"I don't care if he murdered a hundred people. We're scientists, not moralists. You know that we're all expendable. John Kirby is the future. Because of him it's possible that millions of lives can be saved."
"Only if we could have perfected the process, but there's no time. I mean, nobody's going to give us the Nobel Prize for murder."
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Lake Street Dive covering the Pointer Sisters’ hit “Automatic”.
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Automatic
Songwriter: Mark Goldenberg and Brock Walsh
Look what you're doing to me
I'm utterly at your whim
All of my defenses down
Your camera looks through me
With it's X-ray vision
And all systems run aground
All I can manage to push from my lips
Is a stream of absurdities
Every word I intended to speak
Winds up locked in a circuitry
No way to control it
It's totally automatic
Whenever you're around
I'm walking blindfolded
Completely automatic
All of my systems are down
Down, down, down
Automatic (automatic)
Automatic (automatic)
What is this madness
That makes my motor run
And my legs too weak to stand
I go from sadness to exhilaration
Like a robot at your command
My hands perspire
And shake like a leaf
Up and down goes my temperature
I summon doctors to get some relief
But they tell me there is no cure
They tell me
No way to control it
It's totally automatic
Whenever you're around
I'm walking blindfolded
Completely automatic
All of my systems are down
Down, down, down
Automatic (automatic)
Automatic (automatic)
Automatic, automatic
Automatic, automatic
Look what you're doing to me
I'm utterly at your whim
All of my defenses down
Your camera looks through me
With it's X-ray vision
And all systems run aground
All I can manage to push from my lips
Is a stream of absurdities
Every word I intended to speak
Wind up locked in the circuitry
No way to control it
It's totally automatic
Whenever you're around
I'm walking blindfolded
Completely automatic
All of my systems are down
Down, down, down
No way to control it
It's totally automatic
Whenever you're around
I'm walking blindfolded
Completely automatic
All of my systems are down
Down, down, down
No way to control it
It's totally automatic
Whenever you're around
I'm walking blindfolded
Completely automatic
All of my systems are down
Down, down, down
Automatic (automatic)
Automatic (automatic)
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The Cretones, una buena, una gran oportunidad perdida. Un grupo new wave de Los Angeles, California, que sólo publicó dos álbumes en los años 1980-81, el primero de ellos más que recomendable, y después se desvaneció.
Su primer disco "Thin Red Line" es para escucharlo detenidamente, para saborearlo como merece. Tuvo que ser, debió ser algo más, pero a alguien de la discográfica Planet Records del productor Richard Perry (¿a él mismo?) se le ocurrió lanzarlo casi al mismo tiempo que "Mad Love", el disco "new wave" de Linda Ronstadt (Asylum, febrero de 1980) y su impacto quedó anulado.
"Mad Love" fue el intento de Linda de subirse al carro de lo nuevo, con canciones de Elvis Costello ("Girls Talk", "Talking In The Dark", "Party Girl", hay que recordar que Costello odiaba que Ronstadt hiciera versiones de sus canciones); algún viejo clásico de los sesenta ("I Can´t Let Go" de Chip Taylor, con original de Evie Sands y gran versión de The Hollies; "Hurt So Bad" de Little Anthony & The Imperials, composición del recientemente fallecido Bobby Hart); una de Neil Young, otra de Billy Steinberg y 3 canciones 3 de Cretones ("Mad Love", arriba, "Justine", con su aire a "We´ve Gotta Get Out of This Place" de los Animals, y "Cost of Love") con la participación en el álbum de Linda de 3 componentes 3 de The Cretones, el líder y compositor Mark Goldenberg, Peter Bernstein (bajo) y Steve Beers (batería).
Linda Ronstadt había quedado impresionada con Cretones y grabó tres canciones suyas, que fueron editadas antes de salir las del grupo en un LP que, sin duda, mereció tener mejor suerte.
La conclusión es clara: la industria prefirió reforzar la carrera de la artista establecida Linda Ronstdat, hacerla evolucionar a un sonido más duro y moderno, que lanzar con medios al nuevo grupo The Cretones. Lo peor es que todo esto sucedió con la aquiescencia de la propia banda, así que poco más se puede decir.
Peter Frampton
The Art of Control
1982 A&M
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Tracks:
1. I Read the News
2. Sleepwalk
3. Save Me
4. Back to Eden
5. An Eye for an Eye
6. Don’t Think about Me
7. Heart in the Fire
8. Here Comes Caroline
9. Barbara’s Vacation
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