My headcanon is that this is Genesis cosplaying as Sephiroth. 🤭
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My headcanon is that this is Genesis cosplaying as Sephiroth. 🤭

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⁉️ Creators' Club: Trivia Tuesday ⁉️
wanna know more? go this way to get to the Creators' Club hosted by @bardic-tales
Today I'm going to tell you a little bit about some changes I made to my mc's backstory from 'The Lilac crown': Elisabeth Darrington.
are you a sephiroth apologist?
I'm a 'he is a collection of pixels who happens to have a great boss theme and amazing hair' apologist.
Did a fictional meteor hurt your feelings, was the Aerith-kabob too spicy for you, or are we just gatekeeping videogame villains today, hon?
recently stumbled across these wallpapers and had to share them as a wild piece of bootleg history. These are actually from 300 Heroes, an infamous, unlicensed Chinese PC MOBA notorious for lifting copyrighted anime and gaming characters without permission.
I have a deep respect for the official IP, so I had a bit of an ethical debate with myself about posting these. But alongside being a massive FF7 nerd, I also find bizarre copyright infringement cases completely fascinating.
The legal math behind how this game survives is wild: operating in legal gray areas, exploiting localized trademark loopholes in China, and flying just low enough under the radar that giant companies like Square Enix don't bother spending millions on international lawsuits to shut them down.
While the game totally lifted his likeness, the digital artists hired to make the splash art clearly put real effort into the illustrations. I wanted to archive these here not to endorse the bootleg game, but to document a genuinely weird, chaotic piece of Sephiroth's global footprint here on my blog.
Notes for my Omegaverse AU, and it has a new name: Engineered Instincts.
Just a heads up. I'm not actively online on Tumblr right now, but I wanted to drop this out of my queue. I will talk to you all soon.
Queue Post: A quick note on how and why this FWC Omegaverse differs from standard tropes:
Not a "Wolf-Pack" Trope, but a Parasitic Infection: In standard Omegaverse writing, the Alpha/Beta/Omega hierarchy is typically treated as a natural, fluffy, or idealized biological order. In this universe, it is the exact opposite. The biological caste system is a literal weapon of cosmic horror: a localized environmental pathogen and genetic mutation forced upon Gaia’s Lifestream when Jenova crash-landed 2,000 years ago.
Pheromones as Localized Pathogens: Instead of pheromones being simple romantic or mating signals, they function like sensory toxins. An unadulterated Apex scent completely strips away the warmth of living matter, inducing immediate, paralyzing dread, nausea, and neuromuscular suppression in lesser castes.
The Scentless Vessel & Project Nexus: While traditional tropes rely on instant, destined chemical attraction, Bianca’s role is a product of clinical, corporate horror. Originating from the Abyss, she naturally possessed absolutely no secondary dynamic or scent signature. Hojo deliberately engineered her through Project Nexus, using invasive S-cell infusions to strip her of her pristine celestial nature and manufacture a permanent, synthetic biological lock tailored specifically to anchor Sephiroth's mutated instincts.
The Biological Trap of Nesting: Standard nesting is often portrayed as a cozy, comforting domestic habit. Here, nesting is re-contextualized as a primitive, compulsive neuro-behavioral mandate driven by acute trauma or hyper-vigilance. Without a dominant partner’s scent to anchor it, an isolated Omega’s own distress pheromones saturate the space, turning the sanctuary into a terrifying psychological feedback loop known as "Nest-Rot".
The Subversion of the Soulmate Paradigm: In traditional stories, the biological bond is the soul-bond. In this mythos, the biological hierarchy is an artificial, corrupt genetic cage introduced by an alien entity. The true, sacred soul-bond / twin flame dynamics is the Filum Aeternum (the Red String of Fate): a divine, ethereal link that transcends Jenova's taint and exists as a separate spiritual reality completely independent of base physical biology and is only seen in Bianca and Sephiroth.
Possible Trigger Warnings: Abduction, body horror, chemical dependency, cosmic horror, dark romance, dubious consent, gaslighting, manipulation, non-consensual biological alteration, psychological horror, stalking, trauma-induced dissociation.

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Bianca Moore: Proudly Demibisexual. Love is cosmic.
