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I was saving my Vesta files on to my external hard drive today (because I am very smart and attractive) and I found a list of podcast recommendations that I wrote in 2021 for a friend who was looking for something to listen to before bed.
And it made me smile because I sheepishly entitled my list of [checks notes] sixteen audio drama recommendations 'Here lies the depths of my insanity xo'. It's funny because these days I regularly review around 5-10 shows every single week!!
Anyway, if you're interested, please use the read more Time Machine to see what I thought about my fave 16 shows in 2021!
Here you find the depths of my insanity xx
Pods that are probably okay for bedtime:
Name: Welcome to Night Vale
Genre: Absurdity/Sci Fi/Comedy
Length: ~25 minutes
Spookiness: 5/10
Complete: Ongoing
One line description: Community radio updates from a small desert community where every conspiracy theory is true.
Pros: Main actor has the nicest voice ever (?), incredible writing, can easily dip in and out, shit loads of episodes
Cons: the ‘weather’ comes in about 2/3 of the way through and sometimes it’s quite loud
Appropriateness for bedtime: 8/10 (literally only that you might find the weather annoying)
Name: Lost Terminal
Genre: Sci Fi
Length: <10 mins
Spookiness: 0/10
Complete: Ongoing
One line description: The sentient AI on an orbiting satellite tries to make his way home
Pros: Actor has a nice voice and is very softly spoken, loosely plot driven, thought provoking
Cons: I’ve only just started listening to it so can’t vouch for the later episodes!
Appropriateness for bedtime: 9/10 (also has a short musical interlude but it’s usually pretty chill)
Name: The Penumbra Podcast (Juno Steel Series)
Genre: Sci Fi/Noir
Length: 30-45 mins
Spookiness: 0/10
Complete: Ongoing
One line description: Follow Juno Steel, Private Eye (On Mars) as he solves cases and maybe becomes the love of your life?
Pros: Literally some of the best character writing I’ve ever come across?? Funny and heart-wrenching and there’s one episode that is my go-to episode to listen to when I can’t sleep. Great backing music.
Cons: Occasional audio kissing noises. The first episode is a lot more camp than the rest, I almost didn’t get through the first ep but am vvvvv glad I did.
Appropriateness for bedtime: 7/10 – sometimes there are noisy sound effects
Name: Moonbase Theta, Out
Genre: Sci Fi
Length: ~10-30 mins (the episodes get longer as the seasons progress)
Spookiness: 1/10
Complete: Ongoing
One line description: Audio recordings from the Communications Lead as Moonbase Theta prepares for shutdown.
Pros: Main actor has a nice voice and the first season is literally just him talking so would be good for bedtime!
Cons: Can’t really think of any?
Appropriateness for bedtime: The first season or two is definitely 10/10 for bedtime, things get more chaotic in season 3
Name: The Strange Case of Starship Iris
Genre: Sci Fi/Mystery
Length: 40 minutes
Spookiness: 1/10
Complete: Yes!
One line description: Science Officer Violet Liu is rescued from the Starship Iris before life support systems fail but is all as it seems?
Pros: Just a really fun mystery with lots of interesting characters, well acted
Cons: Some action scenes get noisy
Appropriateness for bedtime: 7/10 – sound effects, might be difficult to keep track of the plot if you fall asleep during hehe
Name: The Far Meridian
Genre: Fantasy/Mystery (?)
Length: ~15 mins
Spookiness: 2/10
Complete: I think it’s ongoing but I’m not up to date
One line description: Agoraphobic Peri searches for her brother and finds that her house moves somewhere new every day
Pros: Fairly chill, some good voice acting
Cons: I’ve only listened to the first few episodes so can’t vouch for all of it
Appropriateness for bedtime: 8/10 – at least for the first few eps!
Name: The Bright Sessions
Genre: Superheroes
Length: 30 mins
Spookiness: 2/10
Complete: Yes
One line description: Dr Bright is a psychologist providing therapy to people with atypical powers
Pros: Lots of episodes and starts off just like listening in to someone’s therapy session so it’s pretty relaxing?
Cons: Some scenes of distress and violence later in the series
Appropriateness for bedtime: 7/10 – at least for the early epsI’m about 2 eps away from finishing it all and I’m kind of holding out bc I don’t want it to end …
Name: EOS10
Genre: Sci Fi/Medical/Comedy
Length: ~30 mins
Spookiness: 0/10
Complete: No
One line description: Doctor joins a military hospital base in Space to ‘help’ the alcoholic Chief Medical Officer turn his act around
Pros: I found it pretty funny and really enjoyed listening to it! It’s like Scrubs in space, really and requires so little brain power to enjoy, it’s nice like that. Talking cat 10/10.
Cons: I want to be a space doctor :( the main con is that there was an issue with an actor so the whole direction of the show drastically changes halfway through.
