#mattatoio

View from the Centro della Fotografia Roma

🔪 LA CARNE NON DIMENTICA – Racconti dal mattatoio (Romanzo in 6 episodi - Completo)

Il nastro trasportatore non si ferma mai.

...e tu, hai il coraggio di salire?

Vi aspetto 🖤

Seguimi su Wattpad : @LourenMaryMagix per non perdere il prossimo incubo.

☢☣💀🔪

Jonas Mekas, Images Are Real Exhibition

Mattatoio, Rome

Nella gornata di ieri, 6 settembre, Roma Capitale ha inaugurato la mostra fotografica “Parallel Lines” di Luigi Filetici al Mattatoio. Erano presenti Lorenza Fruci, Assessora alla Crescita culturale di Roma Capitale, Luca Montuori, Assessore all’Urbanistica di Roma Capitale. C’erano anche Umberto Lebruto, Amministratore Delegato di FS Sistemi Urbani, e Clara Tosi Pamphili, Vicepresidente Azienda…

By PRINZ GHOLAM

With Wolfgang Prinz , Michel Gholam, Flavia Gramaccioni, BriandaCarreras, Cosimo Desii, Benedetto Patruno

Padiglione 9b, MATTATOIO ROMA

Curated by Angel Moya Garcia

In their While Being Other project presented at the Mattatoio's Pavilion 9B as part of a three-year programme called Sensitive Devices, the artists expand their research into the perception of the self and the body as cultural assumptions through performance, objects and large-scale drawings. The programme's structure is configured to resemble a constantly developing choreography in which a sequence of works, appearances, moves, gestures and intervals between movements are conceived on the basis of specific cultural references and interwoven with each other through a multiplicity of masks that invade the exhibition space.

The ritual use of masks is recorded since the Late Stone Age and is still fairly widespread on every continent today, albeit not in all cultures, as it is taken as a given that the act of conceiving and wearing them normally implies a desire to temporarily cancel out or conceal the wearer's human individuality. Yet this ancestral approach has now been completely uprooted and reassessed in the light of the spread of Covid-19 which has literally given centre stage to the basic concept of the mask, recognisability in the face of the risk of anonymity, the debate between protection and ornament or the social, cultural and economic assertion of the individual within his own referent context.

@villamassimo.d