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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Speech after the Removal of the Larynx - Harm A. Drost
So many people out here are trying so hard to be disturbing and edgy and here comes cute little folkways records with it's Pete Seeger records cornering you at a party and goes "Want to hear my record on voice replacement after the Larynx is removed?"
Here is the Folkways description:
Recorded in 1964 by Harm A. Drost, this album demonstrates the evolving developments in artificial voice creation after the removal of the larynx. After a growing interest in artificial voice production, Drost deemed that "A phonograph record demonstrating some of these forms of speech in which sounds are created without the use of vocal cords therefore seemed to us a useful contribution." The album walks the listener through the different available methods. Liner notes include detailed information on each method demonstrated in the tracks.
Get it from my Google Drive HERE
Larynx captured under the microscope.
Pattern To Crochet a Larynx Medical Model ... In Case You're Wondering, That's a Voice Box: 👉 https://buff.ly/0wyr0UB - designed and crocheted by Aileen Robinson of Leen Green Bean who also sells them already made.
Cisgender people, do you personally think you have a low pitched (deep) voice for someone of your gender?
Yes
No
I'm not cisgender

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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If we observe how in embryonic development an organism is gradually created out of the liquid, our attention is drawn to movements which play their part in fashioning it according to invisible plans, though they are themselves not all visible in the finished form. They are like the hands of the potter in their abundance of possibilities, moulding a vessel from without and within and then withdrawing again into the invisible world. They are movements which originate in the will and spirit of a living being. As movements they are actually the creative and formative forces through which the idea underlying the forms can be impressed on the elements. Once this has been accomplished, the creative movement releases the form and appears in it as a function, of which the embodied being may now make use.
Theodor Schwenk, Sensitive Chaos: The Creation of Flowing Forms in Water and Air
The Larynx and Voice (Videos, 1958)
You can watch these vintage educational films, and view some related documents, here.
I want to be maintained on a
table, remembered at my starchest & most angry, shrined against a wall,
vilified well. amen.
— Maya Salameh, from "LARYNX," How to Make an Algorithm in the Microwave