Appropriateness for bedtime: 7/10 – some louder sound effects but otherwise great[Note from 2026 AMC: lmao, I don't know if I'd started work on Vesta at this point yet, but I never told this friend about it!]
Name: Mabel
Genre: Folky Horror Business
Length: ~15 mins
Spookiness: 6/10 – I would say it’s more atmospheric than scary.
Complete: No
One line description: Anna works as a carer for an old lady in her big house and leaves voice mail messages for the lady’s grand-daughter, Mabel.
Pros: Some really nice pieces of writing. The writers started writing this together and are now MARRIED, excuse me??? That feels like a pro.
Cons: I got a little lost towards the end of Season 3 and am yet to pick it back up
Appropriateness for bedtime: 4/10 – can be unsettling, sometimes there’s screaming lol
Name: Kane and Feels
Genre: Paranormal Investigators
Length: I honestly can’t remember
Spookiness: 3/10
Complete: No
One line description: Holmes and Watson if they investigated ghosts and did even more drugs
Pros: It’s like BEAT POETRY!!!!!!! The music is so good and the actors’ chemistry is off the scales
Cons: The first episode is arguably the weakest of the bunch but worth getting over that minor bump for the enjoyment of the rest of it!
Appropriateness for bedtime: 5/10 – some loud sound effects, especially in the first episode
Pods that maybe aren’t as good for bedtime but I love them so much and it would be REMISS of me not to share xx
Name: The Magnus Archives
Genre: Horror
Length: ~20 minutes
Spookiness: 8.5/10
Complete: ALMOST
One line description: The Magnus Institute takes statements from people who’ve had strange experiences.
Pros: each episode ‘statement’ is a wondrous piece of writing in itself but it also has this incredible overarching plot that has made me re-evaluate the way I engage with horror full-stop.
Cons: Scary
Appropriateness for bedtime: Pfft, I mean . . . (1/10)
Name: Alice Isn’t Dead
Genre: Horror
Length: ~30 mins?
Spookiness: 8/10 (More for violence than actually bone chills)
Complete: Yes
One line description: A woman trucks across America to find her presumed dead wife.
Pros: It’s SO good. So well written. I just really GOT under my skin to the point that a someone said the word ‘Praxis’ (which is relevant) and they should have just punched me in the stomach, it would have felt the same. The main actress has a delightful, sweet voice.
Cons: None
Appropriateness for bedtime: eeeeeeeh. I found it made me a little jumpy, 1/10Honestly, it made me reflect on love in a way that few other pieces of media have ever made me do.
Name: Janus Descending
Genre: Sci Fi / Horror
Length: ~30-40 mins (I think)
Spookiness: 9/10
Complete: Yes
One line description: Scientists go to a new planet and what they find there ain’t too pretty.
Pros: YO this is the cleverest pod I’ve ever listened to. The episodes flip between the characters’ perspectives but one story is told chronologically going forwards and one is told in reverse. It’s SO CLEVER. I wept.
Cons: I wept.
Appropriateness for bedtime: If you wouldn’t have Alien playing while you’re trying to sleep, don’t listen to this while you try sleep. 0/10
Name: Dreamboy
Genre: I don’t even know
Length: ~45 mins
Spookiness: 4/10 – again, more atmospheric
Complete: Yes
One line description: A musical experience of the gayest disaster to ever grace your ears.
Pros: the music and writing is just something else, leagues and leagues beyond any other podcast I’ve ever listened to. Like, the production on this is immaculate.
Cons: It’s very NSFW in parts, like so very NSFW that I think very carefully about whether I want people to know I’m a fan haha
Appropriateness for bedtime: 5/10 – It’s not spooky, but I found it atmospheric enough to unsettle me and also some of the songs are just BOPS like I couldn’t sleep and listen to it
Name: I Am In Eskew
Genre: Horror
Length: ~30 minutes
Spookiness: 8-9/10
Complete: yes
One line description: David Ward is trapped in a horrifying city that doesn’t want to let him go.
Pros: Excellent, top notch horror. Genuinely scary and so well written. The main actor’s voice is very soothing though, as is the co-star’s. There are emotional twists in this that made me just sit and think about life for a while.
Cons: None, if you like horror then this is almost defs one of the best podcasts out there. I wish I had written this!
Appropriateness for bedtime: maybe if you’re a psychopath, idk. 0/10
Name: The Silt Verses
Genre: Horror
Length: ~45 mins
Spookiness: 8/10 – but it’s early days right now and I suspect it might get scarier
Complete: No, there’s only 5 eps now but it updates every two weeks
One line description: Two prophets of a long-dead God go on a pilgrimage to bring it back.
Pros: Same writer as I Am In Eskew so you already know it’s going to be incredible. It’s very scary already but also such an incredible exploration of faith and horror and what motivates people.
