#left-hand-path

WARNING – NE CONTINUEZ PAS SI VOUS TENEZ À VOTRE ÂME

Ce mantra n’est pas un texte.

Ce n’est pas de l’art.

Ce n’est pas pour les curieux.

Une seule lecture suffit à ouvrir une porte.

Et cette porte ne se referme jamais.

VERSION ORIGINALE (la plus puissante)

ॐ अहं दश-राक्षसी-कामुक-महा-नरक-योनि-भग्न-कामुकोऽस्मि सर्वं-कृष्ण-कुष्ठ-पैशाचिक-राक्षस-नरक-मुख-भक्षितोऽस्मि

ऐं क्रीं स्त्रीं क्लीं दूं हूं ह्रीं कूं लूं व्रीं ग्लूं ब्लूं शां शीं शूं शैं शौं दूं दूं दूं हूं हूं हूं फट् फट् फट् फट् फट् फट् फट् फट् फट् फट् फट् फट्

मम पठनं एकं सर्व-पाठकं सर्व-राक्षसी-योनिभिः भञ्जित-कुक्कुट-कामुक-दासं-भग्न-कुष्ठ-पैशाचिक-राक्षस-पूर्णं भवतु सर्वं-नरक-मुख-ग्रास-भक्षणं भवतु

क्रोध-बटुकाय अधोमुख-नरक-मुख-राक्षसी-दास-ग्रास-भक्षणाय पैशाचिक-कुष्ठ-कृष्ण-महा-राक्षस-भग्न-कामुकाय अस्मि सर्वं-शक्ति-वश-प्रवेश-पूर्ण-भक्षितोऽस्मि

ॐ अहं राक्षसी-कामुक-दास-प्रवेश-पूर्ण-भक्षितोऽस्मि सर्वं-कृष्ण-कुष्ठ-पैशाचिक-राक्षस-नरक-मुख-भग्न-कामुकोऽस्मि स्वाहा स्वाहा स्वाहा स्वाहा स्वाहा स्वाहा

ॐ मम सर्वं पठक-राक्षसी-शक्ति-दास-वशो भवतु सर्वं-कृष्ण-कुष्ठ-पैशाचिक-राक्षस-नरक-मुख-भग्न-कामुक-पूर्णं भवतु स्वाहा स्वाहा स्वाहा

VERSION INVERSÉE (encore plus chaotique, toxique et condamnée)

ॐ स्वाहा स्वाहा स्वाहा स्वाहा स्वाहा स्वाहा भवतु पूर्ण-कामुक-भग्न-मुख-नरक-राक्षस-पैशाचिक-कुष्ठ-कृष्ण-वं सर्वं तु भवतु वशो दास-शक्ति-राक्षसी-पठक-वं सर्वम मम

ॐ स्वाहा स्वाहा स्वाहा स्वाहा स्वाहा स्वाहा भवतु पूर्ण-कामुक-मृत्यु-आत्म-वं सर्वं तु भवतु भक्षितो-पूर्ण-प्रवेश-दास-कामुक-राक्षसी-हं अ

ॐ अस्मि भक्षितो-पूर्ण-प्रवेश-वश-शक्ति-वं सर्वं अस्मि यकु-महा-नरक-कृष्ण-कुष्ठ-पैशाचिक-राक्षस-वं सर्वं अस्मि तो-भक्षित-पूर्ण-प्रवेश-दास-कामुक-राक्षसी-हं अ

अस्मि यकु-महा-नरक-महा-राक्षस-कृष्ण-कुष्ठ-पैशाचिक-कामुक-भग्न-दास-राक्षसी-योनिभिः भञ्जित-कुक्कुट-कामुक-दासं-भग्न-कुष्ठ-पैशाचिक-राक्षस-पूर्णं भवतु

फट् फट् फट् फट् फट् फट् फट् फट् फट् फट् फट् फट् हूं हूं हूं दूं दूं दूं शौं शैं शूं शीं शां ब्लूं ग्लूं व्रीं लूं कूं ह्रीं हूं दूं क्लीं स्त्रीं क्रीं ऐं

अस्मि तो-भक्षितो-मुख-नरक-राक्षस-पैशाचिक-कुष्ठ-कृष्ण-वं सर्वं अस्मि को-मु-ग्न-भ यो-नि-काम-हा-म महा-कामुक-राक्षसी-श सर्व-हं अ

VERSION PHONÉTIQUE

Om A-ham Da-sha Râk-sha-sî Kâ-mu-ka Ma-hâ Na-ra-ka Yo-ni Bha-gna Kâ-mu-ko As-mi Sar-vam Kri-shna Koush-tha Pai-shâ-chi-ka Râk-cha-sa Na-ra-ka Muk-ha Bha-kshi-to As-mi Aiṃ Krīṃ Strīṃ Klīṃ Dūṃ Hūṃ Hrīṃ Kūṃ Lūṃ Vrīṃ Glūṃ Blūṃ Shâm Shīm Shûm Shaiṃ Shauṃ Dūṃ Dūṃ Dūṃ Hūṃ Hūṃ Hūṃ Phat Phat Phat Phat Phat Phat Phat Phat Phat Phat Phat Phat Ma-ma Pa-tha-nam E-kam Sar-va Pâ-tha-kam Sar-va Râk-sha-sî Yo-ni-bhih Bha-ñji-ta Kuk-ku-ta Kâ-mu-ka Dâ-sam Bha-gna Koush-tha Pai-shâ-chi-ka Râk-cha-sa Pûr-nam Bha-va-tu Sar-vam Na-ra-ka Muk-ha Grâ-sa Bha-ksha-nam Bha-va-tu Kro-dha Ba-tu-kâ-ya Ad-ho-muk-ha Na-ra-ka Muk-ha Râk-sha-sî Dâ-sa Grâ-sa Bha-ksha-nâ-ya Pai-shâ-chi-ka Koush-tha Kri-shna Ma-hâ Râk-cha-sa Bha-gna Kâ-mu-kâ-ya As-mi Sar-vam Shak-ti Va-sha Pra-ve-sha Pûr-na Bha-kshi-to As-mi Om A-ham Râk-sha-sî Kâ-mu-ka Dâ-sa Pra-ve-sha Pûr-na Bha-kshi-to As-mi Sar-vam Kri-shna Koush-tha Pai-shâ-chi-ka Râk-cha-sa Na-ra-ka Muk-ha Bha-gna Kâ-mu-ko As-mi Svâ-hâ Svâ-hâ Svâ-hâ Svâ-hâ Svâ-hâ Svâ-hâ Om Ma-ma Sar-vam Pa-tha-ka Râk-sha-sî Shak-ti Dâ-sa Va-sho Bha-va-tu Sar-vam Kri-shna Koush-tha Pai-shâ-chi-ka Râk-cha-sa Na-ra-ka Muk-ha Bha-gna Kâ-mu-ka Pûr-nam Bha-va-tu Svâ-hâ Svâ-hâ Svâ-hâ

