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A seating area in the London home of gallerist David Gill. A collection of enamelled bronze and silver boxes by Line Vautrin rest on nesting tables by Eugene Printz. The drawing of bulls in Egyptian costume and ceramic plate are by Jean Cocteau. The cocktail table loosely resembles material, scale and heft of the carved harewood winged-sphinx table T.H. Robsjohn-Gibbings designed for Casa Encantada, but that is merely a guess. Please share if you know. Photo by Pierre-Olivier Deschamps * @davidgillgallery⠀#davidgill #londonartgallery #linevautrin #eugeneprintz #jeancocteau #1930sdesign #frenchmodern #artmoderne #luxemoderne #modernluxury #hautemoderne #highmodern #interiordesign #linteriordecoration #livingwithart #pierreoliverdeschamps https://www.instagram.com/p/BppB_ddl5d4/?utm_source=ig_tumblr_share&igshid=1gqehcmcil0a1
This striking aluminum porthole door was designed by reowned metal worker and self-taught architect Jean Prouve circa 1949-a signature element in his post-WWII mass-production housing concept. Flanking the doorway, Carlo Mollino’s chairs embody functionality and the female form, while epitomizing Mollino’s style: the union of the romantic and the rational. The extraordinary “Follie” mirror, created by jewelry and decorative designer Line Vautrin, presents a sun with twelve irregular flames haphazardly extending outward, one, in particular, supporting a tiny, witch mirrored glass “moon.” The asymmetrical bordure inside the mirror mimics the Prouve portholes, while the black talosel flames balance the black Mollino chair to the left.
-Jean Prouve, Door (1949)
-Carlo Mollino, Important side chair (1959) painted beech, painted brass
-Carlo Mollino, Tipo B side chair (1950) Resinflex, brass, tibular brass
-Line Vautrin, Folie mirror (circa 1958)
-Elizabeth Peyton, John Lennon 1965 (Hotel), 1995
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G O S E E: LINE VAUTRIN: 100 years of magnitude
MASON GERARD new york, may 16th - june 21st 2013
"Line Vautrin, a revered French artist of the 20th Century once dubbed 'the poetess of metal' by Vogue... Vautrin's artistic signature is very much in evidence in this extraordinary highly personal collection of her extremely rare and intricate detailed boxes. Carefully amassed over more then 40 years, it's the largest of its kind to ever reach the market. It began with decades' worth of romantic gifts from the collector's father to his mother, with the son often brought along on visits to both Vautrin's boutique and her legendary Marais atelier in the 50s and 60s."