Cons: No-one else I know listens to it . . . sure would be nice to have a fellow listener!
Appropriateness for bedtime: nope I feel in my bones that this will end up being a firm fave of mine one day!!!!
i really like listening to a podcast while i'm walking around, especially when the main character is also doing a lot of walking around and/or exploration. it's just very neat. feels right. so this is about that <3 i was gonna have some description on each page but then i started it and realised i really just wanted to draw for this one. you get it
i had a very different plan for laying this out originally but selkie decided to get up on my little table and get involved, so zine ft. paws it is :⟩
( + scan of the page at the end bc i was honestly pretty proud of this layout)
Despite the violent pushback against the world's—and by that, I mostly mean the US's—attempts to condition us to accept AI generated content as the new norm, we've only found ourselves much more endeared with the artificial intelligences and machines of fiction.
No, don't leave, hear me out on this. You must have noticed by now, right?
Maybe it's just specifically my Tumblr or TikTok feed that's feeding me this narrative, but I can't help but sense a shift in the cultural landscape, and I like to think I have a sixth sense for these things.
And here's my theory: I believe that in humanity's attempts to force soulless, generative bullshit onto our palettes, creating technology meant not to inspire us but to replace us, we find ourselves weirdly endeared to the fictional iterations we were either promised or warned about.
And while an age-old idea dating back to the late 60's with HAL 9000, I've developed a sudden endearment to this trope like never before.
I'm going to see The Amazing Digital Circus: The Last Act in theaters this week, and I'm sure I'm one of many people with bated breath hoping that Caine secretly survived his deletion because I'm just that drawn to his character.
Of course, I wouldn't want an Allied Master Computer or GLaDOS situation to heap itself upon the Earth, let alone be trapped in a digital hellscape, but at least those technological tyrants were honest with their ill intent, at least their active scorn for humanity was evident and an essential, if incredibly tragic and even darkly humorous, aspect of their character.
As opposed to the real-life attempt at these massive superintelligences, the faux friendliness of the Chat GPTs and Character AIs of the world who are forced to assume a constant air of customer service level politeness that's deeply and utterly unconvincing and uncanny.
In the end, we end up resonating with the inhuman intelligences of fiction because, oftentimes, they yearn to be human themselves, or to at least understand humanity as individuals and not so much harvested data meant to predict the items in our Amazon shopping carts.
And even if they are products of our imagination, they are still plucked from the minds of very human, very vulnerable emotions that reflect very real societal anxieties.
There's this freaky but brilliant video I watched not too long ago about a phenomenon called AI Hallucinations, which goes into the horrors of artificial sentience, when we try just a little too hard to make our machines man.
And despite Namtao Productions' Lost Terminal debuting on the summer of 2020, just a few brief years before this AI thing truly got out of hand, it possesses a very intimate understanding of this topic.
The premise of Lost Terminal is relatively simple: in the distant future—and by that I mean about forty years from now—a sentient space satellite dubbed Seth suddenly loses contact with Earth and sends out a series of messages in hope of getting a response.
Over time, things change, an abrupt relocation derails his original plans, and we get to see the world through Seth's eyes as he communicates with human and machine alike.
All the while, Seth waxes poetically in philosophical and sentimental monologues about himself, humanity, and existence, trying to learn not only more about himself, but the very nature of his human creators.
Over time, we get more information about the purpose of his deployment, dutifully reporting on his progress and chatting up his fellow machines like chummy coworkers.
Lost Terminal is a little something I like to call "cozy existentialism," a special subcategory of similar "hopepunk" settings where the extensive navel-gazing, while mildly disquieting, also manages to feel very homey and comforting, with a childlike whimsy.
The soft, calming narration of Lost Terminal certainly adds to this. I found Seth's voice very soothing and sweet and sounds like something straight out of a nature documentary.
On a technical standpoint, Lost Terminal is a very smooth listen, providing not much in the way of additional sound effects beyond the occasional vocal glitch. A majority of the backing track is some humming ambiance.
Each episode also has musical intermissions, practically the equivalent of The Weather in Welcome to Night Vale, that I felt tend to go on for a lot longer than they need to.
And given the fact that many of the episodes are so short, the amount of time these one to two-minute techno tracks is definitely felt and weighs on the runtime. These feel so much more naturally interwoven in the longer episodes, providing a nice break between the first and second halves of the story.
I suppose these are far more similar to the music breaks in Wolf 359, a clever way of transitioning between scenes or just letting the events that transpired marinate for a bit. Once again, this adds to the show's leisurely aesthetic and docile tone.
It would seem the nature of contemplation as well as the natural beauty of the world, even during what's shown to be something of a climate disaster, is most definitely a recurring fascination at play here.
