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The Mainbocher Corset, Erwin Blumenfeld, 1939 for Harper's Bazaar
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Evening dress, ca. 1938. Mainbocher. (Worn by Wallis Simson).
Gowns by Mainbocher for the Gibson Girl Ball.
Vogue, December 1948
Photographer: Horst P. Horst
Mainbocher HC SS 1935.
Photographed by George Hoyningen-Huene.
Mainbocher’s sculptured column of golden lamé with floor-length panels hung from the shoulder. Seaman Schepps’s necklace and blazing jewels. Photographed by Erwin Blumenfeld, Vogue, December 15, 1946.
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US Vogue May 1, 1952
Dovima wears a pale blue gingham coat, lined with the same plain white cotton fabric that appears when the cape is lifted. Beneath the coat, the cotton fabric continues: a short, embroidered white batiste evening dress with an asymmetrical neckline. Coat and dress: Mainbocher. Diamonds: Harry Winston.
Dovima porte un manteau en vichy bleu pâle, doublé du même drap de coton blanc uni qui apparaît dès que la cape se relève. Sous le manteau, on retrouve le coton : une courte robe de soirée en batiste blanche brodée, ornée d'un décolleté asymétrique. Manteau et robe : Mainbocher. Diamants : Harry Winston.
Photo John Rawlings
Is it even worth having a ballgown if it doesn’t come with matching berry red choker necklace and wristwear? Mainbocher loved red and deployed it to excellent effect here in his 1947 gown. Chicago History Museum.
Mary Martin, modelling one of her Mainbocher creations for the original Broadway Production of Norman Kasna's Kind Sir (Not a successful production, but later adapted in to the Ingrid Bergman and Cary Grant classic, Indiscreet). New York, 1953.