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what i loveeeeee about lucrecia haters is how you and synth are like the only prominent ff7 bloggers that are also moms or at least the only ones i follow and are both defenders of her but what would moms know about another moms pain i guess
Hello, my anon friend. It is always incredibly revealing when people decide that a mother’s lived experience has no bearing on understanding a story about, well. . .a mother’s trauma.
But to answer your question. Apparently, we know a whole lot more than the corners of the fandom that look at Lucrecia and see a flat, two-dimensional villain.
I can’t speak for Synth, but I can speak from my own soul. Before I became a mom, I already deeply sympathized with Lucrecia when I played the games. But after having my own child? After surviving multiple losses, fighting through secondary infertility, and enduring the terrifying isolation of preeclampsia, forced bedrest, and ultimately being induced early because my body was in a state of medical crisis? Her cries in the game don't just make me sad anymore. They absolutely gut me.
People who haven't experienced the hormonal, psychological, and physical reality of pregnancy and postpartum don't understand that it completely rewires you. When you undergo a high-risk pregnancy and a forced medical intervention like an early induction, your sense of agency is completely stripped away. You are entirely vulnerable, relying on the hope that you and your baby will survive the ordeal, and that survival instinct morphs into a fierce, protective necessity the moment they are born.
When my daughter was a baby, I held her constantly. So much so that family members commented on it. If my husband took her downstairs just to visit my mother-in-law in our same building, I would wake up crying from the sheer, primal panic of her not being right next to me or in the bassinet beside our bed.
Now, take those overwhelming, vulnerable, terrifying instincts and look at Lucrecia:
She was trapped in a subterranean lab with an abusive, narcissistic monster.
She was experimented on while pregnant, her body treated not as a living person but as a biological incubator for a corporate asset.
Her delivery was entirely on Hojo's clinical timeline, a medicalized nightmare devoid of safety or comfort.
Her baby was stolen from her arms the second he was born. She never held him, never nursed him, never got to comfort him.
To look at a woman in those exact circumstances and shrug her off as a "monster" or "just like Hojo" isn't just a lack of empathy. It is a massive failure of basic media literacy.
From my experience, certain corners of the Final Fantasy VII fandom has always had a chronic problem with flattening complex characters. People do it to Lucrecia by stripping her of her tragedy, and they do it to Sephiroth by reducing him to a surface-level, shonen-style anime villain whose only purpose is to fight Cloud. They completely miss the multi-generational, psychological horror story that Square Enix actually wrote. Sephiroth isn't just a boss fight at the end of a highway or in a Crater. He is the product of severe, generational trauma, raised by the literal monster who destroyed his mother and treated him like a weapon from his very first breath.
I wanted to formulate these thoughts and queue this up before I head offline for a week-long hiatus to process some very difficult family news and grieve with my loved ones. I took the time to write this out because, honestly, this isn't just about Final Fantasy VII or Lucrecia anymore. It is about how some people in society view mothers as a whole.
Mothers are human beings. We are not perfect. We can fail, we can make catastrophic mistakes, and we can spend the rest of our lives desperately trying to atone for them. Lucrecia is a beautifully written, tragic figure who paid for her mistakes with a fate worse than death.
If being a mother gives us the radical ability to see the basic humanity, abuse, and agonizing remorse in her character arc, then yeah, I’d say moms know exactly what they’re talking about.
The Floral Symbolism of Bianca Moore
Still offline until tomorrow. I shall catch up with everyone (fics, comments, etc) tomorrow morning. Love you all.
In the Redemption!AU, there is something endlessly fascinating about using floriography—the historical language of flowers—to dissect character design and narrative arcs. When it comes to a character like Bianca, the choices go far deeper than simple aesthetics.
Her name itself carries the weight of purity, light, and quiet grace, but her journey is rarely just a straight line of untouched innocence. Instead, her character usually exists at a compelling intersection of soft resilience, deep devotion, and the sharp realities of the world around her.
Below is a breakdown of five real-life flowers that perfectly capture different facets of Bianca's identity. From the unblemished symmetry of the camellia to the deceptive, fierce survival traits of the lily of the valley, these botanical counterpoints reflect the hidden depths beneath her gentle exterior.