezón, Erasmus Widmann, André Philidor, Carl Leopold Röllig, Max Bruch, Laci Boldemann, and Andrew Toovey. 150 Minutes – Week of 2023 October 08 Stream Vox Satanae Episode 570. Download Vox Satanae Episode 570.