Sartor Resartus (Latin for "The Tailor Retailored") is an 1833–1834 philosophical satirical work by Scottish writer Thomas Carlyle. It purports to be a review of a bizarre German study on clothes by a fictional professor, Diogenes Teufelsdröckh, using a "clothes philosophy" to mock materialism and explore spiritual rebirth.

Questo affresco raffigura un dettaglio dell'Inferno dal Giudizio Universale dipinto da Taddeo di Bartolo intorno al 1393-1394.La scena si trova nella Collegiata di San Gimignano e illustra le punizioni corporali inflitte ai peccatori, nello specifico gli avari e gli usurai.

Yoshitaka Amano - "Nocturne" (1992)

Et Toujours! Et Jamais! (1863) - Pierre Eugène Emile Hébert (1828–1893)

One Last Round

From an illuminated copy of Francesco Petrarch’s Triumphs, Death stands triumphant, symbolizing the inevitable surrender of every human life to the transformative passage of mortality.