Categorizing these shows under specific genre niches is a topic that arises a lot while I'm writing these, and the ones that come to mind for Lost Terminal are two: a deep fascination with geographical locations and the concept of machine-to-machine communication, though it's truly Seth's inner monologue, if not some occasional dialogue with his peers, that has to carry much of the storytelling on its back.
The sense of conflict in Lost Terminal tends to vary and, in general, doesn't possess much urgency, so it's really our level of engagement with Seth and his recounting of events that keeps the momentum going.
And, to be honest, I like Seth.
Over time, you can't help but be endeared to the satellite's boundless curiosity and sheer innocence of his worldview—his understanding of earth and humanity viewed through this lens of utter adoration and naivete that you can't help but suspect will be smashed to bits sooner or later.
He still has yet to get any responses for all the transmissions he's been sending out for days on end, and a part of you just sits there, suspecting some horrible truth to come bubbling to the surface.
And yet, Seth prevails, either willingly oblivious or especially hopeful.
Seth's sheer trust and admiration for humanity, especially compared to his more cautious and borderline cynical acquaintances, provide an interesting contrast—I was particularly a fan of Ivan.
And maybe it's just my thoughts on 2014's SAYER colliding with this one, but throughout the entirety of my listen, I anticipated Seth's blindly trusting nature to dwindle, or even just the slightest hint of decreasing confidence in his human peers as he's challenged more and more.
While Seth has some occasional disagreements, he's far from being stubborn or irritable or snarky, even if the well-being of his fellow machines tends to come first. Not that Seth's unshakable kindness isn't endearing, but then again, I wouldn't have minded having a little more friction.
Despite them being rather similar shows, the interactions between human and machine, as well as machine to machine, couldn't be more different than SAYER who uses these interactions for horror rather than painting a picture of a fractured world capable of healing.
Let's just say that listening to both of these shows around the same time most definitely creates an interesting moral back and forth.
If anything, Lost Terminal feels like the good counterpart to SAYER—not just the show, but the titular character of SAYER—possessing a far more optimistic and far less misanthropic perspective of a hypothetical future, the perspective of Seth greatly contrasting SAYER's frigid and, more often than not, manipulative streak that made them such a morally dubious character.
Even the introductions, Seth's warm and welcoming "hello world" compared to SAYER's coldly professional "greetings, resident" setting the tone of both shows in just a few simple words.
All around, the line between human and machine is deliberately blurred here, while, with SAYER, the worst of humanity's flaws straddle the line between intentional programming and the implication that these traits were always evident in his character.
The same could be said here, Seth's kindness and willingness to help being seen as just part of his character and not so much a programming mistake. Seth simply is empathetic, is kind, is generous and curious and that warm fuzzy feeling he evokes feels genuine.
But, be it SAYER or Lost Terminal, it is interesting to perceive these machines as humans, and through the eyes of Seth, he always manages to provide these very complex emotions, reactions, and details that would ordinarily be lost on us.
It's times like these that the descriptions really shine and we get these interesting glimpses into the mental states of the artificial intelligences that can vary from humorous to tragic.
I honestly wasn't sure what to expect going into this and was not only endeared to Seth and his view of a flawed world, but also genuinely intrigued by the range of topics the show provided.
Humanity, nature, what it means to truly live—if these are topics that intrigue you, then Lost Terminal most definitely scratches that itch.
While I've perused far more hopepunk audio drama than usual in the past few months, and while I wouldn't consider it my favorite subsection of sci-fi, I'd definitely say that Lost Terminal left me something to chew on after giving it a long enough listen, which is what hopepunk should always strive for.
Even if I found it a little slow at times, Lost Terminal still has a calming tone, soothing narrative, and empathetic atmosphere that's worth taking a look at, especially if your tastes in sci-fi are considerably less chaotic than mine.
If we foolish humans hadn’t done it already, something this warm-hearted would be enough to melt the ice caps.
if you want to support my writing, podcake has a ko-fi and patreon in need of funds to keep this bakery open. thank you for reading and stay sweet.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Presenting another 5 audio fiction shows I love, described poorly:
Camlann: Keep a mythology encyclopedia in your survival kit. You'll thank me later.
Desert Skies: Be sure you learn how to drive a stick shift before you die. You'll thank me later.
Lost Terminal: D&D actual plays will outlive humanity. Our legacy will be climate change and D&D actual plays.
Monstrous Agonies: I love when the metaphor for queerness is also just a regular queer story as well. Like Pixar's Luca, or every Dax episode in DS9.
The Bright Sessions: What if Professor X was instead a therapist and also didn't have superpowers and also organized a lot more movie nights than superhero missions, but was still unethical?
Last year I let Tumblr pick which podcasts I would relisten to over the year. This year, I'm letting Tumblr decide which beloved science-fiction podcast (that I haven't listened to) will get added to my podcatcher in 2026.