Feb 7, 2022
A maenad (female follower of Dionysus), crowned with ivy and wielding her thyrsus. Fragment of an Attic red-figure cup by the painter Macron; ca. 480 BCE. Now in the Louvre.
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A maenad (female follower of Dionysus), crowned with ivy and wielding her thyrsus. Fragment of an Attic red-figure cup by the painter Macron; ca. 480 BCE. Now in the Louvre.
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See the signature! "Hiero made"
Interior, flute-playing satyr and maenad
Exterior, obverse and reverse, symposium
Attic, c 480. Met 20.246. H. 5 7/16 in. (13.8 cm); diameter 13 1/16 in. (33.2 cm). Signed Hieron as potter, painting attributed to Makron.
The Met says: The exterior provides a particularly full illustration of the symposium (drinking party) and, especially, of its paraphernalia: a wreathed column-krater for mixing wine and water, a large skyphos for the relief of a sick symposiast, a lamp stand that also accommodates a ladle and strainer, and krotala (castanets) and a picnic basket suspended from the back wall. Compared with the figures on the outside, the satyr and maenad (followers of the wine god, Dionysos) appear formal indeed.
An Attic red-figured kylix, attributed to Makron as painter, signed by Hieron as potter, c. 490-480 BC.
13 3/8 in. (34 cm.) diameter, excluding handles.
Christie’s
Banquet scene, Attic red-figured kylix, (Hieron potter, Makron painter) c. 490 BC
Detail showing a banquet scene from the tondo of a red-figure kylix, painted by Makron
Greek (manufactured at Athens), Late Archaic Period, 490-480 B.C.
terracotta
Museum of Fine Arts, Boston
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Libation scene on an Attic red-figure cup attributed to Makron, c. 480 BC
Courtship scene on an Attic red-figure kylix, c. 480 BC