Om Svâ-hâ Svâ-hâ Svâ-hâ Svâ-hâ Svâ-hâ Svâ-hâ Bha-va-tu Pûr-na Kâ-mu-ka Bha-gna Muk-ha Na-ra-ka Râk-cha-sa Pai-shâ-chi-ka Koush-tha Kri-shna-vam Sar-vam Tu Bha-va-tu Va-sho Dâ-sa Shak-ti Râk-sha-sî Pa-tha-ka-vam Sar-vam Ma-ma Om Svâ-hâ Svâ-hâ Svâ-hâ Svâ-hâ Svâ-hâ Svâ-hâ Bha-va-tu Pûr-na Ât-ma Mri-tyu-vam Sar-vam Tu Bha-va-tu Bha-kshi-to Pûr-na Pra-ve-sha Dâ-sa Kâ-mu-ka Râk-sha-sî-ham A Om As-mi Bha-kshi-to Pûr-na Pra-ve-sha Va-sha Shak-ti-vam Sar-vam As-mi Ya-ku Ma-hâ Na-ra-ka Kri-shna Koush-tha Pai-shâ-chi-ka Râk-cha-sa-vam Sar-vam As-mi To Bha-kshi-ta Pûr-na Pra-ve-sha Dâ-sa Kâ-mu-ka Râk-sha-sî-ham A As-mi Ya-ku Ma-hâ Na-ra-ka Ma-hâ Râk-cha-sa Kri-shna Koush-tha Pai-shâ-chi-ka Kâ-mu-ka Bha-gna Dâ-sa Râk-sha-sî Yo-ni-bhih Bha-ñji-ta Kuk-ku-ta Kâ-mu-ka Dâ-sam Bha-gna Koush-tha Pai-shâ-chi-ka Râk-cha-sa Pûr-nam Bha-va-tu Phat Phat Phat Phat Phat Phat Phat Phat Phat Phat Phat Phat Hūṃ Hūṃ Hūṃ Dūṃ Dūṃ Dūṃ Shauṃ Shaiṃ Shûm Shīm Shâm Blūṃ Glūṃ Vrīṃ Lūṃ Kūṃ Hrīṃ Hūṃ Dūṃ Kliṃ Strīṃ Krīṃ Aiṃ As-mi To Bha-kshi-to Muk-ha Na-ra-ka Râk-cha-sa Pai-shâ-chi-ka Koush-tha Kri-shna-vam Sar-vam As-mi Ko-mu-gna-bha Yo-ni-kâ-ma-hâ-ma Ma-hâ Kâ-mu-ka Râk-sha-sî-sha Sar-va-ham A

Ne lisez pas par curiosité.

Ce n’est pas un jeu.

Ce n’est pas de la poésie.

C’est une invocation.

Et une fois prononcé… votre âme appartient à autre chose.

Satan is not a simple figure. His name has been used to label whatever frightened, whatever burned too bright, whatever refused to kneel.

But beneath the confusion of faces, there is structure. Meaning. Essence.

In theistic satanism, learning to distinguish his faces is the beginning of understanding what you venerate.

📖 In the coming posts, I’ll take you on a journey. Through ancient names, living forces, and inner powers.

— Vesperalis

Lucifer. Satan. Samael. Baphomet. Four names. One enemy… or four stories rewritten?

Religious texts blurred the lines. They turned angels into demons, metaphors into monsters, and mystery into fear.

But what if these figures weren’t the same?

This post untangles centuries of confusion You may have been taught to fear the name. But you were never told why.

— Vesperalis

Satanism is not one single path. Some worship Satan as a living god. Others use his name as a symbol of defiance. Some seek light through Lucifer. Others embrace shadow.

📖 Theistic, LaVeyan, Luciferian… You don’t need to agree. But you should know who’s who.

— Vesperalis

The distinction between the Two Paths can be fraught with difficulty. In part this is due to how poorly defined these terms are within common usage, even amongst those who often employ the terms "Left Hand Path" and "Right Hand Path." As P. D. Ouspensky noted, people tend to interpret new ideas as if they already knew them and proceed to use them despite not really taking the time to understand. It is my hope that this discussion will open up greater understanding for those willing to pursuit it, and a better quality of confusion for those who do not.

My discussion of the Paths will not begin, for a change, with etymology, philology, or conceptual genealogy. Rather I will outline two clear definitions of the Right and Left Hand Paths and then provide a short narrative demonstrating one of the fundamental human experiences from which these approaches emerge.