as a blogwarming post, here's my favorite figure i ever stumbled across in a linguistics paper:
it's the only one in the whole paper and its on page 2, so i choose to believe this was malicious compliance to some review asking for diagrams
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as a blogwarming post, here's my favorite figure i ever stumbled across in a linguistics paper:
it's the only one in the whole paper and its on page 2, so i choose to believe this was malicious compliance to some review asking for diagrams

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I mean that about sums it up
in my phonology. straight up stressing it. and by "it", haha, well, let's justr say. my penult
Subjunctive and domjunctive mood
are there any modalities of natural language other than speech and signing?
in intro to ling classes we sometimes talk about whistled languages as another modality, or drummed languages¹; but i think in actuality most linguists you ask would say that those modalities are a language technology, just as writing is. writing is a technology that enables us to language through an alternative modality, but it's vanishingly rare (or maybe nonexistant) for anyone to acquire writing as their first language modality. signed and spoken (and tactile-signed) languages, however, are acquired by babies as their first languages.
[1] This wiki article is not very well-cited and could be improved.

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Calque & Loanword
Found this. Kind of want to share.
What does it say in the image? It says minimum. Hard to read? Medieval scribes thought so too. That's why they invented the dot on the i. This way, you could at least see which strokes represented vowels - and that helped a lot.
For similar reasons, the letter j was invented. Two consecutive dotless ı's looked a lot like the letter u. A Middle Dutch word such as dııc ('dike') could be mistaken for duc ('often'). That's why the second ı was lengthened to ȷ: dıȷc.
The text continues after the image.
The letters ıı/ıȷ/ij originally represented the long ee sound as in English freeze, phonetically [iː]. However, in the 14th century, this sound started to become a diphthong in certain regions, initially close to what you hear in Cockney me: [ɪj]. Later, it became similar to English ay in may. In certain regions in The Netherlands and Flanders, it eventually became the diphthong heard in my.
Nowadays, ij is considered a digraph: two letters representing one sound. Some even insist it's one single letter (and they can be very vocal about it). At any rate, ij is always capitalised as a whole: ijs becomes IJs if it's the first word of a sentence. On signs like the one below, both letters are often put in the same box.
In the 1920s male linguists came up with a name for this process of giving an object a human pronoun; they called it “upgrading,” as if by calling these things “she,” they are elevated to human status. They couldn’t quite see that it simultaneously downgrades women to the status of toys and property. In practice, what these metaphors of women as nature, territories, and technologies do is place feminine gender in that same distant category of “other.” According to Romaine, by comparing her to things like storms and seas, “woman is symbolic of the conflict between nature and civilization, tempting men with her beauty, attracting men with her charms, but dangerous and therefore in need of conquest.” Woman is a continent to colonize, a fortress to siege. These sentiments are reflected not only in English; in languages all over the world, from Italian to Thai, a nation’s government is labeled as having “founding fathers,” while the land itself (“Mother Nature,” “virgin territory”) is perceived as a feminine entity. In grammar as in allegory as in life, women are considered reckless places outside the civilized male world—wild things meant to be tamed into the weak, delicate flowers we’ve traditionally wanted women to be.
Wordslut: A Hilarious and Informative Exploration of Gendered Language and Its Impact on Women - Amanda Montell